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Articles 1 - 14 of 14
Full-Text Articles in Arts and Humanities
Recasting Genre In Tennessee Williams's Apprentice Plays, Christina Ilona Hunter
Recasting Genre In Tennessee Williams's Apprentice Plays, Christina Ilona Hunter
Dissertations
This dissertation investigates Tennessee Williams’s earliest full-length plays, also known as the apprentice plays—Candles to the Sun, Fugitive Kind, Not About Nightingales, Spring Storm, and Stairs to the Roof—by comparing, contrasting and contextualizing them in relation to Daniel Chandler’s generic criteria of drama; namely, narrative, characterization, setting, topics, iconography, and staging techniques. The present study also draws upon an extensive body of scholarship pertaining to genre theory, Williams’s cultural contemporaries, and the historical and psychological backdrop of Depression-era America. In these early plays, Williams diverged sharply from the dramatic generic conventions of his day, manipulating them in new …
Rejuvenating The Old Storyteller. [Review Of Jules Verne's Amazing Journeys: Five Visionary Classics, Trans. And Ed. Frederick Paul Walter, Suny Press, 2010], Arthur B. Evans
Global Language Studies Faculty publications
No abstract provided.
The Imsa-Sf Paradigm: Why It’S All The Same To Me, Sarah Weitekamp '11
The Imsa-Sf Paradigm: Why It’S All The Same To Me, Sarah Weitekamp '11
2010 Fall Semester
On what must have been my third or fourth day of IMSA, I remember an upperclassman asking me, “You’ve read Ender’s Game, right? You have to read that book—everyone at IMSA does.” I had, in fact, read the book, and I immediately felt relieved. I felt had passed my first test at IMSA, plus I was geeked to learn that my taste in books wasn’t out of place here. I shouldn’t have been so surprised. IMSA is overflowing with science fiction fans of all varieties—we are a nerd school after all, even if the Admissions Office disapproves of my …
Scientific Speculators: Imsa As Training Ground For Science Fiction Readers, Lisa Akintilo '11
Scientific Speculators: Imsa As Training Ground For Science Fiction Readers, Lisa Akintilo '11
2010 Fall Semester
Science fiction (SF) is one of the world’s fastest-growing literary genres. Created as a separation from traditional writing styles, it challenges its followers to question the framework of societies across the globe. One would think that such a genre would allow people of all different ages, shapes, and sizes to enjoy its distinctive novels, but this is not the case. Readers of SF must be inquisitive, opinionated, and confident; in other words, be extremely similar to a student at the Illinois Mathematics and Science Academy. IMSA’s belief statements and learning standards perfectly align with editor David Hartwell’s description of an …
Physicians, Society, And The Science Fiction Genre In The Film Versions Of Invasion Of The Body Snatchers: Or Doctors With A Serious Pod Complex, Brett S. Stifflemire
Physicians, Society, And The Science Fiction Genre In The Film Versions Of Invasion Of The Body Snatchers: Or Doctors With A Serious Pod Complex, Brett S. Stifflemire
Theses and Dissertations
Close textual analysis of the four extant film versions of Invasion of the Body Snatchers reveals that each film modifies the original story such that it reflects changing societal attitudes toward physicians and the medical profession, as well as depictions of military and government in the science fiction genre. The changing depictions of characters and events in these films respond to changes in medical history, social history, and the science fiction genre across five decades. Each film reflects the contemporary anxieties of its time and the perceived ability of physicians to relieve those anxieties. Doctors are important semantic elements of …
"So Say We All"—Reimagining Empire And The Aeneid, Corinne Ondine Pache
"So Say We All"—Reimagining Empire And The Aeneid, Corinne Ondine Pache
Classical Studies Faculty Research
Battlestar Galactica, a television series that aired on the SyFy Channel from 2003 to 2009, tells the story of the Twelve Colonies, a human society whose home planets have been destroyed by a race of robots, the Cylons. These androids, originally created by mankind as a slave workforce, have at the moment of their revolution evolved to become physically indistinguishable from humans, and, after they turn against their creators, as the Internet Movie Data Base tag line puts it: "The fight to save humanity rages on." While the series presents itself as a traditional science fiction narrative with the …
Seven Fictions, Stephen Leech
Seven Fictions, Stephen Leech
All Theses
A collection of seven short stories focusing on issues of reality and unreality, particularly such issues as they arise in America, both as a political ideal and a manifest nation. The collection uses genre fiction as a means to illuminate these issues in new and relevant ways.
