Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Arts and Humanities
Staging English Affairs In Early Modern Italy: History, Politics, Drama, Fabio Battista
Staging English Affairs In Early Modern Italy: History, Politics, Drama, Fabio Battista
Dissertations, Theses, and Capstone Projects
This dissertation looks at the creation and dissemination of alternative versions of English history through the means of dramatic fiction, and contextualizes them in the panorama of the intellectual debates of seventeenth-century Italy. Staging English Affairs in Early Modern Italy studies the ways in which the reinvention of Tudor and Stuart affairs in dramatic literature mirrored the ambitions, fears, and fantasies of a century in disquieting transformation. This research documents how news and information from England entered the Italian states, how they were perceived, and what their repurposing can reveal about the potentialities of intercultural exchange. Anglo-inspired drama became a …
Remaking Of A Modern Islamic Turkey, Ayҫa Korkutan
Remaking Of A Modern Islamic Turkey, Ayҫa Korkutan
Dissertations, Theses, and Capstone Projects
This thesis engages the work of Reinhart Koselleck and in particular his notion of historical time(s) in an effort to understand how the scholarly and popular historiography with regard to Turkey’s Ottoman past have changed since the foundation of the Republic. Focusing especially on the present representations of Sultan Abdülhamid II (1876-1909), a contentious figure who is increasingly recognized to be the face of the Ottoman Empire, it attempts to provide fragments from the newly emerging narrative of history which reimagines contemporary Turkey as a nation in a continuous dialogue with its Islamic past and possible futures.
Revolutionary Joy: Affect, Expression, And Community In Milton's England, Stephen Spencer
Revolutionary Joy: Affect, Expression, And Community In Milton's England, Stephen Spencer
Dissertations, Theses, and Capstone Projects
To express joy in revolutionary England was deeply paradoxical. English Protestants frequently described the experience as indescribable, owing more to the agency of God’s grace than the subject’s will. And yet, the public expression of joy was considered a Christian duty, an important means of affirming and galvanizing community. In Revolutionary Joy: Affect, Expression, and Community in Milton’s England, I argue that the constitutive paradox of Protestant joy renders its expression a potent form of political speech amidst mid-seventeenth century transformations to the English church, monarchy, and parliament. In an era where apocalyptic expectation put pressure on affective experience …