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John Cleave's Weekly Police Gazette (1834-6), Francis Place, And The Pragmatics Of The Unstamped Press, Edward Jacobs
John Cleave's Weekly Police Gazette (1834-6), Francis Place, And The Pragmatics Of The Unstamped Press, Edward Jacobs
English Faculty Publications
John Cleave (c.1790-c.1847) was the editor and publisher of, among other works, Cleaves Weekly Police Gazette (1834-6; hereafter WPG), which was by most accounts the best-selling unstamped newspaper of the so-called "War of the Unstamped Press" in the 1830s, one of the first unstamped papers to adopt a broadsheet format like stamped papers, and one of the first to mix political news with coverage of non-political events like sensational crimes and strange occurrences. As Joel Wiener and Patricia Hollis note, less is known about Cleave than about most of the other major figures in the unstamped movement, like William Carpenter, …
The Politicization Of Everyday Life In Cleave's Weekly Police Gazette (1834-36), Edward Jacobs
The Politicization Of Everyday Life In Cleave's Weekly Police Gazette (1834-36), Edward Jacobs
English Faculty Publications
With circulation as high as 40,000, Cleave's Weekly Police Gazette, published 1834–36, was one of the first and most popular unstamped newspapers to mix political news with coverage of non-political events like sensational crimes, strange occurrences, and excerpts from popular fiction. Scholars have differed widely in their interpretations of the fact that the paper's mixture of radical politics and "entertainment" outsold unstamped papers that offered undiluted political news, such as Hetherington's Poor Man's Guardian (1831–35), whose circulation peaked at around 16,000. Some, like Louis James and Virginia Berridge, argue that Cleave's helped to co-opt legitimate working-class political discourse by …
It's Not Easy Being Green: Gender And Friendship In Eliza Haywood's Political Periodicals, Rachel Carnell
It's Not Easy Being Green: Gender And Friendship In Eliza Haywood's Political Periodicals, Rachel Carnell
English Faculty Publications
British writer Eliza Haywood's two periodicals, 'The Female Spectator' (1744-46) and 'The Parrot' (1746), protested against the gendered split between political and domestic literary genres, showing that British novels and periodicals written by or addressed to women did engage in political discourse. Through her periodicals, Haywood presented a model for female-female friendship that portrayed women engaging in rational and polite political debate. Furthermore, she argued that this same debate could occur between a woman and a man apart from an apolitical, romantic relationship. Finally, she gave opportunity for friendship to be expressed between those who had been excluded from the …