Arts and Humanities Commons^™

The Experience Of Emptiness: A Creative Exploration Of Indeterminacy, Olivia Kjellander

Honors College

In an exploration of my own experience of being-in-the-world I produced five pieces of art which are meant to represent my relationships to my environment, with other beings, and the interplay between these interactions which constitute indeterminacy. Informed by readings of phenomenology, existentialism, and classic Chinese philosophy, specifically the Dao De Jing, I expressed my experience as a woman in the 21st century as I engaged in a constant reciprocity of viewing, watching, and self-surveilling. I expressed this experience through art because of art’s unique ability to parallel bodily experience in that it promotes the same exchange of power in …

Lost And Captured Warriors Still Missing: Raising Awareness And Support Through Design, Caitlin Martin Frost

Masters Theses

Over the years the search for prisoners of war and missing in action has faded from the spotlight in media and social focus, yet there is still a need to help families find their loved ones that are unaccounted for. This research is aimed to investigate the knowledge of prisoners of war (POW) and those missing in action (MIA) and what current organizations are doing to support the search for the missing. Specifically, it investigates methods that would aid in the spread of bringing awareness to this topic to the public. The following research questions were asked: 1. Who are …

Artistry Meets Algorithm: A Creative's Guide To Ai, Amanda Hoover

Masters Theses

As technology advances, its integration with the graphic design field becomes increasingly prevalent. This can be seen especially in artificial intelligence programs and generative AI. With the rapid emergence of this technology, young graphic designers are left threatened by AI in relation to their graphic design careers. This occurs for several reasons such as lack of knowledge of AI and lack of training in usingvit. This paper aims to highlight the importance for these young designers to understand artificial intelligence through the examination of its practical application to the design field. In addition to this, the history of artificial intelligence …

Good Taste No Waste: A Solution For Managing Food Waste In Newly Independent Young Adults, David Eppinger

Masters Theses

Consumers are the biggest contributors to food waste in the United States and in other developed countries, though most of them don’t realize it. American young adults living independently for the first time lack education on responsible food management in the areas of planning, preparation, and preservation. This lack of skills results in excessive waste of food, money, and energy, and leads to significant damage to the economy and the environment. Ample research exists identifying this issue and the changes that need to be made, yet effective visual solutions have not yet followed. Through a comprehensive topical survey, along with …

The Illusion Of Perfect Mothering: How Society's Expectations Affect Women, Victoria Ann Del Valle

Masters Theses

This research seeks to investigate the societal stigmas and misconceptions of ideal motherhood, aka “intensive mothering,” the repercussions associated, and the support systems both in place or missing. In addition, it seeks to contribute to fostering a healthier societal perception of motherhood. Methods include a literature review of existing research, case studies and analyses of other artists’ contemporary work in the field, and a visual solution in the form of an art exhibition. This research found that intensive mothering is a pervasive idea, ingrained in current society and detrimental to mothers’ mental health and well-being. Through the research and visual …

America’S Favorite Fighting Frenchman: Marquis De Lafayette In American Pop Culture, Joshua Neiderhiser

Doctoral Dissertations and Projects

Popular culture has become as engrained within American society as the proverbial grandma’s apple pie. Due to the explosion of the internet, popular culture has become easier to find and share. For the historian this has created a cornucopia of research opportunities but has also created a massive problem: popular culture often comingles fact, fiction, and myth, making it more difficult for the historian to decipher the truth. The Marquis de Lafayette has been as affected by this as any other. His character and his legacy have been misrepresented in American popular culture. There has been a distinct divide between …

Swine & Symphonies, Dilara Miller

Graduate Artistry Projects and Performances

Dilara Miller’s work critique’s and reflects on the social/cultural effects of being a Turkish-American Muslim woman in today’s society. Through referencing antiquities and how they are presented today, she identifies patterns of hierarchies that exist in human history through an eco-feminist lens. Miller’s work reflects on the role of the artist and the historical testimony we leave behind; like her Girl Birds, she seeks to record her experiences within our Anthropocene as colored by mythic and Islamic teachings. Miller pulls from historic epochs to generate a foundation from which to examine our contemporary treatment of women as related to our …

From Field To Fashion: A Journey In Sustainable Design And Regional Understanding, Lily Turner

Individually Designed Interdepartmental Major Honors Project

As the fashion industry became globalized over the past century, it has become a major environment polluter and exposed laborers to hazardous conditions. This honors project considers sustainability in the textile industry at large and at the regional scale of the Upper Midwest. Its scholarly component offers an overview of the current textile production, details how the industry may become sustainable, and suggests practices of environmentally-conscious and ethical design. The creative component is a soil-to-soil seasonless capsule collection titled From Field View that incorporates biomimicry and interrogates the concept of place by referencing the Midwest’s flora, wool, and linen fibers.

