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Madrigal Holiday Feast (December 9-10, 2006), Lindenwood University Dec 2006

Madrigal Holiday Feast (December 9-10, 2006), Lindenwood University

Student Theatre Programs

Program for Madrigal Holiday Feast (December 9-10, 2006).


The Servant Of 2 Masters Program, University Of Southern Maine Department Of Theatre Nov 2006

The Servant Of 2 Masters Program, University Of Southern Maine Department Of Theatre

Programs 2006-2007 Season

Written by Carlo Goldoni

Directed by Wil Kilroy

This production was entered in the Kennedy Center American College Theater Festival (KCACTF) XXXIX.

From the program:

Pantalone of Venice arranged for his daughter Clarice to marry Federigo Rasponi of Turin, but hearing of his demise has now allowed Clarice to become betrothed to Silvio, son of his friend Madame Lombardi. Federigo Rasponi did not want his sister, Beatrice, to marry Florinda Aretusi and indeed was killed fighting him, causing Florinda to flee Turin and head to Venice. Meanwhile, Beatrice decides to find her lover Florinda, but feels she'll have better luck …


The Season Ticket, Fall 2006, Columbia College Chicago Oct 2006

The Season Ticket, Fall 2006, Columbia College Chicago

Season Ticket

Columbia College Chicago Theater Department newsletter. 8 pages. Faculty, articles, production, student news.


Dialogue, 2006, Columbia College Chicago Oct 2006

Dialogue, 2006, Columbia College Chicago

Dialogue

Second issue of the Theater department publication Dialogue. Articles include: "Gravity and the Voice"; "Hollywood Daze"; "Faux Glass"; "Precursor"; "Playing Hermione in 'The Winter's Tale'"; and "Transcendent Unity: Race, Creativity and Performance". 16 pages.


Equus Program, University Of Southern Maine Department Of Theatre Oct 2006

Equus Program, University Of Southern Maine Department Of Theatre

Programs 2006-2007 Season

Written by Peter Shaffer

Directed by Walter Stump

This production was entered in the Kennedy Center American College Theater Festival (KCACTF) XXXIX.


The Mousetrap, Robert Clements, Tim Phipps Oct 2006

The Mousetrap, Robert Clements, Tim Phipps

Theatre Productions

Agatha Christie's classic story, The Mousetrap, opened in 1952 at the Ambassadors Theatre in London, England and is still playing in theatres around the world nightly. The longest running play or musical in history, it is Agatha Christie at her best.

The setting is the 1940s in post World War II England. A young married couple has inherited a large manor house in the English countryside, which they have decided to open as a guest house. On their first day of business their curious and interesting guests arrive along with a massive winter storm confining everyone to the house. …


American Rosies (August 28-30, September 6-7, 2006), L. Patton Chilies Sep 2006

American Rosies (August 28-30, September 6-7, 2006), L. Patton Chilies

Student Theatre Programs

Program for American Rosies (August 28-30, September 6-7, 2006).


Speaking Out Of The Dust: Religious Reenactments With The Specific Iconic Identity Of Place, Heidi Diane Lewis Jul 2006

Speaking Out Of The Dust: Religious Reenactments With The Specific Iconic Identity Of Place, Heidi Diane Lewis

Theses and Dissertations

Sometimes, the place where a play is performed is as important as or more important than the play itself. The first known theatrical rituals were performed in spaces which came to hold deep religious significance. Many religious traditions regard certain places as sacred because of spiritually significant events which took place there, sometimes involving the presence of Deity. In an effort to build on that sacrality, sometimes religious cultures bring theatre to these spaces, which, in turn, tend to alter the nature of the theatrical event. This seems especially true in regards to theatre which presents a re-enactment of the …


Direction Of The Play: A Raisin In The Sun, Jesse S. Montes Jun 2006

Direction Of The Play: A Raisin In The Sun, Jesse S. Montes

Master of Theater Production Graduate Projects

This project entailed the selection, background research, direction, dialect coaching, choreography, design, and post-production analysis of Salesian High School's production of Lorraine Hansberry's A Raisin in the Sun. Documentation includes research and analysis of the play as a production. The analysis also includes a discussion regarding the directorial vision of this production.


