Arts and Humanities Commons^™

Pilgrimage Narrative: A Pattern For Heavenly Theatre In King Lear, Alexandra Chantal Yvette Mackenzie

Theses and Dissertations

I have always felt personally challenged and invigorated by one line in Peter Brook's canonical text The Empty Stage: “if the need for a true contact with a sacred invisibility through the theatre still exists, then all possible vehicles must be re-examined" (Brook 54). This thesis will endeavour to suggest and explore heavenly theatre, one possible vehicle to find that sacred invisibility. I will argue that heavenly theatre encompasses Peter Brook's understanding of holy theatre, but is more specific and tied to the manifestation of deity in the form of the Holy Spirit as understood and defined within my personal …

Speaking Out Of The Dust: Religious Reenactments With The Specific Iconic Identity Of Place, Heidi Diane Lewis

Theses and Dissertations

Sometimes, the place where a play is performed is as important as or more important than the play itself. The first known theatrical rituals were performed in spaces which came to hold deep religious significance. Many religious traditions regard certain places as sacred because of spiritually significant events which took place there, sometimes involving the presence of Deity. In an effort to build on that sacrality, sometimes religious cultures bring theatre to these spaces, which, in turn, tend to alter the nature of the theatrical event. This seems especially true in regards to theatre which presents a re-enactment of the …

An Interpretation Of Modern: Costume Designs For An Adaptation Of Shakespeare's The Two Gentlemen Of Verona, Priscilla Ruth Hao

Theses and Dissertations

Shakespeare's The Two Gentlemen of Verona, is accredited as being one of his early comedies. It is not as widely popular as Taming of the Shrew or A Midsummer's Night, and is also known "as the comedy with a problem ending", this being the immediate forgiveness of Silvia to Valentine and Julia to Proteus. My initial reaction to this ending was of disgust and wonderment of how a 21st century audience would react to this. The director, Alex Mackenzie, a fellow graduate MA student, approached the script with very strong initial concepts but at the same time her approach was …

Doozy Productions, Andrew Steier

Honors Capstone Projects - All

Doozy Productions is a project in producing songs performed and recorded in Sound Studio 3 at the S.I.NewhouseSchoolof Public Communications. The recordings range from a variety of musical genres, including rock, soul, and jazz. The purpose of the project was to produce the highest-quality music by using professional recording and mixing tools. Preparations for production included research on how sound functions and projects in an electronic medium, as well as listening to professional recordings across all genres. All music was recorded, mixed, and produced by Andrew Steier.*

* “Electric Waltz” was produced by Emily Osgood and Andrew Steier.

Pirate Story, Jake T. Powell

Honors Capstone Projects - All

What is children’s cinema? This thesis explores this question by identifying three codes of children’s film and illuminating them through a short film entitled “Pirate Story.” The film is about a boy and his grandfather, and the pirates that inhabit a bedtime story. The pirates compete with the grandfather to have narrative authority over their own existence. This film examines the role of the narrator, use of animation, and absence of the parental figures as elements that are signifiers of children’s cinema. It was shot on HD video, with animation created in After Effects. Production also involved creation of a …

Saving Face Racial Socialization And Its Effect On Cross Socioeconomic African American Interactions, Tiffany Nicholson

Honors Capstone Projects - All

Abstract not Included

A Real World Love Story, Erik Jeffrey

Honors Capstone Projects - All

Abstract not Included

Tears Of A Clown, Adam Knobler

Honors Capstone Projects - All

For my honors thesis project, I chose to write a screenplay entitled, “Tears of a Clown”. This story, which is roughly based on my life, is about two clowns who wind up falling in love and working together in the circus. This story loosely shadows my life in the sense that I myself wanted to pursue a career in standup comedy rather than clowning. The main difference between my life and the life of the main character was that despite the fact that I did not fail at being a standup comedian, I chose to pursue an alternative route of …

The Heart Is A Muscle, Emily Kowalczyk

Honors Capstone Projects - All

The Heart is a Muscle is a video shot with a Sony HVR-Z1U and manipulated to create a visual hybrid between an old Super 8mm home movie and the crisp HD picture of the newest technology. I achieved most of this manipulation by layering filters and de-interlacing the video to slightly blur the image and make it appear softer.

