Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

City University of New York (CUNY)

2020

Discipline
Keyword
Publication
Publication Type

Articles 1 - 6 of 6

Full-Text Articles in Arts and Humanities

Building Baghdad: The Construction Of Urban Space In Iraq, 1921–1963, Andrew S. Alger Sep 2020

Building Baghdad: The Construction Of Urban Space In Iraq, 1921–1963, Andrew S. Alger

Dissertations, Theses, and Capstone Projects

This dissertation examines the production of space in Baghdad during the monarchical and early republican eras (1921 – 1963). As the capital of the new nation of Iraq following the First World War, Baghdad expanded along the banks of the Tigris River into new residential and commercial spaces, establishing schools, boutique stores, sporting venues, electricity and running water that transformed how Iraqis conceived of the mundane activities associated with daily life. Employing a theoretical framework drawing on Henri Lefebvre’s production of space, I argue that participation in the creation of new neighborhoods and streets was uneven across differences of class, …


Aesthetic Redemption: Psychedelia, Film, And Walter Benjamin’S Sensory Revolution, Alexander C. Redlins Jun 2020

Aesthetic Redemption: Psychedelia, Film, And Walter Benjamin’S Sensory Revolution, Alexander C. Redlins

Dissertations, Theses, and Capstone Projects

This inquiry examines the ways in which the psychedelic nature of film, as posited by Walter Benjamin, has the potential to precipitate class consciousness and lead to humanity’s emancipation from anaesthetizing capitalist forces. We first explore Benjamin’s relationship to, and understanding of, Marxist thought with a particular focus on György Lukács’ theory of reification and Marx’s fetish character of the commodity which Benjamin ultimately believes lead to an erosion of the human sensorium and the destruction of human nature. As such, we explore Benjamin’s revolutionary aesthetic theory which seeks the reversal of these erosive capitalist forces and the redemption of …


In And Out Of Character: Socratic Mimēsis, Mateo Duque Feb 2020

In And Out Of Character: Socratic Mimēsis, Mateo Duque

Dissertations, Theses, and Capstone Projects

In the Republic, Plato has Socrates attack poetry’s use of mimēsis, often translated as ‘imitation’ or ‘representation.’ Various scholars (e.g. Blondell 2002; Frank 2018; Halliwell 2009; K. Morgan 2004) have noticed the tension between Socrates’ theory critical of mimēsis and Plato’s literary practice of speaking through various characters in his dialogues. However, none of these scholars have addressed that it is not only Plato the writer who uses mimēsis but also his own character, Socrates. At crucial moments in several dialogues, Socrates takes on a role and speaks as someone else. I call these moments “Socratic mimēsis.” …


The Metacognitive And Exploratory Use Of The Concept Map For Thematic Art History Papers In The Survey Course, Leda Cempellin Jan 2020

The Metacognitive And Exploratory Use Of The Concept Map For Thematic Art History Papers In The Survey Course, Leda Cempellin

Art History Pedagogy & Practice

This article examines how the introduction of pedagogical interventions in the art history survey class, made by using concept maps beyond an initial brainstorming phase and rather as an active-learning strategy in aid to developing thematic papers, impacts students’ perception of their usefulness. The qualitative and quantitative data gathered included two questionnaires, one submitted periodically throughout the semester and one after the concept map and term paper were completed. Additionally, this study presents a visual analysis of three sample sets of students’ concept maps to illustrate the levels of deep, surface, and non-learning. The results reveal that assigning students the …


Art History, Art Museums, And Power: A Critical Art History Curriculum, Kristina Elizondo Jan 2020

Art History, Art Museums, And Power: A Critical Art History Curriculum, Kristina Elizondo

Art History Pedagogy & Practice

Engaging in the recent tradition of disciplinary and instructional self-critique by art historians teaching at the college level, this teaching practice reflection pursues the question of how an art history survey class can benefit from activities grounded in theoretical texts. In the format of scholarly personal narrative (SPN), a personal background and justification for incorporating critical theory-based lessons into the introductory art history curriculum, including narrative descriptions of four curricular areas and an example museum project, are detailed. The article paints a personal picture as well as extols the general benefits, based on the author’s perspective and experiences, of incorporating …


Legal Frameworks For Protecting Cultural Heritage In Conflict Zones, Marcie M. Muscat Jan 2020

Legal Frameworks For Protecting Cultural Heritage In Conflict Zones, Marcie M. Muscat

Dissertations and Theses

Cultural heritage has always been at risk during times of war. UNESCO first endeavored to address the issue shortly after World War II, in 1954, when it passed the first of three signature conventions to protect against the damage, destruction, and pillage of cultural property in times of armed conflict. Lacunae and other deficiencies in their frameworks, however, rendered these conventions difficult to enforce and largely ineffectual. This study offers an assessment of the strengths and limitations of the UNESCO system of cultural-heritage protection, with a particular focus on the 1954 Hague Convention. It is argued that, by superseding certain …