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Full-Text Articles in Arts and Humanities

Making It New And Keeping It Old: Recasting Frameworks And Contexts In Georgia O’Keeffe Studies, Linda M. Grasso May 2019

Making It New And Keeping It Old: Recasting Frameworks And Contexts In Georgia O’Keeffe Studies, Linda M. Grasso

Publications and Research

Three recent Georgia O’Keeffe exhibition catalogues devise new interpretative frameworks and situate O’Keeffe in new contexts that are especially relevant to American Studies scholars interested in visual culture, material culture, gender studies, reception studies, and modernism. One places O’Keeffe in the company of other white women making modernist art in the early decades of the twentieth century; another provides critical interpretations that acknowledge and reject previous views that were skewered by monolithic gender and sexual lenses; and a third moves O’Keeffe into popular culture domains such as fashion, consumerism, and interior design. Raising questions about how curators present and shape …


Tracing Trans Bodies In Neobaroque Literature, Huber David Jaramillo Gil Mar 2019

Tracing Trans Bodies In Neobaroque Literature, Huber David Jaramillo Gil

Publications and Research

This document briefly explores the ways in which trans people have been written through Baroque aesthetics in the social and cultural imaginary of Latin America, despite the various unjust forces that have attempted to make them invisible and exclude them from the national narrative. The differences between Severo Sarduy’s Neobaroque, Néstor Perlongher’s Neobarroso, and Pedro Lemebel’s Neobarrocho are analyzed, while exploring their individual limitations and potentialities for voicing the joys and pains of being trans in an exclusionary society.


“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer Feb 2019

“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer

Publications and Research

In the neighborhood of HollyWatts in Los Angeles, dance allows a shift from existing as bodies presented as sites of threat and extinction to sources of spiritual empowerment. Clowning and Krump dancers—their subjectivity and their dancing bodies—negotiate survival from trauma and socioeconomic marginalization. I argue that the dancers’ performances act as embodied narratives of “re-membering in the flesh.” The performance acts as a spiritual retrieval and re-integration of traumatic memories and afflictions into memory through the body. Choreography and quotes from dancers support the claim that Krump and Clowning is “re-membering in the flesh” that enacts self-worth, self-defined sexuality, and …


"Must Be Heavyset": Casting Women, Fat Stigma, And Broadway Bodies, Ryan Donovan Jan 2019

"Must Be Heavyset": Casting Women, Fat Stigma, And Broadway Bodies, Ryan Donovan

Publications and Research

This article surveys how contemporary Broadway musicals cast fat women and focuses on Hairspray. The use of fat suits and contractual weight clauses figure into the discussion of fat stigma and casting practices. Seemingly body-positive musicals both celebrate and undermine the identities staged in them.