Arts and Humanities Commons^™

North Of The Grid: The Black Experience Of 17th -19th Century Rural New York City, Stephanie E. Barnes

Dissertations, Theses, and Capstone Projects

In the United States, transatlantic slavery was a racial project and template for race-making which created a country that relied on institutions that were organized and performed through social stratification. Today, the nation still operates on systemically racist institutions that have benefited whites while disadvantaging ‘others.’ The narratives presented in American history are rooted in whiteness and benefit the white community while marginalizing nonwhites. Over two hundred years of slavery history in this country has been purposely manipulated and left out. My research focuses on using an historical archaeological framework to research and share the lives of free and enslaved …

Here Time Becomes Space: The Victorian Spatial Imaginary, Jonathan E. Rachmani

Dissertations, Theses, and Capstone Projects

My dissertation, “Here Time Becomes Space: The Spatiality of the Victorian Novel,” addresses the Victorian realist representation of space as the open zone of interaction where the circulation of affect among embodied subjects and the places and things in their environment challenges the individualist axis of Victorian plots. I envision this spatiality as a composite literary practice emerging from contact with eighteenth-century realism, the Gothic novel, and the radical revision of the social imagination under the Romantics. Through an analysis of major works by Charlotte Brontё, Charles Dickens, George Eliot, and Henry James, I trace the dialectical development of realist …

Building Baghdad: The Construction Of Urban Space In Iraq, 1921–1963, Andrew S. Alger

Dissertations, Theses, and Capstone Projects

This dissertation examines the production of space in Baghdad during the monarchical and early republican eras (1921 – 1963). As the capital of the new nation of Iraq following the First World War, Baghdad expanded along the banks of the Tigris River into new residential and commercial spaces, establishing schools, boutique stores, sporting venues, electricity and running water that transformed how Iraqis conceived of the mundane activities associated with daily life. Employing a theoretical framework drawing on Henri Lefebvre’s production of space, I argue that participation in the creation of new neighborhoods and streets was uneven across differences of class, …

Aesthetic Redemption: Psychedelia, Film, And Walter Benjamin’S Sensory Revolution, Alexander C. Redlins

Dissertations, Theses, and Capstone Projects

This inquiry examines the ways in which the psychedelic nature of film, as posited by Walter Benjamin, has the potential to precipitate class consciousness and lead to humanity’s emancipation from anaesthetizing capitalist forces. We first explore Benjamin’s relationship to, and understanding of, Marxist thought with a particular focus on György Lukács’ theory of reification and Marx’s fetish character of the commodity which Benjamin ultimately believes lead to an erosion of the human sensorium and the destruction of human nature. As such, we explore Benjamin’s revolutionary aesthetic theory which seeks the reversal of these erosive capitalist forces and the redemption of …

In And Out Of Character: Socratic Mimēsis, Mateo Duque

Dissertations, Theses, and Capstone Projects

In the Republic, Plato has Socrates attack poetry’s use of mimēsis, often translated as ‘imitation’ or ‘representation.’ Various scholars (e.g. Blondell 2002; Frank 2018; Halliwell 2009; K. Morgan 2004) have noticed the tension between Socrates’ theory critical of mimēsis and Plato’s literary practice of speaking through various characters in his dialogues. However, none of these scholars have addressed that it is not only Plato the writer who uses mimēsis but also his own character, Socrates. At crucial moments in several dialogues, Socrates takes on a role and speaks as someone else. I call these moments “Socratic mimēsis.” …

Morality As Social Software, Jongjin Kim

Dissertations, Theses, and Capstone Projects

The dissertation research is a project to understand morality better through the concept of ‘Social Software.’ The dissertation is, consequently, to argue that the morality in a human society functions as a form of social software in the society. The three aspects of morality as social software are discussed in detail: the evolutionary, anti-entropic, and epistemic game-theoretic aspect.

