Arts and Humanities Commons^™

First Approximation Of Population Distributions On The International Space Station, Justin St. P. Walsh, Rao Hamza Ali, Alice C. Gorman, Amir Kanan Kashefi

Art Faculty Articles and Research

This paper presents an analysis of data derived from thousands of publicly available photographs showing life on the International Space Station (ISS) between 2000 and 2020. Our analysis uses crew and locational information from the photographs’ metadata to identify the distribution of different population groups—by gender, nationality, and space agency affiliation—across modules of the ISS, for the first time. Given the significance of the ISS as the most intensively inhabited space habitat to date, an international cooperative initiative involving 26 countries and five space agencies, and one of the most expensive building projects ever undertaken by humans, developing an understanding …

Automated Identification Of Astronauts On Board The International Space Station: A Case Study In Space Archaeology, Rao Hamza Ali, Amir Kanan Kashefi, Alice C. Gorman, Justin St. P. Walsh, Erik J. Linstead

Art Faculty Articles and Research

We develop and apply a deep learning-based computer vision pipeline to automatically identify crew members in archival photographic imagery taken on-board the International Space Station. Our approach is able to quickly tag thousands of images from public and private photo repositories without human supervision with high degrees of accuracy, including photographs where crew faces are partially obscured. Using the results of our pipeline, we carry out a large-scale network analysis of the crew, using the imagery data to provide novel insights into the social interactions among crew during their missions.

Postorbital Discard And Chain Of Custody: The Processing Of Artifacts Returning To Earth From The International Space Station, Justin St. P. Walsh, Alice C. Gorman, Paola Castaño

Art Faculty Articles and Research

Few items that comprise the material culture of the International Space Station ever return to Earth. Most are left on the station or placed on cargo resupply ships that burn up on atmospheric re-entry. This fact presents a challenge for archaeologists who use material culture as their primary evidence. Together with a sociologist, we observed the processes that have been developed by NASA contractors to handle and return items that come back to Earth on the Cargo Dragon vehicle. We observed two missions, CRS-13 and CRS-14, in January and May 2018, respectively, traveling to the locations of work and interviewing …

Visual Displays In Space Station Culture: An Archaeological Analysis, Justin St. P. Walsh, Alice C. Gorman, Wendy Salmond

Art Faculty Articles and Research

We offer an archaeological analysis of the visual display of “space heroes” and Orthodox icons in the Russian Zvezda module of the International Space Station (ISS). This study is the first systematic investigation of material culture at a site in space. The ISS has now been continuously inhabited for 20 years. Here, focusing on the period 2000–2014, we use historic imagery from NASA archives to track the changing presence of 78 different items in a single zone. We also explore how ideas about which items are appropriate for display and where to display them originated in earlier Soviet and Russian …

A Method For Space Archaeology Research: The International Space Station Archaeological Project, Justin St. P. Walsh, Alice C. Gorman

Art Faculty Articles and Research

How does a ‘space culture’ emerge and evolve, and how can archaeologists study such a phenomenon? The International Space Station Archaeological Project seeks to analyse the social and cultural context of an assemblage relating to the human presence in space. Drawing on concepts from contemporary archaeology, the project pursues a unique perspective beyond sociological or ethnographical approaches. Semiotic analysis of material culture and proxemic analysis of embodied space can be achieved using NASA's archives of documentation, images, video and audio media. Here, the authors set out a method for the study of this evidence. Understanding how individuals and groups use …

Let’S Talk About Animals, Saskia Van Manen, Claudine Jaenichen, Klaus Kremer, Tingyi Lin, Rodrigo Ramírez

Art Faculty Articles and Research

"Pets and other animals can act as a protective factor in an emergency if we leverage design to communicate more effectively. A new prototype website does just that."