“Fit For The Reception Of Ladies And Gentlemen”: Power, Space, And Politeness In Eighteenth-Century Anglo-Atlantic Playhouses, Troy Thompson Apr 2006

“Fit For The Reception Of Ladies And Gentlemen”: Power, Space, And Politeness In Eighteenth-Century Anglo-Atlantic Playhouses, Troy Thompson

USF Tampa Graduate Theses and Dissertations

Eighteenth-century English men and women ventured to the playhouse for a night of festive revelry and entertainment. Despite the raucousness (compared to our vision of a night at the theatre), theatergoing was a polite endeavor and as such equipped with the material pleasantries of bourgeois society. But unlike other spaces reserved for the middle and upper classes, all manner of people could and did attend the theatre. Thus, particular methods of physically and visually separating social classes arose within the eighteenth-century playhouse.

In this thesis, I investigate these material phenomena, particularly the ways in which theatre managers, players, as well …


Plot Lines, Spring 2006, Columbia College Chicago Apr 2006

Plot Lines, Spring 2006, Columbia College Chicago

Plot Lines

Columbia College Chicago Theater Department Student Newsletter. 5 pages.


Cabaret (March 9-11, 16-18, 2006), Joe Masteroff Mar 2006

Cabaret (March 9-11, 16-18, 2006), Joe Masteroff

Student Theatre Programs

Program for Cabaret (March 9-11, 16-18, 2006).

To view the photos from this production of Cabaret, please click here.


Romeo & Juliet, Rebecca M. Baker, Robert Clements, Tim Phipps Mar 2006

Romeo & Juliet, Rebecca M. Baker, Robert Clements, Tim Phipps

Theatre Productions

Using the timelessness of this classic, Baker has set the play in Miami in the 1930’s. She reasons that this setting will celebrate the power of the play, as well as enhance the youthful feel for the audience. Along with using a relatively more modern setting all the while maintaining the Shakespearean structure, the script contains slight adjustments in language to help the audience better understand the plot of the story.


Acting For The Future – A Model Of Best Practise For Using Drama Workshops And Professional Theatre Performances To Promote Positive Mental Health And To Raise Awareness Of Issues Surrounding Suicide And Suicide Prevention, Mary Moynihan Jan 2006

Acting For The Future – A Model Of Best Practise For Using Drama Workshops And Professional Theatre Performances To Promote Positive Mental Health And To Raise Awareness Of Issues Surrounding Suicide And Suicide Prevention, Mary Moynihan

Books/Book Chapters

This booklet contains a documentation of the first round of Acting for the Future which uses participative drama workshops and a professional theatre performance to promote positive mental health and suicide prevention. The first round was implemented by Smashing Times Theatre Company from January to December 2005 and funded by Area Development Management and Dormant Account Fund Disbursement Board. The project is still on going. The booklet also contains a full curriculum for two drama workshop models used to promote positive mental health and suicide prevention, along with terms of reference and lists of recommended reading and support organisations. The …


A Chorus Line: Does It Abide By Rules Established By Actors' Equity Association For The Audition Process?, Mark Hardin Jan 2006

A Chorus Line: Does It Abide By Rules Established By Actors' Equity Association For The Audition Process?, Mark Hardin

Electronic Theses and Dissertations

I have been cast as "Bobby" in A Chorus Line at Orlando Broadway Dinner Theatre in Orlando. I will use this opportunity as my thesis role. As part of my thesis defense, I will combine an analysis of the character of "Bobby" in A Chorus Line with an assessment of Actors' Equity Association's audition policies from 1970 to the present, and investigate whether the audition held in the show abides by the policies established by AEA for Broadway calls. "Bobby" has an interesting arc of development as he actually gives the director what he (the director) does not want, yet …


The Resurrection Of Everyman, David Knoell Jan 2006

The Resurrection Of Everyman, David Knoell

Electronic Theses and Dissertations

In March of 2005 I was a cast member in Mad Cow Theatre's production of the Morality drama Everyman. This classic tale on the condition of human dying is regarding as one of the greatest dramas of the Medieval period and is one of the first plays in the English language to be put into print. This thesis is an actor's journey into the history of Medieval theatre, the challenges of producing Everyman for a contemporary audience, and the techniques of acting implemented in the creation of allegorical characters. Medieval drama, like Everyman, is still relevant in today's world because …


