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Aesthetic Redemption: Psychedelia, Film, And Walter Benjamin’S Sensory Revolution, Alexander C. Redlins

Dissertations, Theses, and Capstone Projects

This inquiry examines the ways in which the psychedelic nature of film, as posited by Walter Benjamin, has the potential to precipitate class consciousness and lead to humanity’s emancipation from anaesthetizing capitalist forces. We first explore Benjamin’s relationship to, and understanding of, Marxist thought with a particular focus on György Lukács’ theory of reification and Marx’s fetish character of the commodity which Benjamin ultimately believes lead to an erosion of the human sensorium and the destruction of human nature. As such, we explore Benjamin’s revolutionary aesthetic theory which seeks the reversal of these erosive capitalist forces and the redemption of …