Arts and Humanities Commons^™

Life And Health Concerns Of A European Monastic Scribe During The 14th Century, Jared Reiling, Christopher O'Neill, Nick Curatolo

2021 Festschrift: The Interpolated Roman de Fauvel in Context

Writing in a quiet, candle-lit room may sound hygge to some, but monks during the 14th century would describe their work on the scriptorium as cold, depressing, tedious, mundane, and exhausting. The copying of all texts, including biblical and musical, was done by hand with monks working around the clock copying, illuminating manuscripts, and binding books. With the regimented schedule of monastic life, the Church worked scribes till exhaustion which created health problems and aggravated underlying conditions. Though cataracts were a common problem, commoners performed surgery on each other to restore sight, but it only made the situation worse.

Allegory, Symbolism, And Metaphor In Le Roman De Fauvel, Maria Coulter, Jake Loitz, Cait Duffy

2021 Festschrift: The Interpolated Roman de Fauvel in Context

Roman de Fauvel is a 14th century work composed of poetry, story, an overarching narrative, and music to accompany the literature. In this study, our research is dedicated towards finding and analyzing the many instances of allegory and symbolism in the highly philosophical, satirical, and critical work. Using French 13th and 14th century historical context, we determine the origins of the subject matter of these allegories. Through this historical lens, we can observe what du Bus wants to convey through allegory as a response to his historical climate, and we can take that response and assign meaning to it in …

Music Composition In The 17th And 18th Centuries: A Historical Analysis Of How Georg Frideric Handel Participated In “Borrowing”, Nicholas Mueller, Oscar Peterson-Veatch, Russell Schmidt

2020 Festschrift: Georg Frideric Handel's "Messiah"

The primary focus in this research paper is borrowing; this means borrowing from other composers, and self-borrowing from a previous composition. It is widely accepted in scholarship that Georg Frideric Handel participated in the action of borrowing. However, there is significantly more contention among scholars surrounding both the extent of Handel’s borrowing, as well as what the appropriate modern perspective is for these actions. In this research paper our primary focus will be on Handel’s borrowings, the benefits he received from these actions, and the historical lens of borrowing in the seventeenth and eighteenth centuries.

Gustav Mahler: An Honorary Secessionist, Grant Estes

Music: Student Scholarship & Creative Works

Gustav Mahler’s artistic philosophy was closely related to that of the Secessionists in fin-de-siècle Vienna. His work, both as the director of the Imperial Opera and as a composer, was based on the idea that art should be paramount over personal, sociological, and historical influences. Thus, Mahler should be viewed as an honorary Secessionist who, though personally distant from the Secessionist movement, continually sought higher artistic standards and freedom. This essay will focus on the first movement of Mahler’s Sixth Symphony and contemporary criticisms of the work to better understand both Mahler’s music and the environment in which he worked.

Songs From Home: A Study Of Musical Traditions Amongst Iraqi Refugees, Moira Rose Dunn

Anthropology: Student Scholarship & Creative Works

Families relocating to new communities face the hardships of learning how to navigate in a new legal and cultural environment and can also experience an interruption of past forms of passing down cultural, personal, or familial traditions, such as music. My research asks the following questions: how does music exist in the memories and daily life of Iraqi refugees in the Quad Cities, and how does the community provide specific expressive outlets for them? Using a combination of interviews with resettled Iraqi refugees and community members who try to reach out to them and participant observation, this research focuses on …

Jesse Routte: Using Style To Signify Injustice, Emma Nordmeyer

Race, Ethnicity, & Religion

Jesse Routte, first African-American student to graduate Augustana, made national headlines in 1947 for wearing a turban on a visit to Alabama. In this paper, I explore how Routte's stylistic choices uprooted and questioned the racism of the Jim Crow era.

The Gonzagas: Artistic Patronage In The Mantua Region During The Italian Renaissance, Ariane Omerza, Curtis Marek, Zachary Myatt

2019 Festscrift: Claudio Monteverdi's Orfeo

The Mantua region of Italy is one that was controlled by the Gonzaga family for centuries. They dominated political and cultural aspects of life. This paper displays evidence that illustrates the power and structure behind Italian patronage during the Renaissance era. It showcases the Gonzaga family’s power in the Mantua region as well as their reaching influences on the greater Italian society. Specific examples of the family patronage are explored in depth, along with the ways that their patronage affected others. Overall, this paper serves as an array of information that ties in with the overarching themes of patronage both …

Newfoundland And Irish Music: Synonymous Or Similar?, Kathryn E. Krajewski

Celebration of Learning

This paper explores how Newfoundland music was influenced by not only Irish music, but English music as well. Some background on the connections and relationship Newfoundland had with England and Ireland is provided before delving into the influence these countries had on Newfoundland music. Musical examples are included to illustrate how the songs of Newfoundland have both similarities and differences to the music of Ireland and England.