Conceptually, the video centers around the idea that a muscle must break down/apart before it can get stronger and grow. It then takes this fact and applies it to the heart (which is also a type of muscle), and explores the …

The Portrait Of Citizen Jean-Baptiste Belley, Ex-Representative Of The Colonies By Anne-Louis Girodet Trioson: Hybridity, History Painting, And The Grand Tour, Megan Marie Collins

Theses and Dissertations

Anne-Louis Girodet Trioson's Portrait of C.[itizen] Jean-Baptiste Belley, ex-representative of the Colonies, is evidence of the changing ideological situation during the French Revolution. Girodet was one of the most learned and accomplished students of Jacques-Louis David who strove to surpass his teacher in two ways: 1) by painting David's Neoclassical style so well that his handling surpasses that of his master, and 2) by choosing subject matter never before explored by David. Girodet accomplishes both within this work. The Neoclassical handling of the image has been achieved with amazing clarity, and the central figure of an identified black man …

Reality Television And Its Impact On Cosmopolitan University Students In The Middle East, Ola El Sissy

Archived Theses and Dissertations

[abstract not provided]

Dogs In A Village, Karen Porter

Electronic Theses and Dissertations

Nearly all of the histories of Shays's Rebellion point to debt as the reason why farmers in western Massachusetts rose against the courts and the state government in the fall and winter of 1786-87. Recent scholarship demonstrates a new line of reasoning based on the tax records of those involved. The following thesis, a screenplay, offers a fictional telling of this insurgency. The story is told using language pulled from contemporary letters and documents and follows a line of causation pointing to inequitable state tax structure and poor representation as the provocation. The response that ensued was not a rebellion …

Finding The Watermark: A Filmic Response To Domestic Abuse Within Australian Film From 1970 - 2006, Erin Nichols

Theses : Honours

Due to various social, international and economic encumbrances, Australian film has made a limited foray into the representation of domestic abuse. A limited number of films have been made on this topic since the early 1970's, and even then, the depiction of this social issue has been watered down and sanitised for mainstream consumption. It is the author's belief that the filmmaker has an important and highly influential opportunity to present a social commentary on issues and must not shirk that responsibility. The film project supported by this exegesis responds to the above concerns and the priority has been to …

Screening The Revolution: "Williamsburg, The Story Of A Patriot" As Historic Artifact, History Film, And Hegemonic Struggle, Jenna Anne Simpson

Dissertations, Theses, and Masters Projects

No abstract provided.

The Filmmaker, The Subject And The Audience : A Dialectical Exploration Of Documentary Performance, Ben Stewart

Theses : Honours

Documentary filmmakers 11 engage directly in the study of the phenomena of life that surrounds us. We hold the ability to show and elucidate life as it is, considerably higher than the occasionally diverting droll games that people call theatre, cinema etc." (Vertov, 1984, p. 47). The ability to 'show and elucidate life as it is' is a controversial claim that the majority of academic documentary discussion is concerned with. I intend to add to this discussion through an exploration of performance and its pertinence to the ability of documentary to represent reality truthfully. The reception of documentary is significantly …

The Art Of Trash: Evaluating Troma Entertainment As Paracinema, James W. Macdonald

Theses : Honours

The aim of this research is to explore the anti-establishment function of the work of Lloyd Kaufman and his film studio, Troma Entertainment. The research focuses on Troma's capacities as paracinema, and examines how in relishing their derided position in the cultural field, Lloyd Kaufman's films represent an anti-establishment cinematic form, combating an institutionalised idea of cultural value. Through challenging the rules of taste, Lloyd Kaufman's films serve to push the boundaries of what is considered valuable in contemporary culture. Films that revel in their 'bad taste' through extreme themes, poor humour and amateurism, make a stand against the mainstream …

Hogarth To Monster Wheels : A Grotesque Connection, Christopher Ridley

Theses : Honours

When an audience is exposed to deformed, altered and abnormal entities, their interpretation relies on some form of cultural awareness of both the expected and the altered shape to stimulate a reaction. I maintain that the stimulus for this reaction has its roots in a dark and terrifying primal force, the manifestation of which we regard as the grotesque. This thesis looks for a commonality in a satirical interpretation afforded to this grotesque force. By using the caricatures in William Hogarth's engravings and the altered cars in three contemporary films. I search for a correlation between the way Hogarth and …

Through The Window: The Subject And The Voyeur's Gaze Within Cinema And Video, James A. Doohan

Theses : Honours

The underlying theme of this thesis is that cinema and related media create sites in which the viewer becomes a kind of voyeur, and in doing so normalises the voyeuristic gaze. Relationships between those who possess the gaze and those who become the object of that gaze are structured both ideologically and through the apparatus of the camera itself. These ideologies are arguably driven by a patriarchal paradigm, particularly within mainstream cinema where men appear to control the gaze and women are positioned as the object of that gaze. Even within cinema however that appears to be explicitly misogynistic like …

You Just Had That Gut Feeling': Film, Memory, And The Lynching Of James Byrd, Jr, William Brian Piper

Dissertations, Theses, and Masters Projects

No abstract provided.

A Whole New World? The Evolution Of Disney Animated Heroines From Snow White To Mulan, Christine M. Yzaguirre

Seton Hall University Dissertations and Theses (ETDs)

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