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Full-Text Articles in Arts and Humanities
Madness, Sexuality, And Gender In Early Twentieth Century Music Theater Works: Four Interpretive Essays, Megan B. Jenkins
Madness, Sexuality, And Gender In Early Twentieth Century Music Theater Works: Four Interpretive Essays, Megan B. Jenkins
Dissertations, Theses, and Capstone Projects
Diagnoses of madness are inextricably entwined with social and cultural beliefs about gender and sexual behavior. The portrayal of characters in music theater as mad relies on contemporaneous understanding of mental illness, as often resulting from, or expressed in transgression of normative gender roles or heteronormativity, and this may apply either to male or female characters. Such transgressions are explored--with regard to recent reconceptualizations of madness within Disability Studies--in four works: Arnold Schoenberg's monodrama Erwartung (1924); Richard Strauss's opera Salome (1905); Kurt Weill's ballet chanté, Anna-Anna (1933), also known as The Seven Deadly Sins; and Igor Stravinsky's neo-classical …
Mensura Incognita: Queer Kinship, Camp Aesthetics, And Juvenal's Ninth Satire, Michael Broder
Mensura Incognita: Queer Kinship, Camp Aesthetics, And Juvenal's Ninth Satire, Michael Broder
Dissertations, Theses, and Capstone Projects
The dissertation addresses four problematic aspects of scholarship on Juvenal 9. The first two are matters of reception history: first, the poem has been understudied; and second, most major extant studies of the poem have been grossly or subtly homophobic. The other two problems are matters of literary criticism: Juvenal's ninth satire has traditionally been read as an attack on homosexuality, when in fact it is neither an attack, nor is it about homosexuality. The current study addresses each of these problems, reassessing the ninth satire in the context of queer theory and camp aesthetics. Chapter One traces the homophobic …
The Piano Works Of Páll Ísólfsson (1893–1974): A Diverse Collection, Nina Margret Grimsdottir
The Piano Works Of Páll Ísólfsson (1893–1974): A Diverse Collection, Nina Margret Grimsdottir
Dissertations, Theses, and Capstone Projects
The piano works of Páll Ísólfsson (1893-1974) form a diverse collection of twenty-six pieces that consists of nineteen character pieces, one set of variations, and six liturgical pieces. They were composed during 1920-1970, and now for the first time, the collection can, in this dissertation, be appreciated in its entirety. The important steps taken along the way have included publication, recordings, research and concert performances.
The character pieces divide into four groups according to stylistic influence and maturity. Most of the earlier pieces fall into the "humorous burlesque" or "sentimental lyric" group; the other two groups belong to traditional dance …
A Critical And Cultural Poetics Of The End: Self, Space, And Volatility In Los Angeles, Pamela Albanese
A Critical And Cultural Poetics Of The End: Self, Space, And Volatility In Los Angeles, Pamela Albanese
Dissertations, Theses, and Capstone Projects
A Critical and Cultural Poetics of the End: Self, Space, and Volatility in Los Angeles delineates the correspondences between Los Angeles spaces--exterior, topographical, architectural, and imaginary--and aspects of the self--interiority, identity, experience, and desire--in fictional and non-fictional depictions of Los Angeles. Through close readings of key Los Angeles novels, essays, and films, this project emphasizes how the narrative "I" traverses urban space, focusing on the dissolution of boundaries between self and place. Los Angeles' sprawling, decentralized layout and rapidly-shifting landscape have a profound influence on narrative identity, generating a volatile and disquieting sense of self; this project also explores how …
Mátyás Seiber’S Twelve-Tone Technique, Bettina Lee
Mátyás Seiber’S Twelve-Tone Technique, Bettina Lee
Dissertations, Theses, and Capstone Projects
This dissertation investigates the compositional style of Mátyás Seiber’s twelve-tone music through an analysis of three works composed between 1934 and 1960: String Quartet No. 2, Concert Piece for Violin and Piano, and Sonata for Violin and Piano. Chapter 1 provides an overview of the composer’s life and his compositional style. Chapter 2, on String Quartet No. 2 (1934-5), examines the subdivisions of the twelve-tone series into smaller pitch-class sets and introduces the concept of families. Chapter 3, on Concert Piece for Violin and Piano (1953-4), demonstrates the permutation of and within tetrachords derived from the prime series …
Music And National Identity: A Study Of Cello Works By Taiwanese Composers, Yu-Ting Wu
Music And National Identity: A Study Of Cello Works By Taiwanese Composers, Yu-Ting Wu
Dissertations, Theses, and Capstone Projects
The purpose of this study is to explore the impact of folkloric elements in music by Taiwanese composers and to uncover the methods they treat regional materials under the influences of Western compositional techniques, hereby creating a new fusion within classical music. This study centers in the ethnic impact on modern Taiwanese music, and also provides an opportunity to probe the significance of the subject "nation" in the field of musical creativity.
