Arts and Humanities Commons^™

Auden: Body/Mind, Basil Lloyd-Moffett

CMC Senior Theses

On one hand Auden appears the most cerebral of poets. It is said that when he arrived at school, aged eight, he professed himself excited to study the different psychological types, and the cryptic verse that was to emerge over a decade later bears the scars of his reading, psychological or otherwise, as clearly as the relentlessly analytical Dichtung und Wahrheit and other late works.Absorbing and repurposing philosophical, psychological, religious, and scientific works was an essential part of his artistic strategy, and led to credible accusations of plagiarism on a number of occasions.And just as his collaborators and friends mocked …

‘Poetry Is Not A Luxury’, Rage Should Not Be A Privilege: The Potential Power Of The ‘Racial Imaginary’, Georgia Mcgovern

CMC Senior Theses

Female rage exists outside of the constructed masculine ideal of anger. To examine female rage, one must analyze the intersections between gender and race. I examine white women's privilege and access to female rage in reality and the fictional world. I explore Black Feminist poetry as a form of storage for rage at gender-based prejudice, racial injustice, and their intersection. Using Myisha Cherry’s term “Lordean Rage”, I recognize this specialized manifestation of female rage as an artistic, intergenerational source of energy for change.

I examine Claudia Rankine’s term “racial imaginary” as an imaginative space in which white people draw lines …

The Joy Of Listening: Three Voices In The Poetry Of Wisława Szymborska, Mimi Thompson

CMC Senior Theses

One of the greatest feats that a poet may achieve in his or her lifetime is to develop a voice so characteristic of themself, it would be impossible to confuse it with that of any other poet. Polish-speaking and non-Polish-speaking scholars alike have agreed that the voice of 1996 Nobel Laureate Wisława Szymborska is utterly distinct, despite the fact that her poems explore a wide range of topics and are told from multiple narrative perspectives, rarely featuring herself through any personal details. How, then, is it possible for hundreds of poems, each with their own narrator, to still be “heard” …

On The Total Communicative Efficacy Of Music And Its Synthesis To Written Word Through Bob Dylan And Kendrick Lamar, Skyler Addison

CMC Senior Theses

In a social conversation, words spoken carry less than 35% of the interaction’s social meeting, with 65% conveyed by the non-verbal. While poetry relies on the word and it's subtext, songwriting may also weld the other 65%. By dissecting the dynamic communicative aspects of song, modern poets may find useful ways in which they can make their lines have more staying power with the listener, encompassing both the rhythmic catchiness of their lines to an all-encompassing emotive transfer. We may isolate the interwoven components of a song that dictate how a story is told in order to better understand how …

Burning, Drowning, Shining, Blooming: The Shapes Of Aging In W.B. Yeats’ Poetry, Malea C. Martin

CMC Senior Theses

Love and growing old are thematically inseparable in W.B. Yeats' poetry, yet it is the former with which this great Irish poet is often associated. The poet's attitudes toward aging are made clear through his symbolism, complicated Irish allusions, and a sometimes jarring treatment of women. As it turns out, these devices have as much to do with Yeats' concern over aging as they have to do with the infamous Maud Gonne. This thesis attempts to not only expose and analyze these intricacies, but also challenge the way the literary canon typically isolates Yeats’ more famous poems without the context …

Durability Of Bone, Blake Lapin

CMC Senior Theses

Blake Lapin's senior thesis, Durability of Bone, is a five-part collection of poems written, edited, and compiled under the mentorship of Henri Cole. Themes include loss, love, travel, disability, and home.

The Appetizer And Other Poems, Sam Blomberg

CMC Senior Theses

Thrust into a world of poetry, I’ve grown to embrace the poetic lens. Each topos, each trope, each rhyme, each cliché, each morning morning’s minion, each reduction to a state of almost savage torpor, each nightingale, each ode to an obscure, inanimate object, and every single Stella of the skies holds special significance hidden to the naked eye. Not insamuch as something undiscoverable upon ponderance. Rather, a way to contemplate the physical. The Ah, Sunflower! reaction. That is not to say that poets have a supernatural eyesight to certain beautiful images. My eyes do not see any more dandelion puffs …

Dark Journeys: Robert Frost's Dantean Inspiration, Elena Segarra

CMC Senior Theses

This paper examines the way in which Robert Frost incorporates Dantean ideas and imagery into his poetry, particularly in relation to the pursuit of reason and truth. Similarly to Dante, Frost portrays human reason as limited. Both authors nevertheless present truth as a desire that often drives people’s journey through life. Frost differs from Dante by dwelling in apparent contradictions rather than appealing to a clarifying divine light. The paper considers themes of loss, human labor, suffering, and justice, and it also analyzes Scriptural and Platonic inspirations. It focuses on the image of the journey used by both Frost and …

T.S. Eliot's Anti-Modernism: Poetry And Tradition In The European Waste Land, John Bedecarré

CMC Senior Theses

This thesis hopes to contribute to a reconciliation of the apparent conflict between Eliot's conservative outlook and his formally innovative poetry. I do not advocate stripping Eliot of his modernist label. I would rather amend the term "modernism." This qualification is important because the modernist label carries connotations that simply do not do justice to Eliot. For example, the label implies that modernists wanted to move forward, away from the past. Eliot wanted to move backwards, partly because he felt other artists had left the past behind. In an essay introducing the early twentieth-century modernists, the Norton Anthology of British …

Interpretations Of Medievalism In The 19th Century: Keats, Tennyson And The Pre-Raphaelites, Shannon K. Wilsey

CMC Senior Theses

This thesis describes how different 19th century poets and artists depicted elements of the medieval in their artwork as a means to contradict the rapid progress and metropolitan build-up of the Industrial Revolution. The poets discussed are John Keats and Alfred, Lord Tennyson; the painters include William Holman Hunt and John William Waterhouse. Examples of the poems and corresponding Pre-Raphaelite depictions include The Eve of Saint Agnes, La Belle Dame Sans Merci and The Lady of Shalott.