The Hacker And The Hawker: Networked Identity In The Science Fiction And Blogging Of Cory Doctorow, Robert P. Fletcher
The Hacker And The Hawker: Networked Identity In The Science Fiction And Blogging Of Cory Doctorow, Robert P. Fletcher
English Faculty Publications
No abstract provided.
The Desert Of The Real: Christianity, Buddhism & Baudrillard In The Matrix Films And Popular Culture, James F. Mcgrath
The Desert Of The Real: Christianity, Buddhism & Baudrillard In The Matrix Films And Popular Culture, James F. Mcgrath
Scholarship and Professional Work - LAS
The movie The Matrix and its sequels draw explicitly on imagery from a number of sources, including in particular Buddhism, Christianity, and the writings of Jean Baudrillard. A perspective is offered on the perennial philosophical question ‘What is real?’, using language and symbols drawn from three seemingly incompatible world views. In doing so, these movies provide us with an insight into the way popular culture makes eclectic use of various streams of thought to fashion a new reality that is not unrelated to, and yet is nonetheless distinct from, its religious and philosophical undercurrents and underpinnings.
The Evolution Of The Robotic Other In Science Fiction Film And Literature: From The Age Of The Human To The Era Of The Post-Human, Gregory M. Humphrey
The Evolution Of The Robotic Other In Science Fiction Film And Literature: From The Age Of The Human To The Era Of The Post-Human, Gregory M. Humphrey
ETD Archive
Science fiction film and literature establishes one of the most effective mediums for providing incisive critical analysis of complex sociopolitical issues. An observation of the robotic Other in Karel Capek's early 20th century play R.U.R.:(Rossum's Universal Robots), Philip K. Dick's acclaimed novel Do Androids Dream of Electric Sheep, and Ronald D. Moore's re-envisioning of the pop-culture, science fiction television series Battlestar Galactica, provides an illustrative study of how the creators of these varied science fiction works utilize the robotic Other to destabilize the more traditional boundaries of the Other and create a narrative that demands critical examination of the post-human …
Review Of Forbidden Planet, Michael Adams
Review Of Forbidden Planet, Michael Adams
Publications and Research
Review of Fred McLeod Wilcox's Forbidden Planet: http://www.media-party.com/discland/2010/09/forbidden-planet-blu-ray.html
Review Of Flash Gordon, Michael Adams
Review Of Flash Gordon, Michael Adams
Publications and Research
Review of Mike Hodges' Flash Gordon: http://www.media-party.com/discland/2010/07/flash-gordon-bluray.html
Other Tomorrows: Postcoloniality, Science Fiction And India, Suparno Banerjee
Other Tomorrows: Postcoloniality, Science Fiction And India, Suparno Banerjee
LSU Doctoral Dissertations
In this dissertation I argue that science fiction as a genre intervenes in the history-oriented discourse of postcolonial Anglophone Indian literature and refocuses attention on the nation’s future—its position in global politics, its shifting religious and social values, its rapid industrialization, the clash between orthodoxy and modernity, and ultimately the dream of a multicultural nation. Anglophone Indian science fiction also indicates India’s movement away from a nation trying to negotiate the stigma of colonialism to a nation emerging as a new world power. Thus, this genre reconstructs the Indian identity not only in the domestic sphere, but also in a …
The Desert Of The Real: Christianity, Buddhism & Baudrillard In The Matrix Films And Popular Culture, James F. Mcgrath
The Desert Of The Real: Christianity, Buddhism & Baudrillard In The Matrix Films And Popular Culture, James F. Mcgrath
James F. McGrath
The movie The Matrix and its sequels draw explicitly on imagery from a number of sources, including in particular Buddhism, Christianity, and the writings of Jean Baudrillard. A perspective is offered on the perennial philosophical question ‘What is real?’, using language and symbols drawn from three seemingly incompatible world views. In doing so, these movies provide us with an insight into the way popular culture makes eclectic use of various streams of thought to fashion a new reality that is not unrelated to, and yet is nonetheless distinct from, its religious and philosophical undercurrents and underpinnings.