Representing Self And Community Through Aerial Dance, Ellery Temple

WWU Honors College Senior Projects

This project includes two videos of live performances, as well as corresponding artist's statements. The first performance, titled "A Letter to Myself" includes a poem in the sound score written by the dancer as well as the song "Wings 2" by Michael Wall. Its themes are vulnerability and connection between the performer and the audience. The second piece was choreographed to the song "Eat Your Young" by Hozier. It is inspired by interviews conducted of professional aerialists, represented by the narrative of a marionette who becomes free from her ropes. The artist statements further explore these themes and the motivations …

Fashion Slow: Poetic Threads Of Fate And Decay, Adrienne Rugg

WWU Honors College Senior Projects

This collection of multimedia art, poetry, and embroidery pieces showcases the process of learning and working in a new medium. This project prompted me to engage with a new mindset of constantly adapting, combining, and practicing new skills throughout the learning curve. Inspired by the urge to create something more meaningful than the onslaught of new “art” produced by AI, I spent the past months finding meaning in the process of creation rather than the product. The product is only a stationary glimpse into an ever-changing collection of ideas—but proof that the very human work of creation is more powerful …

Bloom Or Bust: An Interdisciplinary Exploration Of Flowering Plants And How Climate Change Impacts Them, Carolyn Schmode

WWU Honors College Senior Projects

Plants are vital to both natural ecosystems and human society. As climate change progresses, more frequent extreme weather events threaten the biodiversity of the Pacific Northwest. Plant responses to flooding, drought, temperature, and light involve signal transduction pathways that alter flowering times. As flowering times shift, plant/pollinator interactions decrease, limiting the plants' ability to survive and reproduce. My capstone is a literature review synthesizing how plants respond to changes in their environment related to climate change. I also explore plants as art, highlighting the importance of an interdisciplinary approach to the way we interact with plants.

“Making The Bed”: Challenging Ideologies Of Ownership, Nonlocality, And Romanticism In The Age Of The Anthropocene, Ainsley P. Foster

Belmont University Research Symposium (BURS)

The current Age of the Anthropocene marks a recent and rapid transition into a period in climate history that is notably defined by human impact. Modern Western sentiments of grief, frustration, and romanticism as a result of the interplay between domestic and corporate spaces seem to culminate in an overall attitude of apathy and acceptance of the Age of the Anthropocene. Various art forms collaborate to create the current conversation of the causatory and reactionary relationship that humans have with the Anthropocene, offering interpretations of how individuals and corporations view ownership of and responsibilities to the environment. There is a …

The Art Of Engaging The Public: The Effect Of The Arts On Civic Engagement, Kathryn Fraley

Belmont University Research Symposium (BURS)

No abstract provided.

Understories: A Queer Rewilding Of Ecology And Literature, Aina Zabinski

WWU Honors College Senior Projects

This capstone project metaphorays into rewilding contemporary climate conscious literature and biology research related to forests. It situates (under)stories as firmly rooted in the context of queer ecology, pointing to a non-essentialist and anti-colonialist view of the world that strongly endorses the significance of environmental humanities in liberation work. Climate change and its connection to systems of social oppression necessitate a breakdown of the divide between arts and sciences in hopes of sustainable futures in the Anthropocene. Storytelling plays an important role in this. Queer eco-literature will not save the world on its own, of course, but it does hold …

Or To Be Eaten Alive, Christopher Williams

School of Art, Art History, and Design: Theses and Student Creative Work

“or to be eaten alive'' is a multimedia exhibition in which I merge my own coming of age story with a mythological ecology. In this work I reclaim my queer identity by communing with my past selves in a fantasy world created through the lens of Queer Ecology and Queer Eco-Futurism. The visuals in this exhibition obscure reality. They are abstractions of the landscapes I occupy—particularly the Tallgrass prairie and Ozark ecoregions. Through a speculative, fantasy world the exhibition introduces moments of adoration, death, fracturing, growth, joy, and failure. I form, draw, color and arrange the work embracing mistakes and …

Unraveling Paradise, Olivia Arslanian, Sydney King, Augustine Muller, Camryn Burns, Giana Napolitano

Development of Western Civilization Student Scholarship

The colloquium marks the culminating semester of the DWC experience. Over four semesters, students have achieved a grounding in major texts of the western tradition, engaged in deep reading and reflection, improved their communication skills, and are ready to make connections with their majors and careers. The colloquium allows them to utilize these skills and make the transition to their future academic work. In light of this, the Development of Western Civilization Program Committee has selected 5 DWC colloquium culminating projects that demonstrate excellence in communication and critical thinking skills. We are grateful to these students for their hard work …

Suffering Juicebox, Janelle O'Malley

Graduate Artistry Projects and Performances

Suffering Juicebox investigates the confluences of nostalgia, trauma and identity making by means of sculpture and performance. Creating pieces with built layers of material and found objects Suffering Juicebox takes shape through collecting, forming, layering, petrifying, erasing and reimagining. Pieces are assembled into scenes attempting to rebuild what cannot be obtained. The objects collected and used are metaphors for the memories we accumulate.