Music And Its Effects On Stress, Kate Pisarczyk

Music: Student Scholarship & Creative Works

While stress is a common occurrence within society, some individuals face extreme stressors that can negatively impact their physical and psychological health. College students are a subsect of society that face extreme stress on a daily basis. One of the most common forms of coping among college students is listening to music. The current research examines the effects of music listening on college student’s stress levels. Participants (N= 27) were instructed to complete an impossible mental arithmetic task while under a time limit. Afterwards, participants were given a questionnaire to rate their anxiety levels. During a five-minute recovery period, participants …

Memory And Music, Sean Harty

Music: Student Scholarship & Creative Works

A literature review of sources pertaining to Music and Psychology. Focusing on how the brain reacts to music, and how our brains change as we age. Relates these topics to practicing music therapists. Proposes future studies based on the collected research.

Sr. Carolyn: Voice For The Voiceless, Michele Hill

Ask a Sister: Interview Wisdom from Catholic Women Religious

This paper discusses parts of an interview I conducted with Sr. Carolyn on the roles of women religious and how they, including herself, are involved in activism.

Belsen Silence, Monica Gil

Geifman Prize in Holocaust Studies

I often look to text for musical inspiration, and after searching through swaths of Holocaust poetry online, I discovered "Belsen Silence" by Iolo Lewis. Its message is less graphic than some of the other texts I found, but that in no way detracts from its power of emotion. It is about looking back, tending to old wounds that are no longer fresh but are still healing. The Holocaust may have happened over fifty years ago, but it is still relevant, even alarmingly so at times. Today's reflections on yesterday's shortcomings are arguably the only way we learn, and that is …

S.S. Schatten Schmidt, Emma Albers-Lopez

Geifman Prize in Holocaust Studies

This poem attempts to display the horrors that prisoners in Auschwitz endured, but also the internal struggles of S.S. guards. It has a large focus on music in the camp.

This poem has a personal connection to my family. My great-grandmother did steal Nazi flags to make clothes for her six children. The seventh child was killed in the way that is explained in the poem. That seventh child is where I received my name "Emma". It was a privilege to honor my namesake through this poem.

To See In Color, Sarah Rebban

Geifman Prize in Holocaust Studies

No abstract provided.

From Debussy To Duke: A Look At The Role Of Music, Race, And Sexuality In The Works Of Dany Laferrière, Kendall Smith

Celebration of Learning

Music is used every day as a way of expression. Dany Laferrière, a Haitian born author, uses music in his works to give the reader an idea of racial stereotypes of the black man and white women. The two books that will be the focus of this paper are Comment faire l’amour avec un Nègre sans se fatiguer (How to Make Love to a Black Man Without Getting Tired) and Vers le Sud (Heading South), which use jazz and classical music, respectively. Jazz music, specifically Duke Ellington, is used to show men’s and women’s sexuality through the lyrics and history …

Cello Technique: A Result Of Cello Construction And Its Effect On Virtuosic Playing In The Works Of Dvořák And Pärt, Mineo P. Yasutake Mr.

Music: Student Scholarship & Creative Works

No abstract provided.

Music And The Migrant: A Transnational Account Of Cumbia, Irene L. Mekus

Audre Lorde Writing Prize

This paper looks into the cultural synthesization and the transnational ties of cumbia between Latin America and the United States. Three case studies look at the story of migrants and their transnational ties through cumbia and are analyzed through an ethnomusicology framework.

Wagner Contra Mundum: Wagner Versus The World, Caitlin A. Thom

Geifman Prize in Holocaust Studies

An investigation of responses to Wagner in Nazi Germany and post-World War II Israel.

Surviving The Holocaust: Catharsis Through Music, Amanda Hassler

Geifman Prize in Holocaust Studies

No abstract provided.

One Hundred Years Of Oratorio At Augustana: A History Of The Handel Oratorio Society, 1881-1980, Conrad Bergendoff

Augustana Historical Society Publications

When the Handel Oratorio Society gave the Messiah December 12, 13, 14th 1980 in Centennial Hall, Rock Island, Illinois it completed one hundred years of oratorio singing at Augustana College. Part I recounts the origin, difficulties, and development of the organization which began as the Augustana Handel Oratorio Society, divided the field with the Conservatory Choir, and reunited as the Handel Oratorio Society. Part II attempts to give a complete list of the programs, 1881-1980, with names of participants and dates and places of each performance.