Arts and Humanities Commons^™

Invisible Invisibility, Eugina Song

Theses and Dissertations

White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.

Hair Is The Root Of A Revolution: How Black Women Are Embracing Their Identity With Hair, Shanel Dawson

Capstones

For years, black women have been demeaned for their features; their noses, complexions and hair. Straight hair and wavy hair have been considered “good hair.” And for centuries these ideas have been perpetuated by images in the media, cultural messages and even policies in schools and professional settings.

Today black women, nationwide, are rejecting straightening chemicals and embracing their natural hair as a point of pride. I spoke with several black women who are attempting to distance themselves from these negative narratives by honoring their roots.

For black women in America, hair has been the easiest way to connect on …

Mask On: How Fashion Erased The Politics Of Streetwear In 2017, Frances Sola-Santiago

Capstones

This year, fashion embraced streetwear in the highest echelons of luxury. From a Louis Vuitton and Supreme collaboration to Gucci’s support of Harlem designer Dapper Dan’s store reopening, streetwear was catapulted into the fashion zeitgeist— hoodies, do-rags, sneakers, and chains included. But fashion’s history of temporary blackness questions the industry’s ability to deal with the politics of criminalization, discrimination, appropriation, and inequality that come with this trend.

In an era when white supremacy lives within the mainstream conversation and African Americans and Latinos are disproportionately targeted by police and criminal justice, it’s clear that what we wear and the culture …

A Refuge For Jae-In Doe: Fugues In The Key Of English Major, Seo-Young J. Chu

Publications and Research

"A Refuge for Jae-in Doe: Fugues in the Key of English Major"

Author(s):

Seo-Young Chu (see profile)

Date:

2017

Subject(s):

Feminism, Creative nonfiction, Asian American literature, Sonnets, Social justice, Trauma

Item Type:

Essay

Tag(s):

#MeToo, Stanford, women in academia, early american

Permanent URL:

http://dx.doi.org/10.17613/cp82-8f39

Exorcising Power, John Jarzemsky

Theses and Dissertations

This paper theorizes that authors, in an act I have termed “literary exorcism,” project and expunge parts of their identities that are in conflict with the overriding political agenda of their texts, into the figure of the villain. Drawing upon theories of power put forth by Judith Butler, I argue that this sort of projection arises in reaction to dominant ideas and institutions, but that authors find ways to manipulate this process over time. By examining a broad cross-section of English-language literature over several centuries, this phenomenon and its evolution can be observed, as well as the means by which …

L.A. Rebellion: Creating A New Black Cinema, Book Review, Peter Catapano

Publications and Research

No abstract provided.

Butch Between The Wars: A Pre-History Of Butch Style In Twentieth-Century Literature, Music, And Film, Karen Allison Hammer

Dissertations, Theses, and Capstone Projects

Butch Between the Wars is a pre-history of “butch,” a twentieth-century masculine style that became an identity category for lesbians in the 1940s and ’50s. Between the two world wars and in the early postwar period, women used the energy of butch to create literature, music, and character on film. Butch-styled artists expressed a muscular orientation to the world, one with close associations to lower and working class black and white masculinities. Those who were recognizably lesbian and those with less clearly defined sexualities challenged the idea that strength, authority, and independence are qualities “naturally” bound to the male body. …

Yellowing The Logarithm: How Money Solved The Problem Of Freedom, Neil S. Agarwal

Dissertations, Theses, and Capstone Projects

This dissertation is on the historical development of a co-constitutive relationship between money as the form of appearance of value and race as the form of appearance of human difference. It demonstrates this relationship through a study of experiments with monetary value in eighteenth-century British America. At a time when Bank of England notes circulated primarily among merchants and within London, colonial freeholders issued paper currencies through representative assemblies and posited a link between this enterprise and the well-being of a larger provincial community within which their bills would circulate. I show how their experiments provided a means for creole …

Harriet Jacobs And Toni Morrison: A Tradition Of Narrative Resistance, Allyson L. Molloy

Theses and Dissertations

This article considers historical constructions of power and the narrative as a mode of resistance. Working in different centuries, under extremely disparate circumstances, Harriet Jacobs in Incidents in the Life of a Slave Girl and Toni Morrison in her novel The Bluest Eye, utilize specific narrative strategies to challenge and question institutionalized power which is evidenced through their deliberate employment of narrative strategies not only to challenge the institution of slavery or the hegemonic ideal, but also to question the racial and gender oppression systemic to those institutions of power.

