Arts and Humanities Commons^™

The Transatlantic Pocahontas, Gary Dyer

English Faculty Publications

No abstract provided.

Secret Servants: Household Domestics And Courtship In Eliza Haywood’S Fiction, Marisa C. Iglesias

USF Tampa Graduate Theses and Dissertations

In Eliza Haywood's fiction, as in eighteenth-century Britain, social restrictions repress the sexual desires of upper class women and men. Therefore, the secret desires of this social class often rely on a different group: domestic servants. Sometimes acting as confidants and other times as active players in the scheming, these servants are privy to the inner secrets of the households in which they live. In Haywood's Love in Excess (1719), Lasselia (1723), Fantomina (1725), and The History of Miss Betsy Thoughtless (1751), the servant class plays significant roles in the narratives.

Since the role of the servant is the central …

Gendered Quests: Analysis, Revelation And The Epistemology Of Gender In Neera's "Teresa", "Lydia" And "L'Indomani", Silvia Valisa

Silvia Valisa

This essay is devoted to Milanese fin-de-siècle writer Neera, more specifically to the three novels composing her “ciclo della donna giovane” (the young woman’s cycle). I examine the striking similarity of the epistemological projects of the three heroines, i.e. their attempt to combine an analytical project with a revelatory structure in order to overcome their contradictory status of narrative subjects and social objects. I consider these projects "gendered" in that they are quests disturbed by a structural and epistemological bias that forecloses a full access to experience and knowledge. The different outcomes of the quests are determined by these women’s …

Discreetly Depicting "An Outrage": Graphic Illustration And "Daisy Miller"'S Reputation, Adam Sonstegard

English Faculty Publications

Rendering the first illustrated edition of "Daisy Miller" in 1892, Harry Whitney McVickar had to reconcile the novella's scandalous reputation with the polite medium of graphic illustration. McVickar highlights insignificant scenery, shows solitary figures instead of social interaction or playful flirtation, and nearly omits the heroine. His depictions and omissions contain the characters' indiscretions, and ensure that aspiring flirts and would-be Winterbournes who view his images do not "get the wrong idea." Cinematic adaptations amplify Daisy's public displays and encourage Winterbourne's voyeurism, but "Daisy Miller"'s first graphic illustrations strove instead to redeem the reputation of James's "outrage on American girlhood."

The Conversion Of Jeff Williams. By Douglas Thayer, Daniel Kay Muhlestein

BYU Studies Quarterly

Douglas Thayer. The Conversion of Jeff Williams. Salt Lake City: Signature Books, 2003.