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The Black Arts And Black Power Movements In The Artwork Of John T. Riddle, Jr., Isabella Vitti

Theses and Dissertations

This thesis examines the under-studied work of the Black sculptor John T. Riddle, Jr. and how he was influenced by the politics of Los Angeles in the 1960s and 1970s. Police brutality, the Vietnam War, the Black Power Movement, and the Watts uprising had a major impact on Riddle’s work.

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

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"This Other Way": Photography At Black Mountain College, Kyle Canter

Theses and Dissertations

Relying on the photographic collections of the Western Regional Archives in Asheville, NC, as well as oral histories, personal correspondence, course notes, official college records, and other archival material, this thesis examines the history and pedagogy of photography at Black Mountain College.

"How Is Photography?": Robert Heinecken's Photographic Concept At The University Of California, Los Angeles, 1960–1991, Noa Wesley

Theses and Dissertations

This thesis examines the photography program Robert Heinecken established at UCLA, highlighting his interest in teaching photography as an idea rather than a technologically inflected medium. This pedagogical model provides a lens through which I trace the work of three of his students: Maria Nordman, John Divola, and Uta Barth.

Mapping The Theaters Of Brooklyn's Past (1825-1925): A Gis Project, Elena Shefsky

Publications and Research

Despite its rich performance culture, Brooklyn remains underrepresented in theater history, eclipsed in fame by the well-known theaters of Manhattan. One of the most populous areas in America, Brooklyn has been an artistic home to actors, playwrights, directors, and impresarios for centuries. That said, there is a dearth of accessible information and scholarship on Brooklyn theaters. My objective was to update an ongoing mapping project, The City Performs, to include information and images of theater buildings from Brooklyn. The project is an interactive, open-source digital map that uses ArcGIS software to georeference data about NYC theaters. I collected data …

Hall Of Fame For Great Americans Collection, 1894-2008, Allen Thomas, Cynthia Tobar

Finding Aids

Finding aid for the Hall of Fame for Great Americans collection prepared by Bronx Community College Archives.

The Gilded Tropics: Winslow Homer And John Singer Sargent In Florida, 1886-1917, Theodore W. Barrow

Dissertations, Theses, and Capstone Projects

This dissertation examines the Floridian works of Winslow Homer and John Singer Sargent in the context of tourism, race, and the environment as perceptions of the tropics in an Anglo-American context. Both artists sojourned in Florida and produced a number of watercolors and related oils that not only testify to a rapidly-expanding tourist industry to the Sunshine State, but also update the Romantic myths of the tropics with a more sober, ironic Realist take. While Homer and Sargent continue to be popular subjects for studies and exhibitions on their own, this dissertation is the first to consider how their shared …

The Chicana Mural Movement: A Reclamation Of Mesoamerican Iconography, Jennifer Vander Els

Theses and Dissertations

An examination of the deployment of indigenous Mexica iconography by Chicana artists during the Chicano Mural Movement. The ethno-national concept of Aztlan, corn and Corn Women, and the deities Coatlicue and Coyolxauhqui were restructured in Chicana murals to uplift and recognize the achievements of the women of the Chicano community.

Los Días De La Calle Gabino Barreda: The Social Circle Of Remedios Varo And Benjamin Péret In Mexico, 1941-1947, Esther R. Levy

Theses and Dissertations

This thesis explores the social circle of Surrealist exiles that formed at the home of Remedios Varo and Benjamin Péret on Calle Gabino Barreda between 1941 and 1947. This group is immortalized in Gunther Gerzso’s painting Los Días de la Calle Gabino Barreda (1944) and includes Gerzso, Varo, Péret, Esteban Francés, and Leonora Carrington. This thesis argues that the environment cultivated on Calle Gabino Barreda provided these artists with a place to expand on what they learned in Europe to develop their Surrealist practice in Mexico.

(Not) Knowing, Jared Friedman

Theses and Dissertations

Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.

"Those Common Everyday Things We All Know": Roger Brown's American Art, Jake Brodsky

Theses and Dissertations

Roger Brown (1941–1997) was an American artist associated with the Chicago Imagists. Borrowing elements from American visual culture to construct an idiosyncratic language of motifs, Brown’s paintings demand a mode of attention—of looking, searching, recognizing, identifying—that parallels the structures of feeling that constitute being in America.