Rethinking Museum Shops In The Context Of The Climate Crisis, Jamie Larkin

Art Faculty Articles and Research

This paper critically evaluates the role of the museum shop in the context of the climate crisis. Specifically, it considers how museum shops might be reconceptualized as an important facet of visitor communication within the emerging category of climate museums. Theoretically, the paper references the conceptual linkages of material and commodity culture in relation to climate issues, while practically, it frames the shop as a space that can both support exhibition messaging and prompt behavioral changes among visitors that might help reduce their planetary impact. These claims are explored with reference to the concepts of “gestalt” and “nudge” theory. The …

Visual Infrastructures Of Covid-19 Messaging, Julia Ross, Claudine Jaenichen

Art Faculty Articles and Research

Infecting more than two hundred and nineteen million people internationally as of September 2021, SARS-Cov2 (COVID-19) remains a major health crisis despite the availability of vaccines in many countries and publicized guidance on effective preventative measures (WHO, 2021). To combat the spread of the virus, governments worldwide have found themselves relying on their ability to exert control over health behaviors in public and private spaces. Visual communication, which includes both graphics and text, is an integral component of how these behavioral advisories are communicated to the public. Authorities translate scientific information into digestible designs for the public to achieve effective …

Eternity In Low Earth Orbit: Icons On The International Space Station, Wendy Salmond, Justin Walsh, Alice Gorman

Art Faculty Articles and Research

This paper investigates the material culture of icons on the International Space Station as part of a complex web of interactions between cosmonauts and the Russian Orthodox Church, reflecting contemporary terrestrial political and social aairs. An analysis of photographs from the International Space Station (ISS) demonstrated that a particular area of the Zvezda module is used for the display of icons, both Orthodox and secular, including the Mother of God of Kazan and Yuri Gagarin. The Orthodox icons are frequently sent to space and returned to Earth at the request of church clerics. In this process, the icons become part …

What Is A Museum? Difference All The Way Down, Fiona Candlin, Jamie Larkin

Art Faculty Articles and Research

The Mapping Museums research team recently compiled a dataset of UK museums. In doing so, we had to decide what counted as a museum. In this paper, we outline our initial approaches for establishing the criteria for selection: using definitions; key characteristics; and self-identification; and describe why they proved inadequate with respect to the heterogeneity of museum practice. We then explain how assemblage theory helped us conceptualise the complex realities of the museum sector and to address the problem of selection, which in turn led to our developing a non-essentialising model of museums and a new account of the UK …

Museums As Realms Of (Dis)Enchantment, Amy Buono

Art Faculty Articles and Research

"On the night of September 2, 2018, a blaze swept through Brazil's national museum, Museu Nacional, in Rio de Janeiro, destroying not only the colonial building, portions of which dated to the sixteenth century, but roughly 92 percent of the 20 million objects in its holdings. This was Brazil's greatest encyclopedic museum, incorporating (among many others) collections of natural history, anthropology, archaeology, and art, thus forming the most comprehensive museum collection in the nation. Along with its many unique and irreplaceable collections, the Museu Nacional was also home to the country's oldest Indigenous Brazilian and Afro-Brazilian materials (fig. 1)."

The Missing Museums: Accreditation, Surveys, And An Alternative Account Of The Uk Museum Sector, Fiona Candlin, Jamie Larkin, Andrea Ballatore, Alexandra Poulovassilis

Art Faculty Articles and Research

Surveys of the UK museum sector all have subtly different remits and so represent the sector in a variety of ways. Since the 1980s, surveys have almost invariably focused on accredited institutions, thereby omitting half of the museums in the UK. In this article we examine how data collection became tied to the accreditation scheme and its effects on how the museum sector is represented as a professionalised sphere. While is important to understand the role of surveys in constructing the museum sector, this article also demonstrates how the inclusion of unaccredited museums drastically changes the profile of the museum …

Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond

Art Faculty Articles and Research

This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Church of the “Savior Not Made by Hands” at Abramtsevo in 1880–81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious painting polarized elite Russian society and was …

Review Of Visual Voyages: Images Of Latin American Nature From Columbus To Darwin, Amy Buono

Art Faculty Articles and Research

A review of Daniela Bleichmar's Visual Voyages: Images of Latin American Nature from Columbus to Darwin.

