Arts and Humanities Commons^™

“The Only Story I’Ll Be Able To Tell”: An Analysis Of Shame And Queer Identity In Gothic American Campus Novels, Aubrey Dickens

Undergraduate Honors Theses

This thesis analyzes shame and queerness in contemporary gothic American campus novels, also known as “dark academia” novels. The thesis looks specifically at the novels The Secret History by Donna Tartt, published in 1992 and considered to be the first dark academia novel, and Catherine House by Elisabeth Thomas, published in 2020 and a more modern adaptation on the subgenre. The two novels deal explicitly with how shame constitutes identity, specifically in regards to individuals who are depicted as queer or outside of heteronormative expectations of sexuality. Queerness in the context of this paper is defined as any portrayal of …

Life As The Wife Of Buffalo Bill, Summer Weaver

Student Works

Buffalo Bill was and still is considered a symbol for the American West. His Wild West Show brought the excitement of frontier life to people in the Eastern U.S. and even in Europe. The more subtle frontier story, however, is told by his wife, Louisa Frederici Cody. In her memoir, Memories of Buffalo Bill, Louisa further idealizes her husband by giving an "inside look" at the life of the great American hero. Never mentioning William Cody's two divorce attempts, Louisa maintains a flawless depiction of her husband as they both "worked for tomorrow."

My essay examines the reasons why …

Ernest Hemingway: The Modern Transcendentalist, Camryn Scott

Criterion: A Journal of Literary Criticism

When thinking about Transcendentalism, most of us look solely to the 19^th Century writings of Ralph Waldo Emerson and Henry David Thoreau. In this paper I reject this static treatment of the movement by exploring Ernest Hemingway’s connection to nature both in his life and in his writings, and claim that he created a modern version of Transcendentalism in the early 20^th Century.