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Leonora Duarte (1610–1678): Converso Composer In Antwerp, Elizabeth A. Weinfield Sep 2019

Leonora Duarte (1610–1678): Converso Composer In Antwerp, Elizabeth A. Weinfield

Dissertations, Theses, and Capstone Projects

Leonora Duarte (1610–1678), a converso of Jewish descent living in Antwerp, is the author of seven five-part Sinfonias for viol consort — the only known seventeenth-century viol music written by a woman. This music is testament to a formidable talent for composition, yet very little is known about the life and times in which Duarte produced her work. Her family were merchants and art collectors of Jewish descent who immigrated from Portugal in the early sixteenth century to escape the Inquisition; in exile in Antwerp, they achieved enormous success and provided the means with which to educate their children and …


How Racial Injustice Causes Ignorance, Eric Bayruns Sep 2019

How Racial Injustice Causes Ignorance, Eric Bayruns

Dissertations, Theses, and Capstone Projects

According to a (Jones and Saad) 2016 Gallup poll 69% of US whites and 32% of US blacks believe that blacks and whites have equal opportunity in the US job market. Much ink has been spilt showing that this belief is false (Alcoff 2015; Anderson 2010; Bertrand and Mullainathan 2003; Fricker 2007; McConahay 1983; Mills 1997; Mills 2007; Stanley 2015). But if its falsity is well publicized, then why do so many people persist in believing this falsehood? In this dissertation, I argue that racial injustice and whites’ current dominant-group status explains why such a high percentage of people in …


The Sigh Of Triple Consciousness: Blacks Who Blurred The Color Line In Films From The 1930s Through The 1950s, Audrey Phillips May 2019

The Sigh Of Triple Consciousness: Blacks Who Blurred The Color Line In Films From The 1930s Through The 1950s, Audrey Phillips

Dissertations, Theses, and Capstone Projects

This thesis will identify an over looked subset of racial identity as seen through film narratives from the 1930’s through the 1950’s pre-Civil Rights era. The subcategory of racial identity is the necessity of passing for Black people then identified as Negro. The primary film narratives include Veiled Aristocrats (1932), Lost Boundaries (1949), Pinky (1949) and Imitation of Life (1934). These images will deploy the troupe of passing as a racialized historical image. These films depict the pain and anguish Passers endured while escaping their racial identity. Through these stories we identify, sympathize and understand the needs of Black …


Italian/Americans And The American Racial System: Contadini To Settler Colonists?, Stephen J. Cerulli May 2019

Italian/Americans And The American Racial System: Contadini To Settler Colonists?, Stephen J. Cerulli

Dissertations, Theses, and Capstone Projects

This thesis explores the relationship between ethnicity and race, “whiteness,” in the American racial system through the lens of Italian/Americans. Firstly, it overviews the current scholarship on Italian/Americans and whiteness. Secondly, it analyzes methodologies that are useful for understanding race in an American context. Thirdly, it presents a case study on the Columbus symbol and the battle over identity that arose out of, and continues over, this symbol. Finally, this thesis provides suggestions using the case study and methodologies to open up new ways of understanding Italian/Americans and the American racial system.


Black Amerinquen, Kayla Marie Rodriguez May 2019

Black Amerinquen, Kayla Marie Rodriguez

Dissertations, Theses, and Capstone Projects

When did the racial categories of ‘Black’ and ‘Puerto Rican’ appear? In the history of colonization and imperialism, how did these categories and the communities come to form? What memories come to Black and Puerto Rican identity? How does ‘passing’, or movement between spaces, come to impact these categories? How does language, the word we use and the stories we tell come to define racial categories? This work is about how racial categories come to happen through history, memory, movement, and language.


Refusing White Privacy, Olivia Dunbar May 2019

Refusing White Privacy, Olivia Dunbar

Dissertations, Theses, and Capstone Projects

In “Refusing White Privacy” I look at theories in White Data and Surveillance Studies around what data is, how it is made to exist, and for whom, in order to intervene in the conceptualization of data as an inevitable residue of human life and relationship. Through this intervention, I show that the alleged crises of privacy ushered in by allegedly non-racial smart technologies (a preoccupation in WDSS) is underwritten by racializing technologies from the Antebellum era to the present.