Arts and Humanities Commons^™

“Precios Perle Wythouten Spotte”: Accepting The Unknowable In Pearl, Jana Ishee

Master's Theses

The fourteenth-century Middle English poem Pearl, authored by the anonymous Pearl-poet, survives in a manuscript known as London, British Library, Cotton MS Nero A.x. This dream vision, narrated by a grieving father, tells the story of his journey to Paradise, where he encounters his infant daughter, now older, regal, and wise, proffering admonishments with the authority of God to her tearful father. meeting with her in Paradise. Drawing on Caroline Walker Bynum’s work on medieval European conceptions of death and resurrection, J. Stephen Russell’s work on the dream vision genre, and Karl Steel’s work on oysters as liminal figures, …

“I’Ll Make A Captain Among Ye, And Do Somewhat To Be Talk Of Forever After”: Female Civic Agency In Sir Thomas More’S Staged Insurrection, Heather Miller

Master's Theses

Sir Thomas More is an English chronicle play that has received far less critical attention than generically similar histories written by Shakespeare. Doll Williamson, the play’s strongest female character, assumes a leadership position in initiating, as well as ultimately quelling, the Evil May Day riots, which provide the play’s initial dramatic impetus. Despite the critical tendency to overlook or diminish the seriousness of her dramatic role in the play, including in the staged insurrection scene, I argue in this thesis that we should take the concerns that Doll articulates and embodies seriously from a feminist perspective. Furthermore, I place Doll’s …

Remaking Divinity In Aldous Huxley’S Brave New World 2021, Sebastian Vignone

Master's Theses

Humanity is an experience. Shaped through both individual and collective encounters, we understand the self and the world around us as an amalgamation of interactions over the course of our lives. Arguably, one of the most common experiential archetypes is religion, and more specifically the relationship one has with a divine being as it has been framed by a religious institution. While the United States does not have an official religion, there is a host of people who refer to the U.S. as a “Christian nation,” and it is therefore irresponsible to elide the panoply of inequities that run through …

Containing The Blemmye: Anxiety Towards Congenital Difference In The Old English Wonders Of The East, Jessica L. Carrell

Master's Theses

This thesis aims to illuminate early medieval anxieties about sex, procreation, and congenital physical difference by applying a lens of critical disability theory to the Old English Wonders of the East, primarily as it survives in the eleventh-century manuscript, London, British Library, Cotton MS Tiberius B.v. This thesis focuses on the textual and illustrative representation of one Wonder, the Blemmye—an approximately eight-foot-tall, eight-foot-wide androgynous humanoid, whose eyes and mouth are in their chest and who does not possess a head—as a historic embodiment of what disability meant in relation to the early medieval English worldview. This thesis considers the …

Oh, My Stars: A New Map Of The Universe In Paradise Lost, Michael R. Coats

Master's Theses

Milton’s geographical descriptions in Paradise Lost are heavily influenced by his fascination with maps. Furthermore, his design of the universe in Paradise Lost follows a cartographic style that has led to several attempts at mapping it. These attempts, however, have followed the erroneous assumption that Earth centers the universe. As a result, cosmographical maps of Paradise Lost are inaccurate. I argue that Milton’s universe is Deocentric and provide a new map with a pyramid design that places God at the center of Milton’s universe.

T.S. Eliot, "The Waste Land", And Yoga Philosophy, Jessica Cloud

Master's Theses

While pursuing his graduate studies at Harvard, T.S. Eliot put a year into deep study of the Yoga Sutras with renowned scholar James Haughton Woods. Yoga, defined in the Sutras as the practice of stopping “the fluctuations of the mind-stuff” (Patañjali 8), provides the possibility of hope and equanimity in Eliot’s poem The Waste Land (1922), which depicts a world seemingly devoid of meaning. Not only can the influence of the Yoga Sutras be seen in the poetic form, style, and voice of The Waste Land and in the explanatory notes to the poem provided by Eliot, but classical yoga …

"And A Sad Ditty Of This Story Born": Regeneration Through Decay In John Keats's Isabella, Erica Van Schaik

Master's Theses

John Keats’s Isabella; or the Pot of Basil (1818) has been read, like many of Keats’s of works, as an allegory for the death that surrounded the poet and his life’s tragic circumstances. Isabella has also been studied in regard to its gothic horror elements. Such previous readings identify a theme of mortality and decay within the poem, but I argue these themes serve a larger purpose, one related to the possibilities created by regeneration. Isabella, a young woman whose lover, Lorenzo, is murdered by her own brothers, removes Lorenzo’s head from his corpse and places it in a potted …

