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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza, Alexandre Dauge-Roth, Ayse Irem Ikizler
Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza, Alexandre Dauge-Roth, Ayse Irem Ikizler
Présence Francophone: Revue internationale de langue et de littérature
Philippe Van Leeuw and Kivu Ruhorahoza’s cinema proposes an esthetic and ethical gaze that distances itself from the historic realism that defines the majority of the films on the genocide against the Tutsi in Rwanda. By conferring an unprecedented eloquence to different types of silence and by maintaining viewers in a concerted state of ignorance, both filmmakers question societies’ will to know within the legacy of genocide and their willingness to culturally acknowledge the traumatic resonance of its aftermath.
Discours Sur L’Environnement Et Stratégies Empathiques De L’Hégémonie Dans Les Écritures Francophones D’Afrique Noire, Jean-Blaise Samou
Discours Sur L’Environnement Et Stratégies Empathiques De L’Hégémonie Dans Les Écritures Francophones D’Afrique Noire, Jean-Blaise Samou
Présence Francophone: Revue internationale de langue et de littérature
It is a known that discourse developed on Africa in the European imagination between the late nineteenth and the first half of the twentieth century had largely contributed to the implementation of colonial ideology. Today, African writings recover and rework those discourses, highlighting the language strategies by which the construction of a tropical otherness, territorial dispossession and colonial domination in Africa were part of a pragmatic discourse. The analysis of those discourses in some novels and movies from French-speaking Black Africa not only reveals the environmental issues that underlay the European colonial adventure in Africa, but also the interest for …
Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk
Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk
Cinesthesia
This essay analyzes the history of Egyptian film in relationship to the common perception of women in Egypt. From the early stages of Egyptian cinema, women assumed leadership positions, helping build the undeveloped industry to its height in the mid-1900's. An increasingly state-led and male-dominated film industry, however, adopted women as a symbol of nationalism, while neglecting them as equals through traditionalist film content. Furthermore, in the last quarter of the 20th century, governmental influences resulted in a shortage of production resources. Although commercial motion pictures suffered, social-issue, realist movies have reignited feminist initiatives and provided hope for a recovering …
Life In Movie Stills: Persona Making In "Learning From Bruce Lee: Pedagogy And Political Correctness In Martial Arts Cinema", Michael Soares
Life In Movie Stills: Persona Making In "Learning From Bruce Lee: Pedagogy And Political Correctness In Martial Arts Cinema", Michael Soares
Harlot: A Revealing Look at the Arts of Persuasion
How much influence does the cinema of our youth shape persona? When I was thirteen, the personas of myself and my friends were profoundly shaped by the discovery of Tae Kwon Do. Bolstered by hit "karate" films of the 1980's, in our minds we were ninja warriors and martial arts champions. Nearly thirty years later, the memories retained are an articulation of not only of my Tae Kwon Do experience, but the peripheral imagery generated by the 1980's karate media, including martial arts films. These articulated images, imagined as film stills, create for many of us what Meaghan Morris describes …
Ecologies Of The Moving Image: Cinema, Affect, Nature By Adrian J Ivakhiv, Edie Steiner
Ecologies Of The Moving Image: Cinema, Affect, Nature By Adrian J Ivakhiv, Edie Steiner
The Goose
Review of Adrian J. Ivankhiv's Ecologies of the Moving Image: Cinema, Affect, Nature.
Staging Quakerism In American Theatre And Film, James Emmett Ryan
Staging Quakerism In American Theatre And Film, James Emmett Ryan
Quaker Studies
Arguing that Quakers have been used as influential stock characters in American performance culture, this essay profiles several examples of Quakers as represented in American theater and film: John Murdock's play The Triumphs of Love (1795), Harry F. Millarde's lost silent film The Quack Quakers (1916), and the Academy Award winning film High Noon (1952). Paradoxically, in each of these productions, which range from farce to serious drama, Friends are shown as either claiming or as striving for unattainable moral and religious human ideals, but also as an exemplary community of individuals against which other Americans might and should be …