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Articles 1 - 8 of 8
Full-Text Articles in Arts and Humanities
“What Did She See?” The White Gaze And Postmodern Triple Consciousness In Walter Dean Myers’S Monster, Tim Engles, Fern Kory
“What Did She See?” The White Gaze And Postmodern Triple Consciousness In Walter Dean Myers’S Monster, Tim Engles, Fern Kory
Tim Engles
No abstract provided.
Incarceration, Identity Formation, And Race In Young Adult Literature: The Case Of Monster Versus Hole In My Life, Tim Engles, Fern Kory
Incarceration, Identity Formation, And Race In Young Adult Literature: The Case Of Monster Versus Hole In My Life, Tim Engles, Fern Kory
Tim Engles
No abstract provided.
Writing Renaissance Emblems: Flaming And Tortured Hearts In The First Part Of The Countess Of Montgomery's Urania, Julie Campbell
Writing Renaissance Emblems: Flaming And Tortured Hearts In The First Part Of The Countess Of Montgomery's Urania, Julie Campbell
Julie Campbell
No abstract provided.
African American Whiteness In Gloria Naylor's Linden Hills, Tim Engles
African American Whiteness In Gloria Naylor's Linden Hills, Tim Engles
Tim Engles
No abstract provided.
Masque Scenery And The Tradition Of Immobilization In The First Part Of The Countess Of Montgomery's Urania, Julie Campbell
Masque Scenery And The Tradition Of Immobilization In The First Part Of The Countess Of Montgomery's Urania, Julie Campbell
Julie Campbell
This study addresses two of the pivotal magical interventions in The First Part of The Countess of Montgomery's Urania, specifically those in which Wroth makes use of the masque tradition of immobilization: the Three Towers of the House of Love and the Marble Theatre on an island in the Gulf of Venice. In these enchantments, which include architecturally fantastic structures, music, and the symbolically posed, stilled characters, Wroth creates masque-like ‘idealized fictions’ that emblematize the romantic relationships she depicts. They are meant to elevate the sometimes sordid realities of real relationships to a higher allegorical plane on which the virtue …
The Perils Of Disembodied Readership, Tim Engles
"Who Are You, Literally?": Fantasies Of The White Self In White Noise, Tim Engles
"Who Are You, Literally?": Fantasies Of The White Self In White Noise, Tim Engles
Tim Engles
No abstract provided.
"Visions Of Me In The Whitest Raw Light": Assimilation And Doxic Whiteness In Chang-Rae Lee's 'Native Speaker', Tim Engles
Tim Engles
In Chang-rae Lee's first novel, 'Native Speaker,' the protagonist is jolted by the death of his son and the subsequent departure of his wife into intensification of a lifelong identity crisis. The book's guiding metaphor, figured in Henry Park's job as a spy, cleverly elucidates the immigrant's stance as a watchful outsider in American society, but Henry's double life also figures largely in his equally representative struggles to decide for himself what kind of person he is. As a child of immigrant parents, Henry is, in Pierre Bourdieu's useful terms, endowed with a bifurcated "habitus," two sets of culturally induced …