Arts and Humanities Commons^™

Christina Gerhardt And Sara Saljoughi, Editors. 1968 And Global Cinema. Wayne State Up, 2018., Anne Cunningham

Studies in 20th & 21st Century Literature

Review of Christina Gerhardt and Sara Saljoughi, editors. 1968 and Global Cinema. Wayne State UP, 2018. 422 pp.

Reflections On A Transnational Project: Suffrage In The Americas, Patricia Harms, Stephanie Mitchell

Journal of International Women's Studies

Suffrage is the most significant political development within modern Liberal states. Despite this fact, it is curious as to why suffrage movements have so little history. This article focuses on the creation of an edited volume that seeks to address the women’s suffrage story across the Americas. While the intellectual process of the project is discussed in some detail, this article is predominantly a reflection on the process of developing a collaborative project and the challenges inherent to a transnational approach. This project reveals both the significance of suffrage and simultaneously the fractured landscape within individual countries, suffrage movements and …

“Me Gritaron Negra”: The Emergence And Development Of The Afro-Descendant Women’S Movement In Peru (1980-2015), Eshe Lewis, John Thomas Iii, Spanish Translation: Https://Revistasinvestigacion.Unmsm.Edu.Pe/Index.Php/Sociales/Article/View/19567

Journal of International Women's Studies

This article examines the evolution of the Afro-descendant women's movement in Peru between 1980 and 2015. We examine the development of women’s conscious through other movements, specifically through the national Afro-Peruvian movement and the regional feminist encounters that have been taking place since the 1980s. Our study outlines the tensions, and points of convergence and divergence that have existed for Afro-Peruvian women in these movements. We demonstrate how these issues characterize the nature of Afro-Peruvian women's struggle and their social and political position within the realm of race- and gender-based activism. We show that this friction has prompted women to …

Film On Paper, Graphics On Screen, Feminism In Story: An Exegesis Of A Feminist Graphic Novel Project, Jingwei Xu

SANE journal: Sequential Art Narrative in Education

This research is the second stage of my entire graphic novel practice looking at a feminist topic – women’s awakening from marriage. In this phase, the study carries out the practical process of the creative work, involving a graphic novel (body), an opening title (hook) and a package of visual communication design (promotion), in order to convey my feminist claim that women’s real emancipation depends on whether they can rouse their subject awareness and break through the chain of marriage. Based on this practice-led research, my personal knowledge is generated, including the value of combining graphic novels and title sequences, …

"We Neither Are Of The Past Nor Of The Future" : Analyzing The Two Opposing Aspects Of A Female Character Through Four Modern Works Of Persian Fiction", Ronak Karami

Journal of International Women's Studies

Under Iran’s growing contact with the West from 1925 until 1979, which caused cultural changes, modern writers were stuck between two realities: the vanishing culture of the past with its unified view of women and the modern Western-oriented culture of the present with its doubting, ironic, and fast-changing view of women. Both labels, the ‘ethereal’ (or inaccessible paragon) and the ‘whore’ (or accessible temptress) for female characters emerged in a major literary work of the 20th century in Iran, The Blind Owl (1937), by Hedayat due to these cultural changes. Furthermore, the labels appeared within some later modern Persian fictional …

Traveling Feminista: A Blog About Traveling As A Pakistani/American/Muslim/Feminist Scholar-Art-Ivist, Fawzia Afzal-Khan

Journal of International Women's Studies

At the heart of my blogging lies the desire to be a traveler moving through the world in a body marked as female, a woman whose evolving feminism can help heal herself and in so doing, inspire others to do the same. Journeying without and within, allows for the self to turn toward its other, to recognize the other in oneself; in so doing, one can learn to connect across the divides that threaten to engulf us, dissolving boundaries that keep us from loving our multiple selves.

Media Empowers Brave Girls To Be Global Activists, Gayle Kimball

Journal of International Women's Studies

A surprising way to silence young women globally, in addition to overly protective families, is by scholars of youth studies and development professionals. Ageism against youth is rarely discussed, so this article reveals this academic bias that ignores or discounts youth voices—especially young women. However, in the safe space of their bedrooms, the Internet and the cell phone enable young women to express their voices, even to organize uprisings. They can get around family restrictions and desires to protect them by speaking publicly from a private space. Some media provide empowering images for young women activists and informative networks of …

Exploring Gender Through Art In Myanmar, Allison E. Joseph

EnviroLab Asia

No abstract provided.

