Arts and Humanities Commons^™

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Resurrection And Celestial Jerusalem: The Influence Of The Easter Liturgy On The Nave Decoration Of St. Maurice At Vienne, Ricki Weinberger

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The unfinished Romanesque nave of the cathedral of Vienne is a fascinating monument. Begun around 1140, the building campaign appears to have ended abruptly in the 1160's with only the lower story of the seven easternmost bays of the nave completed. The rest of the church was finished during the Gothic period. Despite its unfinished state, the twelfth century structure is richly decorated, with fluted pilasters and pointed arches, ornate mouldings, and over sixty figural and vegetal capitals (Fig. 1). The beauty and complexity of this program are evident; however its subtleties have not been thoroughly explored as yet.

Petrarch's Rhetorical Reticentia As Politics, Lucia Re

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A discussion of Petrarch's politics must take into account the historicity of politics itself: political science, as distinct from other disciplines, is generally believed to originate with Machiavelli. It would therefore be anti-historical to attribute to Petrarch a systematic political vision (as it is understood today). The modern claim for the independence of political theory and practice is as alien to Petrarch as the possibility of a theologically integrated political vision: Petrarch could not and would not have written either Il Prinicpe or Dante's De Monarchia. Nevertheless, I will speak of Petrarch's politics not only because, at a very …

Oral Hygiene In Elizabethan England, Karl H. Dannenfeldt

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The men and women of Elizabethan England were well aware of their living in an age of transition. The old order was changing and empirical maxims were replacing the ideals of classical humanism. The new courtier and the new man of the middle class searched for pragmatic rules that led to success, recognition, and a more gracious way of life that befitted the new wealth.

John Skelton: Courtly Maker/Popular Poet, Nancy A. Gutierrez

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The eight poems in Latin and English written at the time of the English victory at Flodden Field in 1513 are various combinations of praise, vituperation, satire, and polemic, reflecting the attitudes of their authors. John Skelton, Thomas More, Peter Carmelianus, and Bernard André. These courtly makers, homogeneous in both their humanist background and court employment, see the battle essentially the same way–as an occasion to celebrate their royal employer and to abuse his enemy–thus the differing verse forms and slanted treatments are grounded in a common point of view. However, John Skelton, as author of three of the eight …

William Turner's Use Of The Dialogue Form As A Weapon Of Religious Controversy, R. Pineas

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While the entire subject of Tudor religious polemics has been more often regretted than studied, some of the more prominent controversialists, such as William Tyndale or Thomas More, have received some attention, but such has not been the fate of William Turner (?-1568). No full-length treatment of Turner exists, and what studies there are concern themselves mainly with his activities as a naturalist. This is all the more surprising when one considers that of all the radical Reformers who were dissatisfied with Henry VIII's reformation and transformation of the English Church into the Church of England, William Turner, physician to …

"That Most Erudite Of Tudor Lawyers,' Christopher St. German, R. J. Schoeck

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Christopher St. German: The Man and His Family

Shirley's The Lady Of Pleasure: The Dialect Of Earth And Sky, Tony J. Stafford

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At the beginning of James Shirley's The Lady of Pleasure, Aretina's Steward tells her that if she will be patient, she will have her pleasure. Aretina, who has just come up from the country, makes it clear that finding pleasure is precisely her reason for coming to London. Thus introduces to her, we assume that she is the lady of pleasure referred to in the play's title. Indeed, Aretina's constant effort throughout the play to indulge in city fun seems to confirm our first impression. But we miss the play's subtlety if we accept the obvious, for Shirley seems …

Bacon's Allegory Of Science: The Theater Of The New Atlantis, Patricia Demers

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I conceive that I perform the office of a true priest of the sense (from which all knowledge in nature must be sought, unless men mean to go mad) and a not unskilful interpreter of its oracles. ("The Plan of the Work," The Great Instauration)

Dramatic poesy among the ancients ... has been regarded by learned men and great philosophers as a kind of musician's bow by which men's minds may be played upon. (Translation of the "De Augmentis," The Second Book)

Robert Herrick's "His Grange, Or Private Wealth": A Gentleman Farmer's Ledger, Clara E. Fendley

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In The Arte of English Poesie (1589), George Puttenham describes certain "Geometricall figures," i.e., shaped poems, written in the "Courts of the great Princes of China and Tartarie." Puttenham argues that the concise verse forms

insinuat some secret, wittie, morall and brave purpose presented to the beholder, either to recreate his eye, or please his phantasie, or examine his iudgement, or occupie his braine or to manage his will either by hope or by dread, every of which respects be of no little moment to the interest and ornament of the civill life: and therefore give them no litle commendation. …

Lufly And Its Variants In Sir Gawain And The Green Knight, Jacqueline De Weever

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When Gawain enters the great hall of Bercilak's castle, he is welcomed and made to feel at home with a fine meal and fresh garments, and the lords and ladies, learning that he is Sir Gawain of King Arthur's court, say to one another:

'In menyng of manerez mere

þis burne now schal vus bryng,

I hope þaat may hym here

Schal lerne of luf-talking.' (924-927)

"Luf-talking" is Gawain's most famous attribute, and the adjectives and adverbs lufly, luflych, luflyly appear with the second highest frequency among adjectives and adverbs in Sir Gawain and the Green Knight, …

Iconoclasm As A Revolutionary Tactic: The Case Of Switzerland 1524-1536, Carlos M. N. Eire

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Iconoclasm, Revolution and the Reformation: Some Observations.

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