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Introduction To Theatre Oer Course, Carmen R. Meyers

Open Educational Resources

Study of theatre and performance throughout history and across cultures including an examination of European, Carribean, and North and South American theatrical styles and genres.

This course is organized for a hybrid/asynchronous format. Our class meets on-campus every week for 75 minutes and the other 75 minutes will be completed asynchronously with weekly learning modules on Blackboard.

The first half of the course focuses on the history of theatre from Ancient Greece through Modern Realism. The second half of the course, students engage in the procedures of professional theatre artists through writing and refining a dramatic text; enacting a performance; …

Puppy Love And [Information] Play: An Intersection Of Theatre, Queer Kink, And Consent, Emily Kitchens

Faculty and Research Publications

This note from the field centers on a nexus of queer kink subcultures and consent-based intimacy work in theatre. I report, investigate and wrangle with the process of incorporating queer kink aesthetics into the production of Love and Information by Caryl Churchill I directed at KSU February 2023. What I have learned and hope to demonstrate throughout the paper, is that queer kink subcultures are often paradigmatic examples of communities built on consent, and we as performing arts practitioners can more visibly expand the margins of our cultural competency dialogues to not only include them but look to them as …

Active Analysis In The Beginning Acting Classroom, Michael Shipley

Theatre Arts Faculty Publications

Often, the exercises in the acting classroom can feel at odds with the processes used in the rehearsal room. I believe Konstantin Stanislavsky’s rehearsal method of Active Analysis provides tools and perspectives for dealing with these challenges. At The S Word Symposium in November 2022, I outlined a process I developed for teaching beginning acting using principles of Active Analysis as a tool to bridge the gap between training and rehearsing. This article outlines the experiences and thought processes that went into creating this class structure and reviews the benefits for students. Applied in this way, Stanislavsky’s impulse to place …

The Power Of Play: Theatre’S Potential For Healing The Wounds Of Capitalism, Danielle Phillips

WWU Honors College Senior Projects

Capitalist hegemony wreaks havoc on the psyche through exploitation, isolation, and encouragement of worry. Actor training offers healing in the ways in which it encourages self value, connection, and mindfulness, therefore serving as a powerful tool for coping with anxiety and depression exacerbated by life under a capitalist system.

Is Ai An Actor?, Emily Wirkus

AI Assignment Library

Students are taught a system of marking scripts and monologues using a series of steps to highlight the flow of action, including shifts in objectives and tactics (what the character wants, and the active language describing how they hope to get what they want). Students are challenged to mark a monologue themselves using these criteria taught in class. Students will then upload their monologue into ChatGPT and ask it to score the monologue using the same criteria. Students will compare and contrast the two monologues and evaluate what ChatGPT created that was useful, and what ChatGPT may have missed. Students …

Body Movement Syllabus - The City College Of New York - Department Of Theatre - Prof Timothy Allen, Timothy J. Allen

Open Educational Resources

This course will explore three modules of learning.

1. Anatomy and Psycho-Physical Centering, will explore two foundations: (1) the start of our research and practical application of the human anatomy in regards to how our body moves; and (2) your ability to tune into movement centers within the body by utilizing Chakra as a guiding study. Please note: Anatomy will be a continuous study throughout the entire semester.

2. THE SECOND MODULE, Partnered Connection, will focus on partnering with lifts, counter-balances, falls, and rolls that will build to a partnering sequence of the tools presented.

3. THE LAST MODULE, Global Archetypes, …

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What Makes A Salesman: Death Of A Salesman And The Politics Of Adaptation, Thomas Alvarez

Honors Scholar Theses

Arthur Miller has regularly been regarded as one of the most prominent American playwrights of all time, producing timeless and often innately political works designed in part to speak to his perspective on history as it has taken shape. This thesis will discuss the 1951, 1966, and 1985 American adaptations of Death of a Salesman—one of his greatest defining works—to draw attention to his specific perspective while exploring how this messaging can be recontextualized when decades and mediums separate an adaptation from its source text. Furthermore, this thesis will explore choices made by actors and screenplay writers, working to ascertain …

Performer Wellness And Applied Stage Practices Curriculum: Preparing The Undergraduate Vocal Performance Major For An Opera Career, Gabriel J. Kirby

Masters Theses

Within higher education, the goal is to prepare students to enter the workforce with the knowledge and abilities to meet or exceed the chosen occupation’s requirements and expectations. To achieve these requisites, schools create curricula comprising key information for several fields and concentrations while abiding by the regulations enforced by both their school boards and accreditation organizations. Students can apply for a job knowing that their degree holds value. Many institutions continually revise degrees to curricula to inspire the next generation in the workforce. The purpose of this curriculum project is to advocate for expanded curriculum considerations that include acting …

Dwight Sora Interview, Jay Lee

Asian American Art Oral History Project

Artist Bio: Dwight Sora is half-Japanese (father) and half-Korean (mother) actor who grew up in the Chicago suburb of River Forest. He has studied the Japanese martial art of aikido since 1993, when he was an exchange student attending Waseda University in Tokyo. He holds a rank of sandan (third degree black belt).

