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“Nobody Speaking His Native Language:” The Problem Of The Post-Western In Contemporary American Cinema, Tamas Hever

CMC Senior Theses

This senior thesis has two major purposes: One, to investigate and critique how experts characterize contemporary American post-westerns, second, to demonstrate, and suggest a more inclusive perspective through an analysis of Jim Jarmusch`s Dead Man (1996).Experts from the fields of film and American studies claim that there is a new phase in the genre’s development where post-western films move away from the conventions of the old, racist westerns. Accomplished authors have suggested that these films do not rely on the mythical west or on the regionalist culture but examine the west closely to determine the ways in which it differs …