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City University of New York (CUNY)

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Full-Text Articles in Arts and Humanities

Charting The Rise Of The Queer Criminal Trope In The Age Of “Peak Tv”, Natalie I. Rash Dec 2022

Charting The Rise Of The Queer Criminal Trope In The Age Of “Peak Tv”, Natalie I. Rash

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Two shows in 2022 dipped their toes into the world of the queer mobster, an age-old trope seen in film and television since the days of film noir cinema, but that is also rooted in a real and complicated history in film, television and real-life.

https://medium.com/@natalie.rash74/charting-the-rise-of-the-queer-criminal-trope-in-the-age-of-peak-tv-c1f58dc71cc6


Whatever Happened To The Movie Theme Song?, Luka Vasic Dec 2019

Whatever Happened To The Movie Theme Song?, Luka Vasic

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Film music is as important as it’s ever been and a good theme song can absorb you into the world of a movie. Despite this, our idea of the theme song has changed a lot, and the kinds of themes that have traditionally been memorable parts of classic cinema have now lost their importance and role in modern filmmaking.

http://lukavasic.com/capstone/


The Post Banishment Films Of Jafar Panahi, Christopher L. Inoa Dec 2016

The Post Banishment Films Of Jafar Panahi, Christopher L. Inoa

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https://medium.com/@ChristopherInoa/the-post-banishment-films-of-jafar-panahi-b039b44c810b#.xcvqp7z07


The Reanimation Of The Zombie Genre, William Engel Dec 2015

The Reanimation Of The Zombie Genre, William Engel

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The following piece is an examination of the evolution of the zombie in popular media. It begins with a brief recap of the zombie’s history, beginning with its roots in 19th century Haitian folklore, followed by its usage in the format of film. The most notable and enduring entries in the zombie film genre served as scathing critiques of contemporary human issues, encapsulating all of the fears and insecurities of its audience. In recent years, however, due to the way the international film market has changed, the zombie film has lost its emotional power and edge. Contemporary zombie filmmakers are …


Dead Women And White Men: Why Are Today’S Hit Noir Shows Still Stuck In The Gender/ Race Politics Of The ‘40s And ‘50s?, Zainab Akande Dec 2014

Dead Women And White Men: Why Are Today’S Hit Noir Shows Still Stuck In The Gender/ Race Politics Of The ‘40s And ‘50s?, Zainab Akande

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Critically acclaimed TV noir programs such as “True Detective,” “House of Cards” and “Hannibal” provide complex narratives with compelling characters, but fail to take full advantage of gender & race diversity.