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Full-Text Articles in Arts and Humanities
Improvisation: The History Of Unplanned Notes In Structured Music, Daniel T. Galey
Improvisation: The History Of Unplanned Notes In Structured Music, Daniel T. Galey
The Research and Scholarship Symposium (2013-2019)
Since improvisation is an important aspect of music in today’s society, questions arise whether improvisation was essential in music from the past or whether it even existed in the past. Rather than discussing the origin of improvisation, this paper will discuss the evolution of improvisation starting in the medieval period. This paper argues that improvisation did exist in the medieval period, and seeks to show certain ways in which it was evident and how it developed in the Renaissance and Baroque periods. Many historically documented books discuss the music from different time periods. I specifically study the aspects of music …
From Sin To Sensation: The Progression Of Dance Music From The Medieval Period Through The Renaissance, Jillissa A. Brummel
From Sin To Sensation: The Progression Of Dance Music From The Medieval Period Through The Renaissance, Jillissa A. Brummel
The Research and Scholarship Symposium (2013-2019)
This research paper explores how dance music has been part of the foundation for musical art in world history and the key to unlocking information concerning societal atmospheres throughout history. With each age and progression of music came new genres, instruments and social beliefs that were woven through religious and secular culture, each of which impacted the production of dance throughout the centuries. As dance music infiltrated the social and religious scenes of the medieval period, the sacred value of dancing was questioned which are presented through historical sources on pagan culture in the medieval period. Further research on improvements …
In The Shadow Of Petrucci: Why Attaingnant And His Methods Are Lost In History, Sean A. Kisch
In The Shadow Of Petrucci: Why Attaingnant And His Methods Are Lost In History, Sean A. Kisch
The Research and Scholarship Symposium (2013-2019)
The music printing of Ottaviano Petrucci has been largely regarded by historians to be the most elegant and advanced form of music publishing in the Renaissance, while printers such as Pierre Attaingnant are only given an obligatory nod. Through historical research and a study of primary sources such as line-cut facsimiles, I sought to answer the question, how did the triple impression and single impression methods of printing develop, and is one superior to the other? While Petrucci’s triple impression method produced cleaner and more connected staves, a significant number of problems resulted, including pitch accuracy and cost efficiency. Attaingnant’s …