Who Tells Our Story: Intersectional Temporalities In Hamilton, An American Musical, Andie Silva, Shereen Inayatulla

Publications and Research

This article examines the ways in which Hamilton: An American Musical can be read less as a historical account and more as a prediction of a future immigrant, who is called upon to (re)define US nationhood. Keeping with the tempo of the musical as well as the broader issues of time, space, and identity it attempts to address, this article is presented as a dialogical rap. The co-authors’ discussion frames Hamilton as an example of the power of unplottable, time-arresting immigrant bodies, to whom the colonial imposition of linear history does not apply. From this framework, the authors’ conversation shifts …

Beyond The Vale: Visualizing Slavery In Craven County, North Carolina, Marissa N. Kinsey

Dissertations, Theses, and Capstone Projects

Beyond the Vale is a data visualization project dedicated to the study of slavery in antebellum North Carolina. Focusing on Gooding’s Township, a rural farming community in the eastern county of Craven, it is designed to address basic questions about the experiences of the county’s antebellum enslaved population. These questions represent points of contention between local heritage narratives and the direct testimonies of former slaves. Where former slaves describe a complex, yet undeniably exploitative system in which they had only minimal control over their own lives, county literature echoes larger themes in North Carolina state scholarship by either overlooking slavery, …

Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths

Dissertations, Theses, and Capstone Projects

Bricolage Propriety: The Queer Practice of Black Uplift, 1890-1905 situates the queer-of-color cultural imaginary in a relatively small nodal point: the United States at the end of the nineteenth century. Through literary analysis and archival research on leading and marginal figures of Post-Reconstruction African American culture, this dissertation considers the progenitorial relationship of late-nineteenth century black uplift novels to modern-day queer theory. Bricolage Propriety builds on work about the sexual politics of early African American literature begun by women-of-color feminists of the late 1980s and early 1990s, including Hazel V. Carby, Ann duCille, and Claudia Tate. A new wave of …

"Propaganda For Democracy": The Vexed History Of The Federal Theatre Project, Karen E. Gellen

Dissertations, Theses, and Capstone Projects

My thesis explores and analyzes the Federal Theater Project’s cultural and political impact during the Depression, as well as the contested legacy of this unique experiment in government-sponsored, broadly accessible cultural expression. Part of the New Deal’s Works Projects Administration, the FTP aimed to provide jobs for playwrights, actors, designers, stagehands, and other theater professionals on relief in the stark period from 1935 to 1939. But the project became a nationwide political and artistic flashpoint, spurring fierce debate over the leadership, politics and impact of this “people’s theater.” The FTP gave professional theater an unprecedented reach into working-class and black …

Closer Ties: The Dutch Caribbean And The Aftermath Of Empire, 1942-2012, Chelsea Schields

Dissertations, Theses, and Capstone Projects

This dissertation examines the unique trajectory of decolonization in the Netherlands and its former Caribbean colonies and argues that sexual and reproductive politics have played a pivotal role in forging a postcolonial commonwealth state. Using sexual politics as a lens, “Closer Ties” explores how postcolonial ties between the Netherlands and its former Caribbean dependencies have strengthened rather than severed in the aftermath of colonial rule. This alternative ending of empire challenges the assumed trajectory of decolonization and locates the drama of imperial dissolution in debates over sexual and reproductive rights in Europe. Looking to the circuits of trans-Atlantic exchange across …

Embodying Rhythm Nation: Multimodal Hip Hop Dance As A Site For Adolescent Social-Emotional And Political Development, Lauren M. Roygardner

Dissertations, Theses, and Capstone Projects

This exploratory study employed qualitative methodology, specifically values analysis, to learn more about how being involved within Hip hop dance communities positively relates to adolescent development. Adolescence was defined herein as ages 13-23. The study investigated Hip hop dance communities in terms of cultural expertise (i.e. novice, intermediate and advanced/expert) to look specifically at dance narratives (i.e. peak experience narratives and “I dance because” essays) and hip hop dance performances. The primary purpose of this dissertation was to (1) explore how adolescents use multimodal Hip hop dance discourse for social-emotional development and critical consciousness, and to (2) understand how values …

Acts Of Provocation: Popular Antiracisms On/Through The Twenty-First Century New York Commercial Stage, Stefanie A. Jones

Dissertations, Theses, and Capstone Projects

This is an abolitionist feminist study of the role of liberalism in the twenty-first century political economy. It takes as its object New York City bourgeois cultural productions (in particular Broadway theatre and the New York Times) from approximately 1984 to 2009. It offers insights into important yet widely-misunderstood features of turn-of-millennium US society: class, art, political practice, and war. In order to understand liberalism’s political and economic agenda, I look at how these objects are pitched in the struggle over racism. Sometimes when we say “liberal” we mean it in the philosophical sense, with particular attention to liberal …

