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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
Minerva Cuevas: Disidencia, Alaina Claire Feldman, Clayton Press, Solange Farkas, Gabriel Bogossian
Minerva Cuevas: Disidencia, Alaina Claire Feldman, Clayton Press, Solange Farkas, Gabriel Bogossian
Publications and Research
Bilingual catalogue for the exhibition "Minerva Cuevas: Disidencia" presented at Baruch College's Mishkin Gallery.
Lamin Fofana: Blues, Alaina Claire Feldman, Dino Dincer Sirin, Lamin Fofana
Lamin Fofana: Blues, Alaina Claire Feldman, Dino Dincer Sirin, Lamin Fofana
Publications and Research
Catalogue for the exhibition "Lamin Fofana: Blues" presented at Baruch College's Mishkin Gallery in 2020.
Review Of Analogías Musicales: Kandinsky Y Sus Contemporáneos, Antoni Pizà
Review Of Analogías Musicales: Kandinsky Y Sus Contemporáneos, Antoni Pizà
Publications and Research
It is hard to believe that curators and scholars still find something to say about the relationship between music and art of the twentieth century. Still, in recent years there has been a relentless boom of exhibitions, scholarly studies, and books dedicated to this topic. This interest, to be sure, is due, in part, to the prestige that modernist art commands among wealthy collectors and institutions, but also to its immense popularity among the general public. Less popular in appeal, though equally revered among the happy few, is modernist music. When both manifestations – art and music – are brought …
Dalí'S Musical Roundabouts, Antoni Pizà
Dalí'S Musical Roundabouts, Antoni Pizà
Publications and Research
Those familiar with Salvador Dalí's contradictory nature as well as his propensity to mask his own thoughts will not be surprised to learn that, publicly, he despised music, though obviously that was not the case at all. In fact, many witnesses say – Amanda Lear, for one – he was actually quite musical and, time and again, he could be caught off guard singing or humming Catalan folk songs, sardanas, zarzuelas, and cuplés – all folksy, kitschy, and, by most accounts, tacky popular songs. Dalí, however, went to a great length to conceal this spontaneous love for the simple, uncomplicated …
Review Of Raíces: The Roots Of Latin Music In New York City, Antoni Pizà
Review Of Raíces: The Roots Of Latin Music In New York City, Antoni Pizà
Publications and Research
When I was in school – and that was, obviously, a long time ago – the word Latin, whether as a noun or as an adjective, referred to the world of ancient Rome, its language, culture, and civilization. Needless to say, this definition has now been replaced by another, whose connotations refer to the culture of the countries south of the border of the United States. When a term alters its meaning, it is undoubtedly indicative of larger issues. In recent decades, for example, the popular music of the Spanish-speaking world, not only has attained by appropriation a distinct …
Review Of Treasures Of Castilla Y León: A Cultural Season In New York, Antoni Pizà
Review Of Treasures Of Castilla Y León: A Cultural Season In New York, Antoni Pizà
Publications and Research
Spanish religious art tends to be theatrical in nature. During the Middle Ages and the Renaissance, for example, the original setting of sculpted figures invariably emulated a stage in order to create a dramatic environment in which light, smells, and sounds were controlled for effect. Just consider the religious sculptures frequently paraded in processions or the statuary placed in chapels and niche-like recesses. Or think also of the dramatic paintings that functioned almost as backdrops for what amounted to the "staging" of the Catholic liturgy. Medium and message, thus, went hand in hand, a dependence that was made even stronger …