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Full-Text Articles in Arts and Humanities

Swells Of Enchantment, Agnieszka Golda, Martin V. Johnson Feb 2015

Swells Of Enchantment, Agnieszka Golda, Martin V. Johnson

Agnieszka Golda

Through a collaborative mixed-media installation, Golda and Johnson activate a critical space about the ways in which migrant and non-migrant artists can address the entanglement between the felt and socio-political dimensions of migratory and intercultural living in Australia.


"Ditto" - Images In Print, Mehmet Adil, Brogan Bunt, Gregor Cullen, Agnieszka Golda, Richard Hook, Gary Jones, Derek Kreckler, F. Krishnabhakdi-Vasilakis, J. Law, Jacky Redgate, Julius Van Den Berg, Diana Wood Conroy, Joanna Stirling Jun 2012

"Ditto" - Images In Print, Mehmet Adil, Brogan Bunt, Gregor Cullen, Agnieszka Golda, Richard Hook, Gary Jones, Derek Kreckler, F. Krishnabhakdi-Vasilakis, J. Law, Jacky Redgate, Julius Van Den Berg, Diana Wood Conroy, Joanna Stirling

Agnieszka Golda

" Ditto " is an initiative of the School of Art and design's Centre for the Printed Image (CPI) which was formed to coordinate research activities in photographic, digital and autographic print processes. The exhibition exhibited demonstrated some of the relationships of printed image to individual research interests as well as the multiplicity of techniques and print media now available.


Installation Art - Frenzy Episode | Contact | Raising The Dead, Agnieszka Golda, Martin V. Johnson, Ruth Fazakerley Jun 2012

Installation Art - Frenzy Episode | Contact | Raising The Dead, Agnieszka Golda, Martin V. Johnson, Ruth Fazakerley

Agnieszka Golda

This monograph presents a series of three exhibitions developed collaboratively by Agnieszka Golda and Martin Johnson. It describes a wonderful tracery of not quite recognisable anthropomorphic creatures who inhabit oddly constructed and disjointed spaces. Together Golda and Johnson have utilised crocheted and printed textiles, carved wood and painted aluminium to form strange dwellings, figures and passages. Dr Ruth Fazakerley's research and art practice span Australian contemporary urban public art, painting and sculptural installation. In her essay here she positions Golda and Johnson's work in a wider context. The distinctive aesthetic force of collaborative process is underpinned by Golda's discerning scholarship …