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On Cleopatra Vii: From Horace And Shakespeare To Self-Representation, Silja M. Hilton
On Cleopatra Vii: From Horace And Shakespeare To Self-Representation, Silja M. Hilton
Honors Theses
This thesis explores and analyzes Horace’s Ode 1.37 and Shakespeare’s Antony and Cleopatra in context of their poetic and theatrical narratives, word choice, and grammatical structures in an effort to form a clearer image of Cleopatra VII. While each work is placed within its historical settings, I do not pursue their historical ‘truths.’ Rather, I draw from the authors’ literary conceptions about the Ruler, from Horace’s inpotens (“a woman lacking in self-control”) to fierce agency in deciding death (“deliberata morte ferocior”), to Shakespeare’s ‘othering’ of Cleopatra as tawny, gypsy, and whore, to his portrayals of her as Goddess …
"Taming Of The Shrew(S)": Explorations Of Gender And Power In Directing An Original Adaptation Of William Shakespeare's The Taming Of The Shrew, Katharine Cognard-Black
"Taming Of The Shrew(S)": Explorations Of Gender And Power In Directing An Original Adaptation Of William Shakespeare's The Taming Of The Shrew, Katharine Cognard-Black
Honors Theses
In Fall 2021, I directed my own adaptation of Shakespeare’s Taming of the Shrew, entitled “Taming of the Shrew(s).” This project served as both the creative portion of my honors thesis as well as a Senior Showcase within the Bucknell Department of Theatre & Dance. From a young age, I have been fascinated by the malleability of Shakespeare’s plays, and having acted in and seen multiple productions of The Taming of the Shrew, my project began with a desire to take on the gendered complexities of this so-called “problem play.” The Taming of the Shrew is problematic in its sexist …
The Downfall Of Chivalry: Tudor Disregard For Medieval Courtly Literature, Jessica G. Downie
The Downfall Of Chivalry: Tudor Disregard For Medieval Courtly Literature, Jessica G. Downie
Honors Theses
In this thesis, I have examined the notion of the gradual demise of chivalric ideals throughout the late-Middle Ages and culminating in the sixteenth century, analyzing how and why the developments of the sixteenth century both enabled and required the English monarchy and the aristocracy to redefine social identities and values, public responsibilities, political duties, and national and religious power. This thesis addresses why the Tudor monarchs appear to have disregarded the examples of chivalric behavior championed by late-medieval writers like Sir Thomas Malory and Jean Froissart, and instead, relied on new works of literature that were more relevant forms …