We humans ‘usually’ think that, for example, (a) killing other humans without any necessary reason is morally wrong, and (b) helping other humans in need is morally right. We want to know, in this dissertation research project, why we think in such …

The Redemption Of Goethe’S Eternal Feminine: Discovering The Reality And Significance Of An Archetypal Phenomenon, Mariana Weisler

Dissertations, Theses, and Capstone Projects

This thesis traces the phenomenological history and significance of the archetype of the Eternal Feminine, as well as her role in Goethe’s Faust. Although the Eternal Feminine (Goethe’s “das Ewig-Weibliche”) first appears in literary form in 1832 with the publication of Faust: Part II, she has an ancient archetypal history that reaches from the age of pre-patriarchal domination into the modern era. This thesis contends that the Eternal Feminine is a Jungian archetype—a “primordial image” or motif that exists unconsciously and evokes a universal experience within both the individual and the society. Five historical figures exemplify the archetype of the …

The Labyrinth And The Cave: Archaic Forms In Art And Architecture Of Europe, 1952–1972, Paula Burleigh

Dissertations, Theses, and Capstone Projects

This dissertation examines the prevalence of spatial archetypes as potent symbols that manifested in art, architecture, exhibition design, and urban planning in the aftermath of World War II and into the Cold War. Owing to the dual influence of structuralism and phenomenology in French intellectual culture, many examples discussed here were produced in France or made by artists who spent significant time there. These figures include Jacqueline de Jong, Paul Virilio, Claude Parent, André Bloc, and the Groupe de Recherche d’Art Visuel (GRAV), all of whom made projects evoking speculative realities that oscillated between utopian and dystopian.

Given their focus …

Famed Communities: Trojan Origins, Nationalism, And The Question Of Europe In Early Modern England, Joseph Bowling

Dissertations, Theses, and Capstone Projects

Throughout medieval Europe, royal families traced their genealogies back to the ancient Trojans. Beginning in the Carolingian court, this practice persisted into the early modern period, when narratives of ancient Troy—from accounts of the war to rewritings of Virgil—saturated literary production. Constituting the translatio imperii tradition, in which civilization “translates” from east to west, these legends of Trojan descent allowed European monarchs to legitimize their authority, or imperium, as derived from the Roman Empire, which Virgil famously celebrated as descending from Trojan Aeneas. This tradition formed what I call feudal cosmopolitanism: an affiliation among nobility premised on shared descent …

History And Politics In The Thought Of Karl Jaspers, Nathan Wallace

Dissertations, Theses, and Capstone Projects

A relatively overlooked but important work, The Origin and Goal of History, by Karl Jaspers is examined with regard the intellectual history of its development and influence, and its structure and prospects for contemporary and future relevance for political theory. Emphasis is placed on the argument that the central aspect of the work has been neglected in recent, important literature: its connection of a universal historical narrative with a theory of contemporary politics.

Thresholds Of Atrocity: Liberal Violence And The Politics Of Moral Vision, Kristofer J. Petersen-Overton

Dissertations, Theses, and Capstone Projects

All political communities set normative limits to the acceptable use of force. A threshold of atrocity indicates the point at which acceptable violence meets the boundaries of the unacceptable. In liberal democratic states such norms are ostensibly set higher. Hence, there is a theoretical threshold to the modern state’s ability to act in ways that violate norms it claims to uphold. Paradoxically, thresholds of atrocity are almost never breached and unconscionable violence occurs regularly. This study seeks to explain the persistence of extreme violence by developing a theory of atrocity grounded in moral vision. Liberal democratic nation-states are able to …

The Emergence Of The Bird In Andean Paracas Art. C. 900 Bce - 200 Ce, Mary B. Brown

Dissertations, Theses, and Capstone Projects

In the first millennium BCE, an enigmatic cultural group now known as Paracas inhabited the remote desert coast of southern Peru. Following its disappearance, Paracas culture did not emerge in the historical record until 1927, when three burial centers were scientifically excavated on the arid Paracas peninsula that gave the culture its name. The burials contained over 400 mummy bundles that preserved the only physical remnants of this culture and its unique art forms. When unwrapped, mummy bundles of elite males revealed multiple layers of finely woven and elaborately embroidered textiles and painted ceramics, along with gold objects, feathers, and …

Ceasing To Run Underground: 20th-Century Women Writers And Hydro-Logical Thought, Annie M. Cranstoun

Dissertations, Theses, and Capstone Projects

Starting from two central ecopoetic convictions—the constitutive role of environment in human experience (and vice versa), and text’s ability to connect with the world—this dissertation then moves in a different direction from most ecocritical projects. Instead of looking at the ways literary representation flows back into nature in the forms of attitude, praxis, and policy, this study focuses on the earlier part of the loop: the emergence of text from environment, particularly its aquatic parts, via the faculty of the imagination. In its scrutiny of images that spring directly from matter and its faith in the concept of a personal …