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Full-Text Articles in Arts and Humanities

Plantinga And The Theory Of Knowledge, Angela Burnette Oct 1998

Plantinga And The Theory Of Knowledge, Angela Burnette

Honors Projects

Kuhn argues that a paradigm generally emerges from among such competing schools as the result of a particularly attractive or powerful accomplishment that places one school in a better position than the others. With the establishment and common acceptance of one particular theoretical structure, researchers can direct their observations and experiments in accordance with the ontological and methodological landscape provided by the agreed upon paradigm. Under such guidance, scientists are in a position to judge the value of various observations, and delineate between important lines of investigation and those without promise. Thus normal science, in contrast to its "immature" precursor, …


The Protestant Church In East Germany, Sara Lieb '98 Apr 1998

The Protestant Church In East Germany, Sara Lieb '98

Honors Projects

In 1996, I spent four months studying in what was formerly East Berlin. During that time, I met people from across the United States as well as Germany. I made many friends who are either agnostic or atheist. The reasons for these beliefs among Americans were most often based on negative experiences with a church, anger towards God because of various tragedies, or on a misunderstanding of Christianity. In my conversations with citizens of the former East Germany, I discovered that their communist beliefs did not allow them room for loyalty to the Church or even to God; as one …


"Who Is't Can Read A Woman?": Shakespeare's Cymbeline And The Renaissance Woman, Nicole Williams '98 Apr 1998

"Who Is't Can Read A Woman?": Shakespeare's Cymbeline And The Renaissance Woman, Nicole Williams '98

Honors Projects

At the end of Shakespeare's Cymbeline, the villainous Iachimo unravels the sordid details ofhis scheme to convince Posthumus that he has "enjoyed the dearest bodily part of [his] mistress," and Posthumus is struck with the horrible realization that he has commanded the murder ofhis innocent wife (1.4.40-1). Referring to his wife as a "temple / of virtue," Posthumus laments that he has destroyed Imogen's physical body, a holy space that contained a pure and righteous spirit. To his great relief, he discovers moments later that his wife is still alive and that the beauty ofboth her body and her spirit …


Misery And Madness?: The Irish Face In Modern Irish Drama, Rob Mawyer '98 Jan 1998

Misery And Madness?: The Irish Face In Modern Irish Drama, Rob Mawyer '98

Honors Projects

The primary point of this paper is to examine the Irish face as it is seen in these dramas, analyzing how it functions as a symbol of the identity of Irish manhood. On one level, the Irish face reflects the traditional stereotype of the Irish hero: pathetic, drunken, crazy. It incorporates everything that is detestable about being Irish. However, it is also a shield, representing a strength that is not initially apparent. The Irish face establishes a distance from the misery and emptiness of life, a distance that underscores both the isolation of the character and the inner strength that …