Track 1.B Introduction: Re-Designing Health: Transforming Systems, Practices And Care, Aidan Rowe, Claudine Jaenichen, Gillian Harvey, Kate Sellen, Stephanie Vandenberg

Art Faculty Articles and Research

The Re-Designing Health: Transforming Systems, Practices and Care track explores the increasing role and possibility for a wide range of design practices and methods to contribute to health care products, provision, and systems.

There is growing recognition of the increasing complexity faced by healthcare systems; critical issues and challenges include ageing populations, chronic diseases, growing drug ineffectiveness, and lack of access to comprehensive services (to name only a few examples). Concurrently design thinking, methods and practices are increasingly recognized as means of addressing complex, multi-levelled and systemic problems.

The track session brought together design academics, researchers and practitioners that are …

Exhibition Review: “Valeska Soares: Any Moment Now”, Amy Buono

Art Faculty Articles and Research

A review of Valeska Soares' exhibition titled "Any Moment Now" at the Santa Barbara Museum of Art and later the Phoenix Art Museum in 2017 and 2018.

"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono

Art Faculty Articles and Research

"Os povos tupinambá do Brasil dos séculos XVI e XVII foram a primeira grande cultura de arte plumária das Américas encontrada pelos europeus. Os tupi eram uma sociedade agrícola seminômade, que habitava as florestas ao longo de quatro mil quilômetros da costa brasileira3. Como a cultura tupi foi majoritariamente efêmera, centrada em tradições cerimoniais que envolviam dança, som, movimento e adornos, eles permanecem uma das grandes sociedades do Novo Mundo menos conhecidas. A maior parte dos traços da cultura material tupi se perdeu, com exceção de algumas cerâmicas, armas e, mais importante, muitas peças deslumbrantes de arte plumária."

Review Of Peruvian Featherworks: Art Of The Precolumbian Era, Amy Buono

Art Faculty Articles and Research

A review of Peruvian Featherworks: Art of the Precolumbian Era, edited by Heidi King.

A Silver Service And A Gold Coin, Justin St. P. Walsh

Art Faculty Articles and Research

The published history of a set of silver and gold objects acquired by the J. Paul Getty Museum in 1975 contains an unusual reference to a gold coin, supposedly found with the set but not purchased by the museum. The coin, which is both rare and well dated, ostensibly offers a date and location for the ancient deposition of the silver service. Almost five years of research into the stories of the Getty objects and the coin has revealed important information about these particular items, but it also offers a cautionary example for scholars who might hope to reconstruct the …

“All Museums Will Become Department Stores”: The Development And Implications Of Retailing At Museums And Heritage Sites, Jamie Larkin

Art Faculty Articles and Research

Museums and heritage sites have provided merchandise for visitors to purchase since their earliest incarnations as public attractions in the 18th century. Despite this longevity scant academic research has been directed towards such activities. However, retailing – formalised in the emergence of the museum shop – offers insights into a range of issues, from cultural representation and education, to eco- nomic sustainability. This paper outlines the historical development of retailing at museums and heritage sites in the UK, before offering a summary of current issues, illustrated by a case study of contemporary retailing at Whitby Abbey. The paper demonstrates how …

Embroidery In The Circle Of The Last Romanovs, Wendy Salmond

Art Faculty Articles and Research

This article essay examines the liturgical embroideries associated with the Empress Alexandra Fedorovna and her sister Grand Duchess Elizaveta Fedorovna. It suggests that the sisters’ needlework for sacred purposes was invested with a significance not seen in elite Russian society since the late seventeenth century. At a time when the arts of Orthodoxy were undergoing a state-sponsored renaissance, who was better suited to lead the resurgence of liturgical embroidery than the wife and sister-in-law of the Emperor, the last in a long line of royal women seeking to assert their piety and their power through traditional women’s work? In the …