The Willfulness Of A Missing Frame: Ahmed Zaki And The Politics Of Visual Resistance, Miriam M. Gabriel

Dissertations, Theses, and Capstone Projects

Ahmed Zaki (1949-2005) is one of Egyptian cinema’s most prominent leading actors, with work spanning three decades of critical films that informed a generation’s visual register of masculinity. However, the beginnings of his career were marked by public skepticism around his place as a leading actor due to him being “too dark” and “too poor”; as his career continued to flourish, those very markings of racing and classing Zaki because a foundation for increasingly stamping his public image with the “authenticity” of an Egyptian citizen. At a particularly neoliberal moment in the Egyptian economy, that of the early 80s, new …

Black Models Matter: Challenging The Racism Of Aesthetics And The Facade Of Inclusion In The Fashion Industry, Scarlett L. Newman

Dissertations, Theses, and Capstone Projects

The global fashion market is expanding every day, but often, the global fashion runways do not reflect that reality. On average, black models make up for six percent of models used on the runway during the fashion month calendar. This small percentage is also mirrored in advertisements and editorials featured in popular fashion magazines. In the 1970s, black models were met with great opportunities, and that success trickled down into the 1980s and the 1990s. As the 90s came to a close, top designers opted for an aesthetic that ultimately excluded models of color, but black models beared the brunt …

The Legacy Of Slavery And The Continued Marginalization Of Communities Of Color Within The Legal System, Julia N. Alvarez

Dissertations, Theses, and Capstone Projects

The aim of this thesis paper is to demonstrate how the history of slavery in the United States continues to marginalize communities of color. The history of slavery in America was the result of various factors. Some of these factors included but were not limited to; economic, legal, and social. Slavery provided a reliable and self-reproducing workforce. The laws enacted during slavery ensured the continuation of the social order of the time. This social order was based on the generalized understanding that blacks were born into servitude. Those born into slavery were not given the same legal or economic status …

Cruising Borders, Unsettling Identities: Toward A Queer Diasporic Asian America, Wen Liu

Dissertations, Theses, and Capstone Projects

In this dissertation, I challenge the dominant conceptualization of Asian Americanness as a biological and cultural population and a cohesive racial category. Instead, I consider it as a form of flexible subjectivity and an affective emergence that occurs and materializes due to the multiple sites of convergence in the neoliberal assemblage of model minority ideology, imperialist geopolitical history, racialized queer politics, and criminal (in)justices. I examine the spatial and temporal configurations of Asian American subjectivity through a queer and postcolonial lens, first by conducting a critical historical review of the category of Asian American in the geopolitical history of psychological …

Reimagining The Collective: Black Popular Music And Recording Studio Innovation, 1970-1990, Will Fulton

Dissertations, Theses, and Capstone Projects

This dissertation examines developments in the production practices of black popular music in the recording studio from 1970 to 1990. The year 1970 marked a transition in the recording practice of popular music that had a distinct impact on styles marketed as R&B, soul, and funk. Multitracking in the 1950s and 1960s had paved the way for a transformed production process, one initiated by Les Paul’s and Sidney Bechet’s overdubbing experiments in the 1940s. The collective sound of instrumentalists and vocalists heard on records no longer resulted from live-to-tape recordings of group performances, but was increasingly the product of constructed …

Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green

Dissertations, Theses, and Capstone Projects

Providential capitalism names the marriage of providential Christian values and market-oriented capitalist ideology in the post-revolutionary Atlantic through the mid nineteenth century. This is a process by which individuals permitted themselves to be used by a so-called “divine economist” at work in the Atlantic market economy. Backed by a slave market, capital transactions were rendered as often violent ecstatic individual and cultural experiences. Those experiences also formed the bases for national, racial, and classed identification and negotiation among the constellated communities of the Atlantic. With this in mind, writers like Benjamin Franklin, Olaudah Equiano, and Ukawsaw Gronniosaw presented market success …

Spectral Bodies: Women's Resistance Across Time In North America, Whitney C. Evanson

Dissertations, Theses, and Capstone Projects

This project contrasts the lived experiences of feminists within the EZLN in Mexico with the historical persecution of community outsiders during the Salem witch trials. I want to explore the differences between a radical political and social movement (the EZLN), and the radical shift in history in which women were accused of witchcraft based on hysteria and rumors. There are parallels between the witch trials and the causes of the Zapatista movement in the ways that women's bodies were treated--their political usefulness to create fear and obedience from citizens by murdering them for their defiance, burying them in shallow graves. …

A Girlhood Among Ghosts, An Experimental Project, Maple Wu

Dissertations, Theses, and Capstone Projects

“If a woman is going to write a Book of Peace, it is given her to know devastation” – Maxine Hong Kingston, The Fifth Book of Peace.