Once Upon A Time On Mango Street, Drake Deornellis

Montview Journal of Research & Scholarship

This paper examines how the use of fairytale allusions in Sandra Cisneros’ The House on Mango Street critiques and recreates standard constructions of female identity. Narrated by the young main character Esperanza, the novel explores the experiences of a variety of Latina women living on Mango Street. As Esperanza retells these stories, she frequently compares these women to fairytale characters, such as Cinderella and Rapunzel. These fairytales often define women as either “angels” or “monsters”: either they are perfect, or they are evil. Furthermore, this perfection for women is associated with dependence and passivity. As the women in the novel …

Flora Tristan, Precursor Lecture By Magda Portal, Kathleen Weaver

Journal of International Women's Studies

A major figure in Latin American struggles for women's rights and social justice, Magda Portal (1900-1989) co-founded the revolutionary nationalist APRA Party of Peru and was the principal women's leader of that party. In her Chilean exile Portal discovered the nineteenth century writer and social reformer, Flora Tristan. In 1944 Portal offered her first lecture on Tristan (1803-1844)—a brilliant diarist and journalist as well as a seminal social theorist, labor organizer, champion of women's rights, and a significant precursor—arguably co-founder—of socialist internationalism. Expanding and revising her initial account, Portal continued into her later years to lecture on Tristan, whom she …

Sillage, Trace, Empreinte: La Migrance Ambulatoire De Fatou Diome, Catherine Mazauric

Présence Francophone: Revue internationale de langue et de littérature

From Le ventre de l'Atlantique and Impossible de grandir to Marianne porte plainte!, going as far back as her early poems and short stories published in journals, Fatou Diome uses recurring patterns of wake, trace and footprints as different forms of physical and ethical engagements in the world. In the process of literary creation, such engagement generates a mobile third location, "a space of migrance" where various sets of cultural heritages and ethical values undergo reformulation. This paper argues that it is in such a space that Diome locates the emergence of a powerful feminine subjectivity which gained its autonomy …

Bolivia: Subaltern Politics In The Age Of The New Latin American Left Participation & Representaiion, Annika Gunderson

Augsburg Honors Review

Through the voices of Bolivian women's organizations, testimonios [testimonials] deliver the message of many: the many who struggle against hierarchy and the status quo in order to organize, the many who seek to form a more representative, inclusive and deliberative State, and the many who, even centuries after the Spanish conquest, continue experiencing both external and internal colonization. A collective Bolivian action, encompassing both distinct and mutual identities, is manifested through these testimonios that serve to amplify the voices of the people. Using the land as a metaphor, the plights of many Bolivian women are explored.

Lesbianism, Feminism, And The National Women's Conference Of 1977: A Turning Point, Diane Perrault

Augsburg Honors Review

The decade of the 1970s proved to be an eventful time for American women. For those who supported the movement to increase women's rights, progress finally seemed possible. Advancements such as the Equal Employment Opportunity Act, Title IX, the Supreme Court's decision in Roe v. Wade, the opening of battered women's shelters, and the increased number of organized groups that encouraged and assisted women all gave hope to ferninists. While much more needed to be done, women had taken some steps forward. ln November of 1977, a conference took place in Houston, Texas to provide Americans with an opportunity to …

Α “Guarantee Of Clustered Energy And Collective Promotion”: The Association Of Greek Women Artists And Its Exhibitions In The 50s And 60s, Glafki Gotsi

Artl@s Bulletin

Founded in Athens in 1954 the Association of Greek Women Artists aimed at promoting art among the Greek public, confronting the problems of women artists through collective action, and encouraging the presentation of Greek art on the international scene. In the 1950s and 1960s it organized a significant number of group exhibitions in Greece as well as abroad, where its members showed their work. This paper examines the context of the association’s all-women shows and their meaning in relation to feminist cultural politics inside but also beyond national borders. More specifically, it analyzes the circumstances under which the collectivity was …

Women Artists' Salon Of Chicago (1937-1953): Cultivating Careers And Art Collectors, Joanna P. Gardner-Huggett

Artl@s Bulletin

This article reconstructs the history of the Women Artists’ Salon of Chicago, which was founded as an exhibition society in Chicago in 1937, and argues that the Board of Directors turned to the 19^th century precedents of the Palette Club and the Woman’s Building at the World’s Columbian Exhibition as models for their organization. The essay also traces how members of the Women Artists’ Salon deliberately exhibited traditional artworks associated with the feminine and domestic and coordinated social events in order to cultivate greater sales and a new generation of female art collectors.

