Arts and Humanities Commons^™

Dominance And Radical Submission In Seventeenth-Century Drama: Chastity, Fairness, And Silence In Portrayals Of Mar(R)Iam(Ne), Sophonisba, And Cleopatra, Laura S. Deluca

Graduate Dissertations and Theses

This thesis conducts an extensive reading of early modern English playwrights’ interpretation of ancient royalty. I survey a series of seventeenth-century plays concerning Mariamne I, the Carthaginian noblewoman Sophonisba, and Cleopatra VII. I argue that the English stage produced two models of ancient royalty. Mar(r)iam(ne) and Sophonisba personify one model, functioning as white, seemingly obedient figureheads. I document playwrights portraying their men as reducing them to their chastity and fairness, or lack thereof. Despite the inactivity of these objectified women, the qualities that these men obsess over catalyze masculine irrationality. The other model, which Cleopatra embodies, encompasses blackness and defiance. …

Obscure, Unclassed And Undefinable: Social Immobility For Mixed Races In The Nineteenth Century Presented In Jude The Obscure And Of One Blood, Kendall Geed

Graduate Dissertations and Theses

This paper examines the problematic nature of western reliance on class-based societies through looking at postbellum United States and Victorian England through a transatlantic lens. I prove how the classification system produces a group of “unclassed” peoples based on a racial and intellectual status, by looking at Thomas Hardy’s Jude the Obscure and Pauline Hopkins’ Of One Blood. These two nineteenth-century novels expose the production of unclassifiable who are outcast based on what I call a “class-race-intellect disagreement.” By revealing the life and struggles of the mixed-raced individual, I will show how the class systems used by western nations not …

Remembering The Revolution: Monuments And Commemorations Of American Revolutionary War Sites In New York, Brant W. Venables

Graduate Dissertations and Theses

Memorials and monuments at military heritage sites track the ways American society constructs and then reconstructs its understandings of important events. They present enticing material culture for study by archaeologists seeking to analyze the layers of meaning and the social and chronological transformations in the heritage narratives at military sites. With the prominence of recent national discourses surrounding the heritage narratives presented by Civil War Confederate monuments, there is a paramount need for archaeologists to lend their expertise in material culture studies to these dialogues. I also believe it remains important to expand this critical examination of Civil War monuments …

Translation And Conflict: Arab-Spring Uprisings And Their Impact On Translation From Arabic Into English, Musa Alzghoul

Graduate Dissertations and Theses

Abstract

The present dissertation intends to provide a detailed account of the main issues of translation from Arabic into English and to highlight the roles that translators and translations can play in terms of elaborating, subverting, or undermining narratives circulated about certain communities and events. To do so, the present dissertation uses narrative theory in translation studies as developed by Mona Baker as a theoretical framework to describe the translation scene from Arabic into English in the wake of the Arab-Springuprisings.

The dissertation provides a brief introduction to the narrative theory in translation followed by a discussion of …

Enemy Life: Theorizing Exile Through Milton, Shelley And Byron, Robert L. Berger

Graduate Dissertations and Theses

This dissertation investigates the contemporary discourse and conceptions of exile as it is presented by Milton, Shelley and Byron. Utilizing biopolitical theory as a lens, it posits that the Satanic iteration or narrative of exile embodies the reality of worldly exile. As such the dissertation explores the complex framing and subsequent deconstruction of Satanic and human subjectivities found in Paradise Lost, Prometheus Unbound, Manfred and Don Juan. The dissertation examines Paradise Lost for its competing narratives of exile, Adam and Satan, and explores notions of home, transgression, the purification rituals which are the origin of sovereign Power and the …

Reconstructing The African And African Diasporic Woman: Gender, Race, Class And The Making Of A Constructive Radical African Feminist, Patchani E. Patabadi

Graduate Dissertations and Theses

This dissertation analyzes the story of the African woman migration from a generational perspective. It discusses Mariama Bâ’s So Long a Letter (1979) as the foundation of the African woman’s migration story and the evolvement in the female identity construction. It then uses Chimamanda Ngozi Adichie’s Americanah as a new, yet different and more contemporary approach to the same subject. In other words, this dissertation explores how the contemporary approach to storytelling and identity construction has changed the African woman’s migration story and her identity construction since Mariama Bâ dealt with them nearly forty (40) years ago. It analyzes the …

Making Of Nationalistic Dance: Agrippina Vaganova And Choi Seung-Hee, Angela Kim

Graduate Dissertations and Theses

This thesis applies nationalism theories from Eric Hobsbawm's Inventing Tradition and Benedict Anderson's Imagined Communities to show how Agrippina Vaganova and Choi Seung-hee's dances became their nation's representative dance forms. Agrippina Vaganova's Modern Russian Ballet and Choi Seung-hee's Sinmuyong (New Dance) made significant impacts in their respective countries in the twentieth century by each becoming a systematic dance form that became synonymous with the nation. This thesis argues that Agrippina Vaganova's Modern Russian Ballet and Choi Seung-hee's Sinmuyong (New Dance) became their nation's representative dance forms due to interactions between performance, social changes, and discourses of media. These, along with …

