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Onnagata, Femininity, And Cross-Dressing In Narukami: A Look Into Gender In Kabuki, Mary Hughes
Onnagata, Femininity, And Cross-Dressing In Narukami: A Look Into Gender In Kabuki, Mary Hughes
Belmont University Research Symposium (BURS)
This paper explores the gender dynamics within Kabuki theatre through the examination of the play Narukami. Kabuki is a theatre style that was originated by women, but it quickly excluded them in favor of using men to portray female characters. This study delves into the relevance of these female characters to modern non-male identifying performers and challenges the traditional casting norms. Looking to the onnagata role, which is the role of a male actor playing a woman onstage, the paper examines how gender is represented within the existing practice of Kabuki. For example, the character of Teama in Narukami is …