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All Of Chinese Literature Condensed: A Sourcebook From The Playwright, Director, And Biggest Fan, Whitney Emerson Jan 2013

All Of Chinese Literature Condensed: A Sourcebook From The Playwright, Director, And Biggest Fan, Whitney Emerson

Electronic Theses and Dissertations

Aristotle stated in his Poetics that theatre’s dual purpose was to educate and entertain. Centuries later the Roman Horace and Indian Bharata echoed his same sentiments. I intend to realize all three theorist’s ideas on the theatre by creating an original educational and entertaining work and bringing it to performance. The audience will retain information without being aware of learning if it is presented in a pleasurable way. The most important geopolitical relationship of this century will be between China and America. In order to educate the American public about the culture of The Middle Kingdom, I propose to write …


Less Lost: No Touchdown Dance, William Conner Jan 2013

Less Lost: No Touchdown Dance, William Conner

Electronic Theses and Dissertations

Less Lost is a feature-length film by William Chase Conner, made as part of the requirements for earning a Master of Fine Arts in Film & Digital Media from the University of Central Florida.


Immediacy In Comedy: How Gertrude Stein, Long Form Improv, And 5 Second Films Can Revolutionize The Comedic Form, Alexander Hluch Jan 2013

Immediacy In Comedy: How Gertrude Stein, Long Form Improv, And 5 Second Films Can Revolutionize The Comedic Form, Alexander Hluch

Electronic Theses and Dissertations

Comedy has typically been derided as second-tier to drama in all aspects of narrative. Throughout history, comedy has seen short shrift in both critical reception and academic investigation. Merit is simply placed on drama far before that of comedy. This is not for comedy’s own lack of skill or craft, but simply for comedy’s misappropriation as a narrative form. Throughout the years, by way of either competition or economic superiority, comedy has been pigeonholed into the typified dramatic structure that drama so thoroughly encapsulates. Being forced into a form that exemplifies complex, climactic structure and explicit character development, comedy in …


Generative Space: Embodiment And Identity At The Margins On The Early Modern Stage, Sallie Anglin Jan 2013

Generative Space: Embodiment And Identity At The Margins On The Early Modern Stage, Sallie Anglin

Electronic Theses and Dissertations

In "Generative Space: Embodiment and Identity at the Margins on the Early Modern Stage," I argue that the early modern stage provides a space in which emerging, marginal and unsanctioned identities can be shaped through the physical interactions between characters and their environments. Spaces that are marginalized on the stage, set apart from the main action of the play, or considered culturally or environmentally offensive, harbor figures that are not socially accepted or alloto exist legitimately outside of those spaces. This is in some ways liberating to the characters, but at the same time their identities are contingent upon the …