In this dissertation, the discussion includes the development of traditional and Western music in Taiwan including the historical and cultural background, how music serves as an emblem of …
Skin And Redemption: Theology In Silent Films, 1902 To 1927, Susan Craig
Skin And Redemption: Theology In Silent Films, 1902 To 1927, Susan Craig
Dissertations, Theses, and Capstone Projects
This dissertation analyzes theological concepts in silent moving pictures made for commercial distribution from 1902 to 1927, and examines how directors and scenarists sorted through competing belief systems to select what they anticipated would be palatable theological references for their films.
A fundamental assumption of this study is that, the artistic and aesthetic pretensions of many silent-era filmmakers notwithstanding, directors generally made decisions in the conception, production and marketing of films primarily to maximize profits in a ruthlessly competitive environment. As such, directors needed to walk a fine line between alienating the lucrative working class and immigrant audiences that were …
Synesthetic Landscapes In Harold Pinter’S Theatre: A Symbolist Legacy, Graça Corrêa
Synesthetic Landscapes In Harold Pinter’S Theatre: A Symbolist Legacy, Graça Corrêa
Dissertations, Theses, and Capstone Projects
In the light of recent interdisciplinary critical approaches to landscape and space, and adopting phenomenological methods of sensory analysis, this dissertation explores interconnected or synesthetic sensory "scapes" in contemporary British playwright Harold Pinter's theatre. By studying its dramatic landscapes and probing into their multi-sensory manifestations in line with Symbolist theory and aesthetics, I argue that Pinter's theatre articulates an ecocritical stance and a micropolitical critique.
Chapter One explains the dissertation's theoretical framework (landscape theory, Symbolist theory, ecocriticism, phenomenology, and sensory analysis), while arguing for an ecophilosophical reading of Pinter's landscapes that engages not only with spatial patterns but …
Estandarizacion Linguistica Y Construccion Nacional: La Norma Espanola Y La Norma Americana (1823-1857), Laura Villa
Estandarizacion Linguistica Y Construccion Nacional: La Norma Espanola Y La Norma Americana (1823-1857), Laura Villa
Dissertations, Theses, and Capstone Projects
This dissertation analyzes five salient moments in the history of the standardization of the Spanish language that took place in the central decades of the nineteenth century: first, the reformed spelling system proposed in London by Andrés Bello and Juan García del Río in 1823 in order to promote Latin American literacy; second, the simultaneous officialization in 1844 of two different orthographic norms in Chile and Spain, both of them surrounded by intense ideological debates, the former led by Domingo Faustino Sarmiento, the latter by a teachers' association established in Madrid; third, the publication in 1847 of Bello's grammar, which …
Colombian Artists In Paris, 1865-1905, Maya Jiménez
Colombian Artists In Paris, 1865-1905, Maya Jiménez
Dissertations, Theses, and Capstone Projects
This dissertation brings together a group of artists not previously studied collectively, within the broader context of both Colombian and Latin American artists in Paris. Taking into account their conditions of travel, as well as the precarious political and economic situation of Colombia at the turn of the twentieth century, this investigation exposes the ways in which government, politics and religion influenced the stylistic and thematic choices made by these artists abroad. For those who were pensioned artists and who were restricted by a defined political agenda, their artistic experimentation was limited, while the more radical artists were typically wealthy …
Forget Burial: Illness, Narrative, And The Reclamation Of Disease, Marty Melissa Fink
Forget Burial: Illness, Narrative, And The Reclamation Of Disease, Marty Melissa Fink
Dissertations, Theses, and Capstone Projects
Through a theoretical and archival analysis of HIV/AIDS literature, this dissertation argues that the AIDS crisis is not an isolated incident that is now "over," but a striking culmination of a long history of understanding illness through narratives of queer sexual decline and national outsiderhood. Literary representations of HIV/AIDS can be read as a means of resistance to the stigmatization of people of color, women, immigrants, and queers, debunking the narratives that vilify these subjects as threats to national security and health. In drawing connections between illness, history, and the African diaspora, my work adopts a queer theoretical approach to …
Modern Time: Photography And Temporality, Kris Belden-Adams
Modern Time: Photography And Temporality, Kris Belden-Adams
Dissertations, Theses, and Capstone Projects
This dissertation explores the fluid relationship of photography to time. Many theorists have noted that photography has a distinctive manner of representing temporality. Roland Barthes, for example, wrote that the photograph has a peculiar capacity to represent the past in the present, and thus to imply the passing of time in general. As a consequence, Barthes argued, all photographs speak of the inevitability of our own death in the future. Moreover, he linked photography's peculiar temporality to its capacity for a certain kind of realism: "false on the level of perception, true on the level of time." Barthes's analysis poses …