"Actividades Femeninas" Collective Exhibitions Of Women In Chile Between 1914 And 1939, Gloria Cortes

Artl@s Bulletin

In 1927 the Great Female Exhibition was held in Chile within the framework of the fiftieth anniversary of the Amunátegui Decree (1877), a precept that allowed women to go to university. The Exhibition was the result of a series of initiatives by the high bourgeoisie that began in 1914 with the creation of women's organizations such as the Women's Art Society.

Twelve years later, in 1939, the MEMCH —Pro Emancipation Movement of Women in Chile— held the Feminine Activities exhibition, conceived as a response to previous experiences led by the elite, and focused on the political and social …

Mansfield Park By Kate Hamill (And Jane Austen), Christopher Nagle

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article reviews the world premiere of Kate Hamill's Mansfield Park directed by Stuart Carden and produced for the Northlight Theatre in Chicago in November and December 2018. Hamill’s bold new adaptation is notable for foregrounding the contexts of empire and the slave trade undergirding the novel, and in ultimately offering a feminist fairy-tale of radical self-assertion and self-determination for its heroine.

Jane Austen Camp, Devoney Looser

ABO: Interactive Journal for Women in the Arts, 1640-1830

Austen camp has become prevalent, even omnipresent, today, in visions and versions of her and her fiction, using them as a canvas for zombies, porn, or roller derby. Some of it may be kitsch, but it’s arguably camp. Investigating Austen as camp is a valuable way to understand her humor and her social criticism, as we now understand camp as a positive literary and social practice. But rather than asking if and when camp is “there,” for Austen or for her past readers, we might instead investigate what aspects or elements of her reputation or her writing we notice differently …

Eighteenth-Century Camp Introduction, Ula Lukszo Klein, Emily Mn Kugler

ABO: Interactive Journal for Women in the Arts, 1640-1830

A blend of the silly and the extravagant that puts the serious into conversation with the ridiculous, camp today is often signified by elements of eighteenth-century Europe with its elaborate hairstyles, exaggerated silhouettes, affected courtiers, and a rise in the consumption of exotic goods, candelabras, masks, and other markers of elite excess (often with a nod to the era’s demise in the form of either the French Revolution or subsequent Victorian strictures). Camp’s relation to queer modes of performance and its prioritization of style over (or in conjunction with) substance offers a queer aesthetic lens to re-evaluate the eighteenth century …

Women Who Fly: Goddesses, Witches, Mystics, And Other Airborne Females By Serinity Young, Felicity Gilbert

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

“Feminists Leap Year Vol. 2:” The Portrayals Of Gender In Early 20th Century Postcards, Anthony Pankuch, Jessica Wilson

Student Projects from the Archives

The “Feminists Leap Year Vol. 2” binder of the David P. Campbell Postcard Collection contains postcards reflecting women in empowered, vulnerable, pitiful, and satirical situations. They appear in scenes of public activism, romance, and the once-mythologized American frontier. The postcards arranged by Dr. Campbell under the banner of “Feminist” reflect the stereotypes, themes, and gendered images that have remained attached to the feminist movement from its emergence in the late nineteenth and early twentieth centuries to its incarnation in the twenty-first century. Postcard images demonstrate the intersectionality of gender and feminism by juxtaposing postcards satirizing women as masculine or domestically …

Scripting Resistance: Rape And The Avenging Woman In Hindi Cinema, Isha Karki

Journal of International Women's Studies

This article considers how contemporary Hindi cinema engages with traditional cinematic representations of rape and the extent to which it inscribes resistance by rewriting dominant cultural scripts. It analyses Pan Nalin’s Angry Indian Goddesses (2015) and Aniruddha Roy Chowdhury’s Pink (2016) by locating them within the tradition of the avenging woman genre in 1980s Hindi popular cinema. It argues that the historical avenging woman genre was unable to successfully dismantle dominant rape scripts, and that these contemporary films, by subverting the genre, offer alternatives to the problems inherent in the visualisation of rape. It explores issues of eroticisation and spectacle …