Acting The Author: Observations On Authority In Collective Performance, Max Tapogna

Summer Research

Authorship in theatre is divided – and divisive. The focus of this essay is on actors, and how actors engage with authorship in the theatre. In contemporary Western theatre, the division of authorship is composed of three primary fields: playwrights, directors, and actors. This essay challenges the hierarchy inherent to commercial theatres and advocates for actors who think like authors, not as the creators of solely characters, but as the co-authors of the theatrical event as a whole. In result, theatres and theatre-makers might be fortified by a shared sense of authorship, enriched by a steadfast sense of collaboration and …

Monologuing The Music: A New Actor Training Practice For New Times, Nicole Stinton

Research outputs 2014 to 2021

The myth that musical theatre actors cannot act is alive and well. Director, musician and lecturer Dr Zachary Dunbar asserts that the industry frequently chooses between actors who cannot sing or singers who cannot act (2016, 71). Popular blogger WestEndProducer purports that the musical theatre ‘twirley’ is often considered as a jack of all trades but a master of none (2017). In conservatoire style training, could traditional triple-threat skill-focused courses include more holistic educative approaches that integrate the three disciplines of acting, singing and dancing and, longer-term, contribute to dispelling the aforementioned myth? Whilst this question cannot be answered without …

Made Up: A Devised Short Film, Justine Musselman

Honors College Theses

I've explored and studied the use of devising in theatre, and decided to bring that process to the making of a short film. Devising is the process of an ensemble creating a piece together in a collaborative and creative environment. These devised works start without a final script and are formed through discussion, improvisation. and ensemble exercises. Film is a new medium for devising and allows for unlimited creative opportunity and exploration. My devised short film utilizes dramatic makeup as an artistic device to assist in the storytelling. The narrative focuses on the idea of how we present ourselves publicly …

An Annotated Critical Edition Of "The Show Folks!" By Pierce Egan, Audrey Saxton

Student Works

This is a critical edition of Pierce Egan’s 1831 Poem, “The Show Folks!” It includes an introduction written which grounds Egan’s poem in the tradition of Victorian England’s burlesque theater and circus acts. It also includes selected footnotes and appendices in order to further explore the text. At the end is included a list of sources for further reading and research regarding Pierce Egan and “The Show Folks!”

Exploring The Desired Qualities Of Performers, Tatiana E. Harman

Senior Honors Theses

The goal of this thesis is to bring the entertainment industry better prepared performers. An invaluable tool for the actor is the talent agent, someone who will not only submit actors for roles and auditions not readily available to the public, but also negotiate contracts to ensure the safety and security of the actors. Because an agent’s income is only 10% of what his/her actors make, it is necessary that agents represent actors that they believe will consistently get work. However, beyond that, it is not widely known the specific qualities agents desire in the talent they represent. Through a …

Blowing Off Ste(A)M: The Value Of The Creative Arts For Gifted Stem Students (Iagc 2017), Tracy A. Townsend, Michael W. Hancock, Michael P. Dean

Faculty Publications & Research

The following is a collection of teaching documents, including classroom activities and assignment prompts, used in the Illinois Mathematics and Science Academy’s Graphic Novels, Creative Writing, and Modern Theater classes. These materials are easily included in courses with broader topical focuses, however, either as single-day activities or units of study. The specific materials included here are especially beneficial as means of encouraging student creativity, building up a variety of communication skills, rewarding experimental work, and providing new outlets for critical thinking and social-emotional development.

Thea 401: Advanced Acting—Acting For Camera—A Peer Review Of Teaching Project Benchmark Portoflio, Wesley Broulik

UNL Faculty Course Portfolios

In the pursuit of teaching the art of acting, and specifically acting for the camera, how do we measure growth? Additionally is there a correlation between high academic achievement and talent? In this portfolio we will examine how to evaluate acting, student growth, and examine test and paper results to see if the most “talented” performers are also the highest academic achievers.

The Texting Smile, Richard K. Angel

Student Works

There's nothing like dating to turn us into a miserable puddle of falsehood. When we're with the person we like, we fight to play the game and find the right balance of not showing too much interest (so she'll know that you like her) and showing enough (so she doesn't think you don't). It's an art. But when we're only texting, we can behave however we'd like as long as we choose our words carefully; we don't even try to hide our emotions, and the perfect strangers surrounding us see more of our unabashed smile than the object of our …

Acting For Opera Singers, Jennifer Hamilton

Teaching Fellowships

As the majority of professional classical singers earn a significant part of their living in opera, it is vital that conservatoires and studios are able to provide fit-for-purpose education for these trainee artists. As opera productions today are increasingly influenced by the trends in cinema and live-streamed media, this study sought to identify and clarify the range and detail of acting and performance skills required of opera singers in this evolving professional environment. A significant part of the data collected relates to the participants’ perceptions about the relevance of technical stagecraft skills. These techniques mainly relate to how performers negotiate …

Cognitive Neurosciene And Its Applications To Contemporary Acting Theory, Ryan Stiffelman

Student Scholar Symposium Abstracts and Posters

I personally believe that anyone can be a performer so long as they have the determination, dedication, and refuse to take no for an answer. There are all kinds of training out there designed to help turn hopeful wannabes into the “stars” that we know them as, however, not every “star” we see has had this kind of training. We often hear of young actors like Jennifer Lawrence hailed for their “natural talent”. Does this mean there’s some kind of birth-right, a specific natural inclination or ability that makes someone a potentially great actor from the start? I will refer …

Reese Witherspoon: A True Role Model, Vanessa Hemmen

Faculty Curated Undergraduate Works

A profile of Reese Witherspoon.

