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City University of New York (CUNY)

2003

Theses/Dissertations

Articles 1 - 4 of 4

Full-Text Articles in Arts and Humanities

Art Or Propaganda: A Historical And Critical Analysis Of African-American Approaches To Dramatic Theory, 1900–1965, Henry D. Miller Jan 2003

Art Or Propaganda: A Historical And Critical Analysis Of African-American Approaches To Dramatic Theory, 1900–1965, Henry D. Miller

Dissertations, Theses, and Capstone Projects

This dissertation surveys African American approaches to dramatic theory from 1900 to 1965, demonstrating that in the period the issue dominating the field was a great debate that defined black drama as art on the one hand and as propaganda on the other. In an African American cultural history replete with covert and overt struggles for social and political equality, the art or propaganda question necessarily reached a magnitude and importance found in no other area of twentieth-century dramatic theory. The comprehensiveness of the debate that interrogated this question and its historical and cultural depth has largely gone untreated. Moreover, …


Identifying The First Person, Roblin Roy Meeks Jan 2003

Identifying The First Person, Roblin Roy Meeks

Dissertations, Theses, and Capstone Projects

Wide agreement exists that self-ascriptions that one would express with the first-person pronoun differ in kind from those one would express with other self-designating expressions such as proper names and definite descriptions. At least some first-person self-ascriptions, many argue, are nonaccidental—that is, they involve no self-identification, and hence in making them one cannot accidentally misidentify the subject of the ascription. I examine the support for this claim throughout the literature, paying particular attention to Sydney Shoemaker's proposal that self-ascriptions are nonaccidental in virtue of being immune to error through misidentification relative to the first-person pronoun. According to Shoemaker, such immunity …


Play For Mortal Stakes: Funerals As Modernist Acts Of Fiction, Janine Marie Utell Jan 2003

Play For Mortal Stakes: Funerals As Modernist Acts Of Fiction, Janine Marie Utell

Dissertations, Theses, and Capstone Projects

The purpose of this dissertation is to examine the ritualization of death in British literature of the interwar period and its implication for narrative and genre. The authors under consideration include poets of the Great War (Robert Graves, Charles Sorley, Isaac Rosenberg, the Sitwells), and later writers such as Katherine Mansfield, Aldous Huxley, Virginia Woolf, W. H. Auden, Ivy Compton-Bumett, and James Joyce. Using the methodology of ritual studies, an interdisciplinary approach combining the perspectives of religion, anthropology, and literary criticism, I examine how these texts create a fictive space in which death can be ritualized and how this process …


Renaissance And Reformation: From Private Morals To Public Policy In Alonso De Ercilla’S "La Araucana" And Edmund Spenser’S "The Faerie Oueene", Cyrus Moore Jan 2003

Renaissance And Reformation: From Private Morals To Public Policy In Alonso De Ercilla’S "La Araucana" And Edmund Spenser’S "The Faerie Oueene", Cyrus Moore

Dissertations, Theses, and Capstone Projects

The present study examines the significance for Ercilla and Spenser of humanism, Neoplatonism, Petrarchism, and cortegiania, competing discourses with distinct identities within the competing ideologies of the Reformation and Counter-Reformation. Both authors draw on a shared heritage of the translatio studii and, in particular, on imagery arising from epic poetry's underlying tension between epos and eros. Ercilla's use of this material fuels a renovatio of classical epic based on the poet's participation in the events he describes. Spenser's utilization of these motifs constitutes a transformatio impelled by reformed religion, which raises the stakes from the potential for shame or …