The Apotheosis Of The Green Revolution And The Throes Of Landless Peasant Women In Two Aegean Villages Of Turkey In The 1960s, Bengu Kurtege Sefer

Graduate Dissertations and Theses

The debates on the historical processes of agrarian transition and the experiences of rural women in these processes have never lost their appeal for sociological study, although the studies have focused on the political economy of development and rural women in development in the 1960s and 1970s and have then shifted to microeconomics, power relations, and the formations ofsubjectivities since the 1980s. This thesis develops a framework, which helps analysis of the global and local processes of agrarian transition across gender and class lines in Turkey in the 1960s. In the existing literature, it was generally assumed that petty commodity …

Place And Displacement: The Unsettling Connection Of Women, Property, And The Law In British Novels Of The Long Nineteenth Century, Claudia J. Martin

Graduate Dissertations and Theses

This study examines how British novels produced during the long nineteenth century, the period from 1750 to 1919, represent thetenuous connection of women to property and place. A paradox of the era was that while women tended to be relegated to theconfines of the domestic realm as daughters, sisters, wives, or widows, it was also a home that they could not or did not own, and in which their continued residence was dependent upon the largesse of others, making them vulnerable to displacement. Thedichotomy between home and homelessness creates the dynamic tension that drives many plots of the long nineteenth …

What's So Private About Private Property?, Matthew Blake Wilson

Graduate Dissertations and Theses

This work attempts to determine what kinds of institutions—if any—the state should implement to protect private property, and investigates how individuals and communities operating within those institutions ought to behave. Because the laws produced by such institutions may conflict with community rights, social welfare, and justice, the political authorities—including judges and legislators—who operate the institutions must determine whether, and under what conditions, individual property rights ought to prevail over conflicting rights. I argue that considerations of privacy are necessary for making these determinations. Privacy—the condition that requires limitations upon the ability of others to access one’s physical spaces—has normative significance …

Pottery Is King: Bevel Rim Bowls And Power In Early Urban Societies Of The Ancient Near East, Arianna M. Stimpfl

Graduate Dissertations and Theses

This thesis is about how material objects, specifically ceramics, are used to create and perpetuate political power of the ruling class. My research will demonstrate how bevel rim bowls were a form of structural violence in the Uruk/Protoliterate period Mesopotamia by forcing the people to create the very vessels they needed to obtain their rations. These vessels were widely used throughout the region, and as of yet their exact function is unknown. The Uruk period in Mesopotamia was a time of great change. Large urban centers were being formed and people were coming together in a new way to live …

Before Crenshaw: A Historiographical Look At Intersectional Identity In Three Twentieth-Century American Plays By Eaton, Grimké, And Treadwell, Emily Goodell

Graduate Dissertations and Theses

This thesis anachronistically applies Kimberlé Crenshaw’s term intersectionality to three dramatic texts using Thomas Postlewait’s model of theatre historiography. These plays were authored by twentieth century female playwrights who had similar intersectional lives as the leads discussed. Yuki, from the 1901 novel turned 1903 Broadway play A Japanese Nightingale, was crafted by Winnifred Eaton. Yuki’s identity will be the subject of the first chapter. The second chapter examines the identity of Rachel from Angelina Weld Grimke’s anti-lynching play Rachel. For the third chapter, the identities of both female leads fromHope for a Harvest by Sophie Treadwell are analyzed. …

The House In South Asian Muslim Women’S Early Anglophone Life-Writing And Novels, Diviani Chaudhuri

Graduate Dissertations and Theses

This dissertation undertakes the first sustained examination of representations of Islamicate material culture, domestic interiors, residential forms, and historic sites in the early Anglophone writing of South Asian Muslim women. Reading the memoirs of Pakistani diplomat Shaista Suhrawardy Ikramullah, From Purdah to Parliament (1963), in conjunction with three early Anglophone novels, namely, Zeenuth Futehally’s Zohra (1951), Mumtaz Shah Nawaz’s The Heart Divided (1957), and Attia Hosain’s Sunlight on a Broken Column (1961), I develop the analytic category of autoethnographic spatial discourse in contradistinction to the harem fantasy inflected colonial spatial discourse prevalent at the time in order to describe the …

Burning The Cherry Trees, Amelia Sorensen

Graduate Dissertations and Theses

This work is a collection of forty-five (45) poems written and edited throughout the author's time at Binghamton University. Combining strong images with experiments in form, Burning the Cherry Trees is a multi-faceted collection about achieving renewal through the loss and destruction inherent to change.