Shimmers Of Truth In The Art Of Theatre, Natasha M. Goetz

Senior Honors Theses

Many Christians have noted Romans 1:20’s statement that God is reflected in His creation. As a theater student, I have found this to be true even in how theatrical artists actually execute their craft. Thus, for my senior honors thesis I have decided to further study this connection between the Lord and theater, for which I expect to find more of what I have already found in parallels between the Christian walk and theater arts. For the completion of this thesis, research for theatrical content will include acting and design, and research for biblical content will include the Bible and …

An Open Letter To Netflix, Elizabeth A. Rupert

SURGE

If there is one thing that I will be absolutely ashamed in admitting to you, it’s that I love television. Love it. Not in a turn-it-on-watch-whatever-all-TV-rocks kind of way, but in an I’m-overly-obsessed-with-15-shows-at-a-time kind of way, to the point where I could say that being able to watch the latest episode of Suits or Community could easily be the highlight of my day (week, year…). [excerpt]

Cleaver, Oscar Payne, 1905-1996 (Mss 106), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 106. Miscellaneous papers related to the military and civilian careers of Hart County, Kentucky, native Oscar Payne Cleaver, who was a lighting expert and was instrumental in the development of night vision equipment. Includes a brief reminiscence about his lighting work on the film “Gone With the Wind.”

Suzan-Lori Parks: Essays On The Plays And Other Works Edited By Philip C. Kolin (Review), Jocelyn Buckner

Theatre Faculty Articles and Research

The anthology Suzan-Lori Parks: Essays on the Plays and Other Works offers new perspectives to the growing body of scholarship about Parks’s artistic achievements. The text features a contextualizing preface and twelve new essays about her plays, novel, and screenplays. It also contains two new interviews, one with Parks herself and another with her longtime friend and collaborator, director Liz Diamond, as well as a timeline featuring major productions of her works from her first play reading in 1984, to projects anticipated for future production on stage and screen. While Parks’s works, and works on Parks are widely anthologized in …

Telling Our Stories: Community-Created Theatre As Intra-Cultural Diplomacy In A Transnational World, Sarah Ann Standing

Publications and Research

No abstract provided.

A Creative And Scholarly Exploration Of Edna Obrien’S Iphigenia, Danya Gee Martin

Honors Theses

In this thesis, I will document the creative work I completed for my Senior Acting Project. I will also explore my Senior Acting Project from a more ‘conventional’ academic standpoint. I will explore various definitions of tragedy and argue my own definition; I will also investigate who Euripides was as a writer and human being. I will then apply my findings to three different versions of Euripides’ tragedy Iphigenia in Aulis: a classical translation, a more contemporary translation, and the adaptation I performed for my SAP. I will argue whether or not each meets my criteria for a tragedy, …

Acting Different – Using Drama Workshops And Seminars To Promote Reconciliation, Anti Racism And Anti-Sectarianism, Mary Moynihan, Freda Manweiler

Books/Book Chapters

This booklet contains a documentation of the project Acting Different which was implemented by Smashing Times and Corrymeela Community/Irish Peace Centres and consisted of a series of drama workshops and seminars conducted on a cross-community and cross-border basis with several groups in the Lisburn and Castlereagh area of Northern Ireland and County Leitrim in the Republic of Ireland. The aim of the project was to use high quality theatre processes to promote peace building and reconciliation. Professional theatre practitioners from Smashing Times Theatre Company conducted the workshops. The booklet contains a description of three drama workshop models used in the …

A Penitent Prepares: Affect, Contrition, And Tears, Christopher B. Swift

Publications and Research

This essay draws upon a poetic and devotional texts from late medieval Spain to show how public displays of emotion (weeping, in particular) during penitential processions could be learned and prepared for in advance.

Travelstead, Chester Coleman, 1911-2006 (Mss 281), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 281. Chiefly personal and professional correspondence, speeches, journal articles, reminiscences, and news clippings of noted educator Chester Coleman Travelstead. Of particular interest are the materials related to his 1955 dismissal from the University of South Carolina owing to his support of racial integration. Also includes correspondence and diaries of his mother Nelle (Gooch) Travelstead, long-time Western Kentucky University faculty member.

Random Acts Of Violence: Bringing John Cage’S Chance Techniques To Fight Choreography And Stage Combatant Acting, T. Fulton Burns

Theatre Faculty Research

The concept of chance utilized by John Cage is a frightening, exciting, and liberating process for any artist. It was so effective that other musical artists such as Morton Feldman, Earle Brown and Christian Wolff used it. In the world of theatre these concepts are constantly used today by the Neo-Futurists in Chicago and New York in their production of Too Much Light Makes The Baby Go Blind and by Improv Troupes throughout the country.