Black Cats, Berlin, Broadway And Beyond: The Genre Of Cabaret, Deborah Tedrick Jan 2006

Black Cats, Berlin, Broadway And Beyond: The Genre Of Cabaret, Deborah Tedrick

Electronic Theses and Dissertations

Music and Theatre have always captivated me. As a child, my parents would take me to live performances and cinematic shows and I would sit rapt, watching the theatrical events and emotional moments unfold before my eyes. Movie musicals and live shows that combined music and theatre were my favorite, especially theatrical banter and improvisation or sketch comedy. Some of my favorite youthful memories were my annual family summer trips to Las Vegas to visit my grandparents for six weeks. As a youngster, I got to experience the "old school" Las Vegas, replete with extravaganza, spectacle, cabaret, circus, lounge and …


L'Habitació Del Nen O La Insuportable Elusivitat De L'Experiència, Sharon G. Feldman Jan 2006

L'Habitació Del Nen O La Insuportable Elusivitat De L'Experiència, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Les obres teatrals de Josep M. Benet i Jornet estan marcades per un interès en l'experiencia polifacètica de la mirada i el paper del perspectivisme dins el terreny teatral. Un impuls aporètic guia bona part de la seva obra més recent, ja que ens condueix a mons misteriosos i a espais buits en què facilment podem perdre'ns o on ens costarà de trobar el camí. Una atmosfera de misted envolta una ttanscripció poètica de l'espai, ja sigui una realitat psíquica interior o un paisatge exterior. Són espais fràgils en concepció, sovint perillosament al punt d'esvair-se. Els títols epigramàtics d'algnnes de …


The Laramie Project: The Search For A Personal Acting Method Via The Principles Of Constantin Stanislavksi, Matthew Hamner Jan 2006

The Laramie Project: The Search For A Personal Acting Method Via The Principles Of Constantin Stanislavksi, Matthew Hamner

Electronic Theses and Dissertations

Constantin Stanislavski developed a method for actors in bringing to life characters for the stage. Even though Stanislavski developed his theories in response to the stage climate of the late nineteenth and early twentieth centuries, many of his ideas remain relevant today. In this study, parts of his system were applied to the roles performed in Moises Kaufman's The Laramie Project. Those roles were Moises Kaufman, Jonas Slonaker, Doug Laws, Anonymous, Detective Rob Debree, Governor Jim Geringer, Reverend Fred Phelps and Dennis Shepard. The purpose of this exploration was to create unique, believable characters and develop solutions for personal acting …


Images Of Jenny Lind And The Construction Of Identity For The Nineteenth-Century Female Performer, Joanna Elizabeth Penick Jan 2006

Images Of Jenny Lind And The Construction Of Identity For The Nineteenth-Century Female Performer, Joanna Elizabeth Penick

Theses and Dissertations

This thesis examines how images of the Swedish singer Jenny Lind worked to distance her from the typical nineteenth-century view. Because of their position within the public sphere, female performers were thought to be sexually available and often had the reputation of prostitute. Lind achieved a level of success that made her one of the most famous women of the mid-nineteenth-century. She was known not only for her talent as a performer but also for her morality and piety. Examining the Lind images in the context of nineteenth-century social codes and feminist theatre history, it becomes evident that Lind was …


Black Cats, Berlin, Broadway And Beyond: Cabaret History In The Making, Josephine Leffner Jan 2006

Black Cats, Berlin, Broadway And Beyond: Cabaret History In The Making, Josephine Leffner

Electronic Theses and Dissertations

Cabaret as a genre has influenced and is influenced by musical theatre. As cabaret has evolved throughout history, musical theatre has often paralleled its journey. Cabaret thrived before the term "musical theatre" was coined and suffered hard times during the Golden Age of Musical Theatre. The correlation of the two genres cannot be denied, and exploring cabaret history will reveal how deeply the connection lies. My collaborator Debbie Tedrick and I will attempt to define cabaret through a two-woman cabaret show we will write, produce, and perform together. The show, Black Cats, Berlin, Broadway and Beyond, will be a one-act …


Consuming Brazil: Afro Brazilian Religion As A Base For Actor Training, Corey Justin Roberts Jan 2006

Consuming Brazil: Afro Brazilian Religion As A Base For Actor Training, Corey Justin Roberts