Negotiating Liberty: Fine Ceramics For The U.S. American Market Before 1860, Presley Rodriguez

Theses and Dissertations

This thesis argues that the rise of the consumer market toward the end of the eighteenth century led to the production of decorated fine ceramics that became powerful modes of popularizing new ideas in the United States regarding independence, national symbols, and abolitionism.

Artist-Scholar: Tradition And Modernity In The Work Of Tseng Yuho, Jennie Tang

Theses and Dissertations

Chinese American artist-scholar Tseng-Yuho (1925-2017) developed an original, modern style called dsui hua based on her extensive knowledge of traditional Chinese ink art and scroll mounting techniques, Chinese and Western art history, and experiences living in or travelling to mainland China, Taiwan, Hong Kong, Paris, Hawai‘i, and New York.

The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral

Theses and Dissertations

This thesis centers on select artworks in public intervention, photography and video as an exploration of female's relationship to Mexico City's social landscape and urban space during the late 1970s into the early 1990s. In three case studies, I explore historical urban planning, gender relations, and the effects of modernization.

Nikki S. Lee’S Self-Stereotyping And Refiguring Cultural Stereotypes, Somi Lee

Theses and Dissertations

This thesis examines a Korean Conceptual photographer, Nikki S. Lee’s performative photographs and film in the series of Projects (1998-2001) and Parts (2002-2005). Through a theoretical analysis of her self-representation in disguise, my research explores established Western stereotypes as well as the artist’s fluid identity in relation to other cultures.

Pioneers Of Evacuation, Pioneers Of Resettlement: The Photographic Archive Of The Japanese American Incarceration And The Settler Colonial Imaginary, Christina Hobbs

Theses and Dissertations

This thesis reexamines the photographic archive of the Japanese American incarceration during World War II produced by the US government, arguing that these images “restage” the evacuation, incarceration, and resettlement periods through a settler colonial “pioneer” mythology, thereby obscuring the precarity of Japanese Americans' racial positionality between “settler” and “native.”

An Early And Feminist History Of The Paula Cooper Gallery, Kristen Clevenson

Theses and Dissertations

This thesis provides a microhistory of Paula Cooper’s early efforts in creating a more cooperative gallery model with emerging artists and seeding the growth of SoHo, New York. It also argues for Cooper’s unheralded role in sustaining women artists through marketing, economic support, visibility, and wider institutional opportunities.

The Construction And Defense Of Artistic Authorship In Contemporary Copyright Disputes, Sophie Bell

Theses and Dissertations

Through the lens of three contemporary copyright infringement cases, this thesis examines topics in the field of art law, each grounded in the recent history of art and its controversies, in order to illuminate the unique set of legal conditions shaping contemporary artmaking, sale, and exhibition in the United States.

Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel

Theses and Dissertations

This thesis looks at the video works of artists Ulysses Jenkins, Ina Archer, and Garrett Bradley and their appropriation of images of Black actors in Classic Hollywood films through the theoretical framework of afropessimism.

“Paint What You Hate”: Philip Guston’S Hooded Figures And The Postponement Of The Exhibition Philip Guston Now, Thomas Baldwin

Theses and Dissertations

This thesis interrogates the postponement of the Philip Guston Now exhibition, examining the justification for the postponement, the actions taken by the National Gallery of Art, and the effects of the postponement. My research examines the museum’s choice to cite social justice as the main context for understanding Philip Guston.

Satirical Dissent: The Subversive Messaging Of Ad Reinhardt’S 1946 And 1961 Art Comics How To Look At Modern Art In America, Julie A. Schumacher

Dissertations and Theses

Through a close analysis of Ad Reinhard's 1946 and 1961 art comics "How to Look at Modern Art in America,” examined in the context of their times, this paper will argue that Reinhardt’s idealist view and involvement with abstraction, as he saw it in its “purest” form, was intrinsically formed and shaped by his Marxist anticapitalistic perspectives in response to his concurrent time. When these works are examined through the lens of Reinhard’s socialist politics, a parallel narrative surfaces where “pictures artists” also signifies capitalism and its capacity to harmonize and contaminate.