‘Red Amazons’? Gendering Violence And Revolution In The Long First World War, 1914-23, Matthew Kovac

Journal of International Women's Studies

This article seeks to position gender theory as critical to making sense of one of the First World War’s largest remaining historical problems: the persistence of mass violence after November 1918. While Robert Gerwarth and John Horne’s pathbreaking work on veteran violence has challenged the standard 1914-18 periodisation of the war, their focus on military defeat and revolution obscures the centrality of gender relations to the continuation of violence after the formal end of hostilities. By putting their work into conversation with that of feminist theorists, I argue that countries which experienced more extreme gender dislocation or ‘gender trouble’ witnessed …

Widows And Concubines: Tradition And Deviance In The Women Of Raja Rao’S Kanthapura, M. E. P. Ranmuthugala

Journal of International Women's Studies

Raja Rao’s 1938 novel Kanthapura depicts the impact of Gandhian thought on women and men, and this research focuses on the novel’s fashioning of female identities in terms of nationalism as espoused by Mahatma Gandhi. This analytical research paper hypothesises that although women constitute a considerable part of the narrative and have political agency, their identity is moulded by men to serve men’s nationalist interests: The paper contends that women must undergo transformation and refashioning of their identities for nationalism. The novel provides a strong argument for Mahatma Gandhi’s political ethic of empowering people and engages with diverse issues such …

Esther Reed's Political Sentiments And Rhetoric During The Revolutionary War, Kennedy Harkins

The Pegasus Review: UCF Undergraduate Research Journal

In 1780, during the final stretch of the American Revolutionary War, Esther Reed penned the broadside "Sentiments of an American Woman." It circulated in Philadelphia, persuading citizens to turn over their last dollars to the cause. Reed's broadside called to action the women of Philadelphia; they knocked on doors, campaigned with words, and stepped firmly into the "man's world" of politics and revolution. Reed's words were so effective that women in cities across the colonies took to raising money as well. Using New Historicist and feminist reading strategies, this study compares and contrasts Reed's rhetoric to Thomas Paine's Common Sense …

Autonomous Women's Movement In Kerala: Historiography, Maya Subrahmanian

Journal of International Women's Studies

This paper traces the historical evolution of the women’s movement in the southernmost Indian state of Kerala and explores the related social contexts. It also compares the women’s movement in Kerala with its North Indian and international counterparts. An attempt is made to understand how feminist activities on the local level differ from the larger scenario with regard to their nature, causes, and success. Mainstream history writing has long neglected women’s history, just as women have been denied authority in the process of knowledge production. The Kerala Model and the politically triggered society of the state, with its strong Marxist …

Intersectionality In The Contemporary Women’S Marches: Possibilities For Social Change, Sujatha Moni

Journal of Feminist Scholarship

The Women’s Marches of January 2017 and 2018 were some of the largest mass demonstrations in history. They represent an important stage in the American feminist movement in its current iteration. Unlike the first and second waves of the movement, which were led by privileged class cisgender white women, the leadership of these marches includes women of color who have brought a vision of intersectionality and diversity to the marches. Banners covering a wide range of issues including reproductive choice, #MeToo, equal pay, Black Lives Matter, LGBTQ rights, and support for immigrants, became the hallmark of these marches. Is the …

Introduction To Feminism And The Academy Today: A Graduate Forum, Kara Watts, Heather Turcotte

Journal of Feminist Scholarship

No abstract provided.

Disability, Neurodiversity, And Feminism, Hannah Simpson

Journal of Feminist Scholarship

This position statement explores the overlap between feminist and disability studies as a strand of intersectional feminism, with particular attention to the graduate school and early career context.

Against All Odds: A Legacy Of Appropriation, Contestation, And Negotiation Of Arab Feminisms In Postcolonial States, Hoda Elsadda

Journal of Feminist Scholarship

Arab feminists have always faced challenges related to the burden of colonialism, accusations of westernization, isolation from their cultural heritage, and elitism, but the biggest challenge of all has been the fact that their activism and their entire lives have all been in the context of authoritarian postcolonial states. This article engages with a persistent challenge to Arab feminists that questions their impact, their awareness of their cultural and societal problems, and undermines their achievements over the years. It constructs a narrative of what feminists have achieved against all odds, within the constraints of authoritarian postcolonial states that have politically …