Theses and Dissertations

Actor training, like the theatre in Brazil, has historically been a middle and upper class pursuit that followed European models, namely Stanislavski's system. Yet within Brazil there is a wealth of diverse cultures that are inherently theatrical and well suited for application in actor training. In this study I explore one such culture, the Afro Brazilian religion Umbanda. First, I examine its formation to illuminate how the religion itself performed (or served as a site for cultural interaction) throughout history. Then, I explore the practice of the religion both apart from and in relation to the theatre and Stanislavski's system. …


A Performance Study And Analysis Of The Role Of Professor Muller In The Visit., Stephanie Harrison Jan 2006

A Performance Study And Analysis Of The Role Of Professor Muller In The Visit., Stephanie Harrison

Electronic Theses and Dissertations

I propose to study the role of Professor Muller in The Visit as my thesis role because of the challenge that it presents, not only as a translated work, but also because of the character shift for me - Professor Muller is a 72 year old man and has now been changed to a woman in her thirties. Professor Muller is the only person to stand up to the antagonist, Claire. The confrontation between Claire and Muller takes on a certain tone when it is between a woman and a man, and has a completely different outlook when it becomes …


Bitterroot Landing: An Adaptation From Novel To Stage, Christy Leake Jan 2006

Bitterroot Landing: An Adaptation From Novel To Stage, Christy Leake

Theses and Dissertations

My thesis explores the process involved in adapting Sheri Reynolds' novel, Bitterroot Landing, into a stage play. During the adaptation process I faced numerous challenges, including structural issues, expanding or changing dialogue, omitting or melding scenes and characters, and dealing with the serious themes of incest and sexual abuse. This thesis describes these challenges and the steps I took to overcome them.


Performing Citizenship: Tensions In The Creation Of The Citizen Image On Stage And Screen, John William Wright Jan 2006

Performing Citizenship: Tensions In The Creation Of The Citizen Image On Stage And Screen, John William Wright

LSU Doctoral Dissertations

What does it mean to be a “citizen” of the United States? In the simplest of terms, citizenship is a limited position of identity, relegated to a narrow definition of legal and geographical position for an individual. But to be a “citizen” in America means far more than that – it becomes an accepted image of our collective identity which seeks an historical and political supremacy that allows America, and its citizens, to claim ideological status over anyone who is not a part of that nationalistic frame. The citizen has, for us, become a set of understood rights and privileges, …


Welcome To The Branch, Turia R. Pope Jan 2006

Welcome To The Branch, Turia R. Pope

Theses and Dissertations

Welcome to the Branch is a two-act play that investigates issues of cultural differences in the Church of Jesus Christ of Latter Day Saints (or LDS church), more commonly known as the Mormon Church. Set in modern-day, downtown Richmond, Welcome to the Branch follows two very different members of the LDS church as they examine and try to understand both their religion, in the context of its cultural and social history, and their place in it. One is Molly, a Caucasian, middle-class young woman from Utah, in Richmond temporarily for her husband's graduate school; the other is Aina, an African …


The Assistant Director, Stephanie R. Hanna Jan 2006

The Assistant Director, Stephanie R. Hanna

Theses and Dissertations

My thesis addresses the role of the assistant director within the realm of today's American theatre. I determine who the assistant director is in today's theatre, what qualities they need to possess, and how a director can use an assistant director most effectively. To come to these conclusions, I analyze my experiences as an assistant director and a director over the last four years, as well as conduct interviews with directors and assistant directors currently working in professional and academic.


Psychology And The Theatre: A Qualitative Experiment In Actor Training, Megan Rebecca Brown Jan 2006

Psychology And The Theatre: A Qualitative Experiment In Actor Training, Megan Rebecca Brown

Theses and Dissertations

Psychology and theatre have a remarkable amount in common. In using the basic concepts and theories of psychology, actors can develop more concrete, logical approaches to characters. This thesis is a summation of the course I developed, "Psychology and the Theatre," which was an attempt to teach students introductory psychology and then experiment with translating those concepts to character analysis and stage performance. Students were taught eight units of psychology: Sensation, Perception, and Memory; Learning; Motivation and Emotion; Development; Freud and Psychodynamic Approaches to Personality; Adlerian Individual Psychology; Love and Social Cognition; and Psychological Disorders. Students were given reading quizzes …