"Your Reclamation”: The Gothic Child And Moral Restoration In Charles Dickens’S A Christmas Carol, Ashten Roberts

Master's Theses

Charles Dickens’s A Christmas Carol (1843), an example of Victorian Gothic literature, portrays spirits escorting Ebenezer Scrooge on a journey through time in order to transform him from a miser to a benefactor. Dickens’s text has received much critical attention, and while most critics agree that the novella includes various elements of the gothic, few draw attention to the possibility of the child characters as gothic elements. I argue that Carol’s child characters can be read in terms of what Margarita Georgieva calls “the gothic child.” According to Georgieva, the gothic child can be an adult’s memory from childhood …

The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin

Master's Theses

Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …

Diagnoses By Gender: The Consequences Of Treatment Of The Mentally Ill In Virginia Woolf's The Waves And Mrs. Dalloway 2016, Erika Nichole Jackson

Master's Theses

“Insanity is purely a disease of the brain…The physician is now the responsible guardian of the lunatic, and must ever remain so.” Sir John Charles Bucknill (1897)

Mental illness has consistently been and continues to be a subject that is viewed as taboo by society, especially when it comes to diagnosing a patient. Instead of acknowledging a person’s actions, thoughts, and words, society continually disregards mental illness as something that is negative and to be feared. The fact that this area of medicine can be difficult and distressing makes it all the more important to continue research. It is true …

'The Letter Killeth': The Obscurity Of Language And Communication In Thomas Hardy's Jude The Obscure 2016, Victoria T. Corning

Master's Theses

While the epistolary novel is a genre closely associated with 18th century England, 19th century Victorian literature also incorporates letter writing as a significant form of communication. Written messages convey what can often not be said out loud, as it is easier to hide behind a pen and paper, write in solitude, and be absent when the letter is read by the recipient. Impulsive and emotional thoughts and feelings can be written down immediately and then later edited, which makes writing an unstable form of communication. Is the author conveying true feelings or concealing true feelings? Layering multiple modes of …

"Fire And Water Imagery" In Jane Eyre 2015, Shannon O'Loughlin

Master's Theses

Charlotte Bronte’s Jane Eyre is a study in contrasts. Critics have argued the implausibility of the novel, that an orphaned governess who marries her dashing employer is too far-fetched to be believed. However, a proper understanding of Jane Eyre must be based not on a sequence of events, but on the thematic form of the novel in which the signifiers relate to each other and shift throughout. Ferdinand de Saussure explains in his "Course in General Linguistics," that the mental concept one has of a word is its "signifier" (62). Charlotte Bronte relies not simply upon a sequence of events …

The Beast Inside: Trauma Theory And William Golding's Lord Of The Flies 2015, Emily Paccia

Master's Theses

Following World War II and the horrible devastation in Europe, especially in London, Britain began to rebuild. The country was attempting to come back from war, and the culture reflected a bleak, disheartening feeling. Literature written during this time period, which so often reflects the culture directly, showed that very same bleakness. British novelist, and one who lived through that time, William Golding, writing in the 1960's, recreated the dystopia brought into European countries from living through the destruction of the war. Creating a vision of the future -- one of dysfunction and chaos -- Golding’s characters from Lord of …

The Self-(Un)Made Mother: Jungian Archetypes In Dickens's Little Dorrit, William David Love Jr.

Master's Theses

Charles Dickens’s novel Little Dorrit (1857) depicts an abundance of surrogate mothers while simultaneously revealing an absence of biological motherhood. The primary female characters become surrogate mothers in their own ways in order to bypass the legal and physical dangers associated with biological motherhood. To do this, they embrace various alternate forms of femininity—the crone, the maiden, the woman warrior, and the seductress. These women negate themselves willingly in actions that would seem to reinforce the gender norms of their time, but their self-negation actually leads to empowerment and sustainability for themselves and for others. Furthermore, a Jungian interpretation of …

Though My Gross Blood Be Stain'd: Bleeding Bodies And Power Dynamics In Shakespeare's The Tragedy Of Coriolanus And The Rape Of Lucrece, Lindsey Katherine Dee Wedow

Master's Theses

Early modern literature is replete with references to blood. These references appear in the contexts of class and gender distinction, medical information, religious significance, and more. Upon looking into the Galenic model of medicine utilized in early modern England, it becomes clear that blood, while one of the four humors of the body, held a place of special significance amongst the rest. Thus in reading the works of Shakespeare we are able to see how he often handles blood as a substance that holds special qualities and as such plays an important role in human lives. This paper examines two …