I do not believe I know devastation. I think to be devastated means one has to experience extreme pain, and live in the aftermath of trauma. I think of this in terms of war, famine, and immigration. A little self-reflection shows that in the twenty-something years of my life, I have not encountered any of the three things listed.

What I do recall, however, is the first time I picked up Maxine …

Fauve Masks: Rethinking Modern 'Primitivist' Uses Of African And Oceanic Art, 1905-8, Joshua I. Cohen

Publications and Research

Fauve painters “discovered” African and Oceanic sculpture beginning in 1905. From that time, Vlaminck first collected African art; Derain studied Oceanic works at the British Museum in spring 1906; and Matisse struggled to paint a Kongo-Vili statuette he purchased in fall 1906. Fauve interests in shallow-relief, relatively naturalistic, and surface-ornamented sculptural works suggest conformity with turn-of-the-century artistic and scientific ideas conflating heterogeneous strains of so-called “primitive” material culture. Nevertheless, the dominant conceptual framework of “primitivism” has tended to limit art-historical understandings of external formal influences on modernism, which can be gleaned here by investigating the particular objects the Fauves appropriated.

Dark Stars Of The Evening: Performing African American Citizenship And Identity In Germany, 1890-1920, Kristin L. Moriah

Dissertations, Theses, and Capstone Projects

Dark Stars of the Evening: Performing African American Citizenship and Identity in Germany, 1890-1920 demonstrates that black performers in Germany developed wide networks in the performance world as they sought artistic opportunities beyond the racist circumscription of the American popular stage. Their performances became emblematic of modernity, globalization, and imperial might for German audiences at the turn of the century. African American-styled blackness contributed to the formation of the city of Berlin while allowing African American performers to assert themselves on the global stage. Groups like the Four Black Diamonds had a lengthy engagement with the popular stage in Berlin, …

Tipping Point, Pang Z. Vang

Theses and Dissertations

What happens to a woman at the tipping point under oppression in a patriarchal society? How does she behave? Pulling from the vagina dentata mythologies, and personal and collective experiences of rape culture, I formed a body of work which problematize the stereotypical narrative of victim/perpetrator. As a visual and conceptual exploration, my work explores the themes of desire, agency/non-agency, and violence [as it manifests within and outside of the body]. Utilizing visual and conceptual quotations from film, pornography and sex toys, these works subvert the exoticized stereotype of the Asian woman as sexual plaything.

The Feminization Of Violence, Caitlin Logan

Theses and Dissertations

Grounded in the necessity of upending the economic base as it is defined by Louis Althusser, this paper seeks to express a possibility for the creation of a feminine voice, that when expressed as itself, independent of the pervasive nature of patriarchal power and significance, could be the very event that engenders the first real “violent” attack on the base. Using Zora Neale Hurston’s, Their Eyes Were Watching God, as an example of a uniquely feminine voice, this paper also seeks to empower the experience of the Black female aesthetic as a perspective capable of tapping the multiplicity of human …

Harlem Hospital's Journey To Patient Navigation, Christine W. Thorpe

Publications and Research

This essay discusses the history of 20th century black migration to Harlem, New York and the utilization of Harlem Hospital. This examination is based on New York newspaper articles in the 1920’s. They tell the story, from a journalist’s perspective, of the challenges African Americans experienced in their interactions with Harlem Hospital. The implicit communication of segregation of Harlem Hospital at that time is connected to the development of patient navigation in the 1970’s. The creation of patient navigation will be discussed in the context of historical health disparities that are increasingly manifested today.

Gubernamentalidad Espacial Y Agencia Criminal Negra En Cali Y São Paulo: Aproximaciones Para Una Antropología 'Fuera De La Ley.', Jaime Alves

Publications and Research

En los últimos años realicé visitas semanales a la cárcel, participado en reuniones mensuales de rendición de cuentas de la policía comunitária, “parchado” con los pandilleros en las “ollas”, entrevistado a las madres de los jóvenes negros asesinados por la policía o por otros jóvenes en las guerras sin fin entre pandillas. A lo largo de mi experiencia etnográfica, he tenido la “oportunidad” de escuchar varios relatos de horror, como por ejemplo las prácticas de “Los Matadores”, el escuadrón de la muerte compuesto por policías en la zona sur de São Paulo. Tal como lo he señalado en trabajo anterior, …