The Real And The Digital: Female Agency And Resisting The Male Gaze In Lynn Hershman Leeson’S Works, Kelly Chou

Dissertations and Theses

This thesis focuses on three major feminist works by multimedia artist, Lynn Hershman Leeson (b. 1941), that grapple with the construction and potential of female identity. Considering the works within the context of Laura Mulvey’s seminal text “Visual Pleasure and Narrative Cinema,” this paper will attempt to elucidate how Hershman Leeson’s works have engaged with the male gaze and its social and cultural implications on female identity in visual spheres. This research demonstrates how Hershman Leeson’s efforts to understand the limitations and boundaries for women reflect the same phenomenons observed by Mulvey within “Visual Pleasure.” Rejecting this, Hershman Leeson also …

Bonded By Nature: The Prevalence Of Landscape Subjects Within Abstract Expressionism And Their Sources In American Art, Aileen F. Marcantonio

Theses and Dissertations

Landscape subjects reappear throughout Abstract Expressionism. Although it is often overlooked, landscapes were perhaps a natural subject for a group of artists that were known to work from their environment. When we focus on the landscape subjects, we gain a better understanding of Abstract Expressionism and its place within the canon of American art.

"Never Forget": Embodied Absence And Extended Relations Of Care After 9/11, Sophie L. Riemenschneider

Dissertations, Theses, and Capstone Projects

This dissertation is a reflection on how loss was articulated in the wake of 9/11. The terror attacks engendered a memorial style that sought to give shape to grief, acknowledging it without filling it in or erasing it. This new style, which I term embodied absence, exists across a range of mediums, from literature to architecture. It is such a potent memorial form because it also captures the traumatic process, which is prolonged, layered, and potentially open-ended. However, despite their ability to mirror the nature of trauma, instances of embodied absence never verbalize the attacks’ root trauma—the disconnect between our …

The U.S.–Mexican War: Visualizing Contested Spaces From Parlor To Battlefield, Erika Pazian

Dissertations, Theses, and Capstone Projects

The U.S.-Mexican War[1] (1846-1848) was a watershed event that transformed the North American continent politically, socially, and ideologically. With the signing of the Treaty of Guadalupe Hidalgo in 1848, Mexico lost approximately half of its national territory in the north, and the United States acquired the modern states of California, Nevada, Arizona, New Mexico, and Utah, and portions of Colorado and Wyoming. Both nations were plagued by internal conflicts after the war, and each was plunged into civil war within fifteen years of its conclusion.

During this time of turmoil, Mexican and U.S. artists created and recreated myriad images …

Dating Deborah Hall: A Portrait Reconsidered, Brian E. Hack

Publications and Research

The elaborate, full-length portrait of Deborah Hall (1766, Brooklyn Museum) is one of the landmarks of Colonial portraiture, having earned its place in the canon for the pictorial innovations displayed by its creator, the enigmatic William Williams (1727-1791). The dominant narrative holds that Hall, the fifteen-year-old daughter of the Philadelphia printer David hall, tends her roses in an imaginary Garden of Love, surroundings Williams adapted from symbols of beauty and chastity found in emblem books of the period. The scholarly assumption is that the painting served to promote Deborah's marital suitability to potential suitors visiting the Hall residence. The current …

The Integration Of Art, Architecture, And Identity: Alfred Kastner, Louis Kahn, And Ben Shahn At Jersey Homesteads, Daniel S. Palmer

Dissertations, Theses, and Capstone Projects

During the New Deal, the United States government created the Jersey Homesteads co-operative in order to help a group of Jewish immigrant garment workers from New York City during the economic downturn of the Great Depression. This dissertation examines how a 1930s utopian enclave utilized modernist art and architecture to express the radical back-to-the-land agrarian idealism and socialist ideology of its settlers. The flat-roofed, concrete buildings that housed these Jewish garment workers were designed by German architect Alfred Kastner (1900-1975), with his then unknown assistant Louis I. Kahn (1901-1974). These unornamented, functionalist buildings adapted avant-garde European architectural forms into an …

The Adobe Frontier, Christopher J. Gauthier

Theses and Dissertations

The Adobe Frontier is a documentary film about Ronald Rael and Virginia San Fratello—together known as “Studio Rael San Fratello” —and their work connecting contemporary technology with the legacy of pottery making and adobe architecture in the Southwest United States.

Matson Jones, Jasper Johns, And Robert Rauschenberg: Breaking The Boundaries Of Advertising And Art, Ximena Santiago

Theses and Dissertations

Matson Jones, formed by Robert Rauschenberg and Jasper Johns, has scarcely been the focus of art historical scholarship. This thesis examines works created for New York City department store window displays, revealing that the Matson Jones collaborations were rooted in intersubjectivity and challenge historical hierarchies of high and low art.

Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry

Theses and Dissertations

Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.