The Queer And The Bodily: Explorations Of Power In Women's Visionary Writing In The Book Of Margery Kempe 2014, Jayne Emerson Stacconi

Master's Theses

The provocative Book of Margery Kempe is a seminal text in the history of female authorship. Claiming to be the first written autobiography, The Book serves as a literary representation of womanhood during the late fourteenth to the fifteenth centuries when Margery was writing, and also speaks to circulating medieval discourses of religion, pilgrimage, and sexuality. Participating in medieval women’s visionary writing as a genre, Margery’s visionary power is a tool by which she is able to emancipate herself from the limiting roles of wife and mother. Additionally, by working within the conventions of visionary writing, Margery is able to …

The Queer Gothic Hero's Journey In Oscar Wilde's The Picture Of Dorian Gray, Kyle Leon Ethridge

Master's Theses

This study of Oscar Wilde’s The Picture of Dorian Gray argues that the novel participates in a Gothic subversion of the archetypal hero’s journey. The novel employs Gothic devices to supplant heroic narremes. As the novel progresses, both Dorian (as a type of hero-character) and the narrative repeatedly deny or subvert the normative idea of heroism later reified in Joseph Campbell’s archetypal theory. While Campbell’s hero attempts to secure and universalize a heterosocial story, Wilde’s hero is recuperated through a reconfiguring of normative failure as queer success. What is ostensibly a failure of the normative hero to achieve his quest …

Metaphasia: Shelley And The Language Of Remoter Worlds, Michael Andrew Howell

Master's Theses

The aim of this project was to trace the evolution of Percy Shelley's metaphasic narrative, or language of the dead, chronologically through the Hymn to Intellectual Beauty, Mont Blanc, and Prometheus Unbound. Proceeding from Earl Wasserman's detailed map of Shelley's mythopoeic structure, I charted this evolution while identifying a fifth discrete entity within the mythological hierarchy of what Harold Bloom has characterized as a "mythopoeic trilogy" (36). Concurrently, I examined the ongoing debate concerning Shelley's influences, as well as the early formation of his personality, as it pertains to the poems in question, and his fascination with worlds beyond the …

Anna Letitia Barabauld's Poetic Vision: Community, Imagination, And The Quotidian, Carrie Ann Woods

Master's Theses

With the publication of her Poems in 1773, favorable reviews welcomed Anna Letitia Barbauld into the literary world. However, Barbauld has traditionally been left out of English literature anthologies, condemned to the murky depths of obscurity. Why has this talented British poet of the late eighteenth and early nineteenth centuries been undeservedly marginalized? Perhaps she has never achieved the status of a major literary figure because her impulse towards community places her outside the mainstream Romantic tradition dominated by the "egotistical sublime." In the poetry of William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron, and John Keats, an …

In Search Of A Female Self : The Masculinization Of May In Chaucer's Merchant's Tale, Kimberly Diane Whitley

Master's Theses

This examination of Chaucer's Merchant's Tale was undertaken as a response to existing scholarship. While criticism in the past tended toward a literal reading of the text, viewing it as a misogynist Merchant's story attesting to the innate depravity of women, more recent feminist criticism has leaned toward a reading which endeavors to defend the actions of May, claiming an evolvement on her part towards autonomy and self-knowledge. This thesis, taking its cue from French feminist theoretical assertions concerning self, refutes both of these readings. While it acknowledges the subversive nature of May's actions, it is unable to recognize any …

Shakespeare And Astrology, William Bruce Smith

Master's Theses

The popular ity of astrology in Elizabethan England is ref lected by the large number of references to it in the works of William Shakespeare. The majority of astrological references in the Shakespearean canon are "commonplaces" and do not add signif icantly to our understanding of his work, although they are of interest in studying exactly how much astrological knowledge he possessed. There are astrological references in the plays, however, that are of significance in the study of character in Shakespeare. In certain plays (Romeo and Juliet, The Winter' s Tale) a judgement concerning various individuals ' inner nobility may …

Shakespeare's Treatment Of Love : The Mature Tragedies, Albert E. Clark

Master's Theses

The machinery of criticism has been extensively applied to those plays in the Shakespeare canon often referred to as the mature tragediess Othello, Macbeth, Hamlet, and Antony and Cleopatra, One seeking enlightenment in veritably any area of interest will find the means in the varied approaches which have proliferated through four hundred years of Shakespeare criticism. New and valid interpretations testify to a continuing need for insight into Shakespeare's arts nevertheless,. the word "supererogatory" must surely have occurred to even the moat resilient seeker after Shakespearean truth. A spate of learned articles and scholarly tomes inundate, and the burden is …

