Arts and Humanities Commons^™

Review Of ‘Sculpture Victorious: Art In An Age Of Invention, 1837–1901’ At The Yale Center For British Art, 11 September To 30 November 2014, Jonathan Shirland

Art and Art History Faculty Publications

An academic review of the exhibition ‘Sculpture Victorious: Art in an Age of Invention, 1837–1901’ at the Yale Center for British Art, assessing the impact of the exhibition for the future of studies into Victorian sculpture.

Designing Social Change: Inquiry-Based Practice & Teaching, Donald Tarallo

Art and Art History Faculty Publications

This paper shares an exploratory and inquiry-based graphic design project and the resultant pedagogic approach that offers arts and design educators ideas on teaching to instigate positive social change. The author summarizes a year-long fellowship project where he worked as a change agent in service to a partnership of six non-profit, after-school arts programs in Providence, Rhode Island who are organized as the Providence Youth Arts Collaborative (PYAC).

The intention of this project was two-fold. The primary effort was to investigate ways graphic design can be strategically used to seed interest and empower youth to make positive choices with how …

Shangaa: Art Of Tanzania - Qcc Art Gallery, City University Of New York (Cuny) February 22-May 19, 2013; Portland Museum Of Art, Maine June 8 - August 25, 2013 [Exhibition Review], Jonathan Shirland

Art and Art History Faculty Publications

No abstract provided.

The Marwani Musalla In Jerusalem: New Findings, Beatrice St. Laurent, Isam Awwad

Art and Art History Faculty Publications

Shortly after Caliph ‘Umar ibn al-Khattab’s (579-644, caliph 634-644) arrival in Jerusalem in 638, he is said to have constructed a rudimentary mosque or prayer space south of the historical Rock now contained within the Dome of the Rock (completed 691) on the former Temple Mount or Bayt al-Maqdis known popularly since Mamluk and Ottoman times as the Haram al-Sharif. Though later textual evidence indicates that ‘Umar prayed somewhere south of the “rock” and later scholars suggest that he constructed a rudimentary prayer space on the site, there is no surviving physical evidence of that initial structure. After his appointment …

Designing Social Change: Inquiry-Based Teaching In Graphic Design, Donald Tarallo

Art and Art History Faculty Publications

This paper shares an exploratory and inquiry-based graphic design project and the resultant pedagogic approach that offers arts and design educators ideas on teaching to instigate positive social change. The author summarizes a year-long fellowship project where he worked as a change agent in service to a partnership of six non-profit, after-school arts programs in Providence, Rhode Island who are organized as the Providence Youth Arts Collaborative (PYAC).

The intention of this project was two-fold. The primary effort was to investigate ways graphic design can be strategically used to seed interest and empower youth to make positive choices with how …

The Imperial Museum Of Antiquities In Jerusalem, 1890-1930: An Alternative Narrative, Beatrice St. Laurent, Himmet Taskömür

Art and Art History Faculty Publications

The creation of the first Museum of Antiquities in Jerusalem during the late Ottoman period is a fascinating story of archaeological pursuits in the region by both Ottoman government officialdom in Istanbul and foreign archaeologists working in Palestine for the British Palestine Exploration Fund. The Ottoman Museum called the Muze-I Humayun in Turkish or Imperial Museum (1901-1917) and its collection is continuous with the British Palestine Museum of Antiquities (1921-1930) and the Palestine Archaeological Museum. The construction of the last began in 1930 and was completed in 1935, but the museum, now known as the Rockefeller Museum, did not open …