A Way Of Life: Saranac Lake And The 'Fresh Air' Cure For Tuberculosis, Ellen Damsky

Graduate Dissertations and Theses

In 1884, Edward Livingston Trudeau officially opened The Adirondack Cottage Sanitarium for the treatment of tuberculosis in Saranac Lake, New York. For the next seventy years, what became known as the Trudeau Sanatorium was the model of American sanatoria, promoting fresh air, rest, and nutritious food in the treatment of pulmonary tuberculosis. The introduction and use of antibiotic drugs in the treatment of disease effectively ended the sanatorium movement as well as demarcates an important juncture in American medical and scientific history. Trudeau's treatment and the Sanatorium are interpreted as social and ideological constructs from the perspectives of verbal expression, …

Yourcenar's Les Vagues: Changing The Rhythm Of The Waves, Amy L. Cooper

Graduate Dissertations and Theses

No abstract provided.

The Dramaturgy Of Sławomir Mrozek, Regina Grol-Prokopczyk

Graduate Dissertations and Theses

The focus of this dissertation is the dramaturgy of Sławomir Mrożek. The study was triggered by a striking disproportion in Mrożekian criticism. There is a multitude of minor articles and reviews, but not a single monographic study devoted to the dramatist and his work. Such a state of affairs resulted from some accidental factors. In Poland where Mrożek is very well known and appreciated, the official ban imposed on him during the past five years precluded any book on him from appearing. In the West, the absence of a full-length critical study on Mrożek might be attributed to the fact …

An Examination Of The Sacramental Vision Of Dylan Thomas: Its Sources, Analogues And Its Expression In His Poetry, Margaret A. Hardesty

Graduate Dissertations and Theses

Amid the twentieth-century prophets of man’s total and final disintegration, against the age’s portrayers of the incurable malaise and disease gripping society, the voice of Dylan Thomas sounds as a counterpoint, evincing a note of optimism for man and society, expressing a hope that both might achieve reintegration, and, thereby, a new life. This optimistic note, this expression of hope evolved from a vision which gradually possessed Thomas and became the lodestar of all his poetic endeavors. He moved away from an uneasy, pessimistic pantheism in his youth to a firm joyousness in the conviction that all things are holy …

The Imagery Of Time And Season In The German Baroque And Romantic Poetry, Jane Muenzer Mehl

Graduate Dissertations and Theses

Historians of German literature generally agree that the decisive turning point in the reappraisal of German Baroque literature was largely due to Heinrich Wölfflin’s seminal study Renaissance und Barock: Eine Untersuchung über Wesen und Entstehung des Barockstils in ltalien (1888). This monograph on the development of architecture in Rome represents the first significant attempt to distinguish Renaissance and Baroque art using purely structural terms. In it Wölfflin rejects an Aristotelian view of art as the imitation of nature and redefines art history as the study of artistic styles of different epochs, nations, and individuals, expressing distinct philosophies of life, aspirations, …

The Russian Judicial Reform Of 1864; Its Origins And Development, 1825-1864, Stephen Wilson Mcintire

Graduate Dissertations and Theses

The Russian Judicial Reform of 1864 has been hailed as one of Alexander II's “Great Reforms.” For it, along with the emancipation of the serfs, the creation of the zemstvos and, somewhat later, the military reforms, he inherited the appellation “Tsar-Liberator.” Most historians have regarded him as an enlightened and liberal monarch who intentionally set out to change fundamentally the constitutional foundations of the Russian Empire. In contrast, these same historians have consistently viewed his father and predecessor, Nicholas I, as a reactionary opponent of all change. Once freed from Nicholas’ tyrannical rule, the Russian people were then able to …

The Crucible Of Conversation: A Study Of Jamesean Dialogue, Betsy B. Aswad

Graduate Dissertations and Theses

My own initial bemused reaction to the language of Henry James I can place in a classroom in 1960 where, with a class of fellow English majors—-old hands, all of us, at Faulkner and Joyce–I was, in the first chapters of The Wings of the Dove, as “awfully at sea” as Merton Densher was when he first met Kate Croy. A timid question drew from the professor probably the best advice that can be given to a novice at reading James: “You can't just skim James, you know; you have to read every word.” Later, teaching The Turn of the …

A Critical Study Of William Nevill's The Castell Of Pleasure; The Delusions Of Amor., Thomas Hardy Miles

Graduate Dissertations and Theses

Few English poems have been neglected more than William Nevilll's The Castell of. Pleasure. Following Henry Pepwell' s reprint ( 1518) of Wynkyn de Worde' s original edition, the poem has been reprinted only twice. Scholarly criticism of the poem is even rarer than are its editions.