Goe, And Finde A Mistris : The Concepts Of Woman In The Poetry Of John Donne: The Elegies, The Anniversaires, The Songs And Sonets, Leanne Wade Beorn

Master's Theses

This study of the concepts of woman in the poems, combined with an analysis of the poems' internal structure and content in relation to the literary background, seems to me to be a most profitable approach to the whole of Donne's love poetry. By focusing on the concepts of woman I shall provide a common basis for comparison, since woman figures in all of the poems but one. By summarizing the characteristics of the major literary traditions about love operative in Donne's time, I shall provide information which is essential to understanding the diversity of attitudes in the poems. And …

Chaucer's Criseyde : The Pressures Of The Courtly Love Code, Betty Ann Jaffee

Master's Theses

When Chaucer wrote the poem Troilus and Criseyde, he created a heroine who stands out from other romantic med­ ieval heroines such as Guinevere and Ysolt. He created a heroine of such complexities that critics have debated her motives endlessly and have explored the psychology of her emotions with every literary tool at their command. He created a heroirie whose sin was so damning that it inspired Robert Henryson to provide for her what he considered a fit­ ting punishment; and it inspired Shakespeare to try to salvage the wreck left by Henryson to create his masterful play.

It is …

Determinism And Freedom Of Choice Operating Through Five Experiences In Psychological Development In The Lives Of Three Of George Eliot's Heroines, Elisabeth Even Sale

Master's Theses

George Eliot's world is a deterministic world. She believed that circumstances and conventions imposed by society control events in an individual life; nevertheless, in the inevitable conflicts between inner desire and outer reality, the individual is responsible for his own choices and the acts which they direct. Furthermore, only in a deterministic world are intelligent, moral choices possible. The explanation or this seeming paradox lies in education or the individual by experience to learn to make satisfying choices and to develop a strong will. Through experience, the individual learns both the hazards of the selfish choice and also the lasting …

Mrs. Gaskell's Industrial Novels: Mary Barton And North And South, Yvette D. Marambaud

Master's Theses

Since 1910, when Mrs. Gaskell's centenary was celebrated, few articles have been written about her. Except for her Life of Charlotte Bronte, she is not really well known in America. Few people read her tales or her short stories, and her novels are quite neglected. Yet her industrial novels, Mary Barton (1848) and North and South (1855), were very successful when they were first published. Mary Barton was an immediate success - perhaps in part because of the controversies it aroused.

The Contributions And Effects Of The Drama On Paradise Lost, Robert Elliott Bayliss

Master's Theses

Upon reading John Milton's Paradise Lost, one cannot help but notice that its tone, its moving scenes and confrontations, and its moments of psychological and cathartic impact all help to shape what one might call the poem's total effect -- the impressions it leaves with the reader. Upon close examination it becomes obvious that Milton was consummately adept in his adaptation of the dramatic element in his great epic. What is generally unrecognized, yet surprisingly evident, is that the dramatic element plays a unique and singularly important role in building the poem's grandeur. This dramatic element, more than any of …

Images Of Creation And Destruction In The Early Poetry Of Dylan Thomas, Willard Liston Rudd

Master's Theses

The intent of this thesis is to examine the two major categories into which Dylan Thomas' images seem to fall: images associated with creation and images associated with destruction.

Shakespeare's Treatment Of Kingship In The Lancastrian Tetralogy, June Stemen Allman

Master's Theses

The English history play reached its highest peak of development between 1595 and 1599, for it was during these years that Shakespeare wrote the set of four plays covering the historical period from Richard II to Henry V. Each of the plays is a single entity, but in their entirety, they constitute a unified tetralogy concerning the rise of the house of Lancaster. Through the illegal seizure of the crown by Bolingbroke from Richard II to the glorious reign of Henry V, Shakespeare, as an intensely political writer, examines the facets of kingship and its inherent power and authority.

Chaucer's Ecclesiastics In The Canterbury Tales, Helen Lee Coleman

Master's Theses

It is thought that Chaucer began composing The Canterbury Tales as a dramatic whole around 1387. This is his last and by f ar his best known work. In this final. masterpiece Chaucer undertakes the tremendous task or presenting in poetic form a whole society. However, he does not merely explore society in general; he also develops the theme or the individual's relation to the community and the integral part that each person plays in making up the whole. The Canterbury Tales is, as George Lyman Kittredge so aptly puts it, "a micro cosmography" or a little image of a …