"Moving Mortals To Tears And Devotion": Cinzio Passeri Aldobrandini, Torquato Tasso, And The Sorrowing Virgin, Karen J. Lloyd

Art Faculty Articles and Research

Torquato Tasso was inspired to pen his Stanze per le lagrime di Maria Vergine santissima e di Giesù Cristo nostro (Rome, 1593) by a painting of the sorrowing Virgin belonging to Cardinal Cinzio Passeri Aldobrandini (1551–1610). A nephew of Pope Clement VIII by his sister, Cinzio took on the Aldobrandini name in a practice known as an “aggregation.” The publication of Tasso’s Lagrime allowed Cinzio to promote himself as a devout prelate favored by the pope, but it did not ensure his influence and a true “blood” nephew, Pietro Aldobrandini, successfully challenged his authority. This essay examines the status of …

The Body In The Museum, Jamie Larkin

Art Faculty Articles and Research

A book review of Helen Rees Leahy's Museum Bodies: The Politics and Practices of Visiting and Viewing.

Historicity, Achronicity, And The Materiality Of Cultures In Colonial Brazil, Amy J. Buono

Art Faculty Articles and Research

"In this essay, I use three nontraditional forms from the visual culture of colonial Brazil—Tupinambá featherwork, Portuguese Atlantic mandinga pouches, and azulejos (tilework)— in order to meditate upon materiality and temporality as methodological problems with which our discipline should engage. Each of these art forms has historical trajectories that span cultures, continents, and centuries, a circumstance that raises questions as to how such diverse and stubbornly nonhistoricizable genres can be melded into a coherent historical narrative of the visual and material cultures specific to 'Brazil,' especially when two of them — the mandinga bags and azulejos — are not intrinsically …

Interpretative Ingredients: Formulating Art And Natural History In Early Modern Brazil, Amy Buono

Art Faculty Articles and Research

"In this article I look at two early modern texts that pertain to the natural history of Brazil and its usage for medicinal purposes. These texts present an informative contrast in terms of information density and organization, raising important methodological considerations about the ways that inventories and catalogues become sources for colonial scholarship in general and art history in particular."

Review Of "Vessels And Variety: New Aspects Of Ancient Pottery", Justin St. P. Walsh

Art Faculty Articles and Research

Book Review of Vessels and Variety: New Aspects of Ancient Pottery, edited by Hanne Thomasen, Annette Rathje, and Kristen Bøggild Johannsen

Safely Into The Unknown? A Review Of The Proposals For The Future Of English Heritage, Jamie Larkin

Art Faculty Articles and Research

On the 26th June 2013, plans were announced to split English Heritage - the public body responsible for the protection of England’s historic environment—into two separate organisations. In December 2013, the Department of Culture, Media, and Sport released a consultation document outlining the proposed changed and the justifications for them in greater detail. Under the plans the statutory duties toward heritage that English Heritage currently fulfils will remain under government auspices, while the management of its 400+ properties will be spun off into a self-funded charitable company by 2023. This paper lays out these proposed changes as clearly as possible, …

Athenian Black Glass Pottery: A View From The West, Justin St. P. Walsh, Carla Antonaccio

Art Faculty Articles and Research

Excavation of archaic Morgantina (c.700–450 BC), Sicily, has brought to light a significant pattern in the distribution of imported Greek pottery. This pattern, which shows a preference for imports with features that referred to metal vessels, is echoed at sites around the western Mediterranean. We argue that the preference for certain types was communicated back to Greek producers, and that it also reflects the particular local interests of non-Greeks, who associated metallic features not only with wealth, but also with their own ancestral traditions.

Review Of Isaak Levitan: Lyrical Landscape By Avril King, Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews Isaak Levitan: Lyrical Landscape by Avril King.

Review Of The Imagery Of The Athenian Symposium, Justin St. P. Walsh

Art Faculty Articles and Research

A review of Kathryn Topper's The Imagery of the Athenian Symposium.