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Craving Credibility: Teresa De Avila’S Shifting Discourse In Meditaciones Sobre Los Cantares, Teresa Boucher Jan 2000

Craving Credibility: Teresa De Avila’S Shifting Discourse In Meditaciones Sobre Los Cantares, Teresa Boucher

Teresa Boucher

This article explores Teresa de Avila's text from the point of view of its enunciation, proposing Benveniste's theory of personal pronouns as a means to analyse Teresa's use of pronouns as revealing shifters that indicate a fluctuating definition of "we" and a changing perspective of the "I" or "we" in relation to the other(s). This study serves as a means to illuminate the multiple addressees inscribed in Teresa's text, as well as the use of "non-persons"--the third-person Bride of the Song of Songs, the Virgin Mary, and the Samaritan woman--both to mask and to support the underlying first-person nature of …


The Filmic Reframing Of El Disputado Voto Del Señor Cayo By Miguel Delibes, Teresa Boucher Dec 1998

The Filmic Reframing Of El Disputado Voto Del Señor Cayo By Miguel Delibes, Teresa Boucher

Teresa Boucher

Miguel Delibes's 1978 novel El disputado voto del señor Cayo deals with political campaigning for the first democratic elections of the post-Franco era in Burgos and the villages in the surrounding area in June 1977. The novel valorizes the self-sufficient rural existence of Sr. Cayo in harmony with nature that is on the verge of extinction and attempts to bring the concerns of rural Spain to the political agenda of the transition.


Delibes And "The Question Concerning Technology", Teresa Boucher Oct 1998

Delibes And "The Question Concerning Technology", Teresa Boucher

Teresa Boucher

Miguel Delibes' considerable novelistic production includes only one text that is an overt continuation of a previous novel. The saga of Lorenzo in Diario de un cazador continues in Diario de un emigrante, following him to Chile, and chronicling his eventual decision to return to Spain. In the prologue to this latter novel, Delibes addresses the issue of second parts and in spite of the traditional wisdom that "nunca segundas partes fueron buenas," avows that Lorenzo, his fictional creation, has yet more life to live.


The Widow's Peak / The Widow Speaks: Carmen's Idle Talk In Miguel Delibes's Cinco Horas Con Mario, Teresa Boucher Jan 1996

The Widow's Peak / The Widow Speaks: Carmen's Idle Talk In Miguel Delibes's Cinco Horas Con Mario, Teresa Boucher

Teresa Boucher

A widow's peak is "a point formed by hair growing down in the middle of a forehead: formerly supposed to foretell early widowhood" (Webster's 1527). Carmen Sotillo, the protagonist of Miguel Delibes's ninth novel, Cinco horas con Mario, was left a widow with five children when her husband unexpectedly died, presumably of a heart attack, at age 49. Carmen is widowed at an early age. Though in the novel there is no mention of widow's peaks, this widow speaks.