Suffering Juicebox explores how gender and identity are created through layers of memory, nostalgia and trauma. Nostalgia’s etymology comes from the greek words nostos meaning “return home” and algos meaning “pain”, and together the word means homesickness. …

Retrospective Awards Section, Sally Brown, Stephanie House-Niamke, Chansotheary Dang, Qazi Arka Rahman, Lara Farina, Colleen Moretz

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of awards given by the program to students, faculty and staff.

Retrospective Exhibition Evansdale Section, Sally Brown, Colleen Moretz, Frankie Tack, Jason Lee, Ruth Yang

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of the exhibitions that have taken place at the WVU Evansdale Library.

Retrospective: Health Sciences Section, Sally Brown, Beth Mccormick, Anne Mcfarland, Renee Nicholson, Sheila Price, Manuel Vallejo, Misbah Muzaffer, Dana Gray, Jamie Shinn, Jennifer Momen

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) exhibit includes a summary of exhibitions and projects that have been based at the WVU Health Sciences Library.

Does Art Pluralism Lead To Eliminativism?, P.D. Magnus, Christy Mag Uidhir

Philosophy Faculty Scholarship

Art pluralism is the view that there is no single, correct account of what art is. Instead, art is understood through a plurality of art concepts and with considerations that are different for particular arts. Although avowed pluralists have retained the word “art” in their discussions, it is natural to ask whether the considerations that motivate pluralism should lead us to abandon art talk altogether; that is, should pluralism lead to eliminativism? This paper addresses arguments both for and against this move. We ultimately argue that pluralism allows one to retain the word “art”, if one wants it, but only …

Looted Cultural Objects, Elena Baylis

Articles

In the United States, Europe, and elsewhere, museums are in possession of cultural objects that were unethically taken from their countries and communities of origin under the auspices of colonialism. For many years, the art world considered such holdings unexceptional. Now, a longstanding movement to decolonize museums is gaining momentum, and some museums are reconsidering their collections. Presently, whether to return such looted foreign cultural objects is typically a voluntary choice for individual museums to make, not a legal obligation. Modern treaties and statutes protecting cultural property apply only prospectively, to items stolen or illegally exported after their effective dates. …

Arth102: History Of Western Art Ii, Heather Horton

Open Educational Resources

Syllabus for History of Western Art II, a chronological survey of major periods, styles, artists, and monuments of western visual arts, primarily painting, sculpture, and architecture beginning with the development of the arts from about 1300 to the present day.

Retrospective Feature Exhibits Section, Sally Brown, Brian Lemme, Daniel Grossman, Nathan Harlan, Joshua Lohnes

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of the large feature exhibitions.

Retrospective Student Projects, Sally Brown, Stewart Plein

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of student projects.

Retrospective Exhibition Additional Initiatives Section, Sally Brown, Lemley Mullett, Michael Sherwin

Art in the Libraries Retrospective: 2015-2024

The section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of the program's special initiatives.

Retrospective Curator's Statement, Sally Brown

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Libraries Retrospective includes a statement by the exhibition curator.

Retrospective Accessibility, Sally Brown, Nicole Fuller

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Libraries Retrospective includes a statement on virtual programs and accessibility.

Retrospective: The Beginning, Section 1, Sally Brown, Linda Blake

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) exhibition includes the history of the Art in the Libraries Program, including the first exhibitions and the forming of the committee.

Act Chapter 29: Art And Science And Theology In Dialogue, V. Christianto, Florentin Smarandache

Branch Mathematics and Statistics Faculty and Staff Publications

Where does a sparkling idea come to us, so out of the blue? Divine inspiration? I want a scientific explanation... Maybe, at present, with our current level of science, we are not able to understand the paranormal, or what we think is fantastic, but in fact it is real. A reality that we cannot reach with understanding, because of our low level... Are we not perhaps relevant and do we understand the incomprehensible? Some are connected to the universe better than others, do they have extra senses? How can we “gather” ideas from “air”? How does the spark in the …