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Stretching Out: Species Extinction And Planetary Aesthetics In Contemporary Art, Su Ballard Jan 2017

Stretching Out: Species Extinction And Planetary Aesthetics In Contemporary Art, Su Ballard

Faculty of Law, Humanities and the Arts - Papers (Archive)

There is madness in species extinction. The horn has been removed from the last male northern white rhino on earth and he has two armed guards 24 hours a day. The huia in New Zealand were killed off by the desire for white-tipped tail feathers in Victorian hats. We fear the extinction of rhinos, we mourn the extinction of the huia, yet we might need reminding to also show concern for the extinction of the dung beetle. This paper looks at the ways that artists are engaging with these difficult events. By placing Gayatri Spivak's call for a planetarity of …


Film Pioneer Lee Man-Hee And The Creation Of A Contemporary Korean Cinema Legend, Ae-Gyung Shim, Brian Yecies Jan 2016

Film Pioneer Lee Man-Hee And The Creation Of A Contemporary Korean Cinema Legend, Ae-Gyung Shim, Brian Yecies

Faculty of Law, Humanities and the Arts - Papers (Archive)

At the peak of Korean cinema's contemporary golden age in the mid-2000s, 1960s auteur director Lee Man-hee and his films were rediscovered and have since become appreciated in ways that Lee himself never experienced. In 2010, his classic Late Autumn was remade as a transnational coproduction for a pan-Asian audience. Four decades after his death, Lee remains one of the most influential directors in Korea's history. To understand his legacy and its sociohistorical conditions, the authors analyze how Lee's provocative genre experimentation reinvigorated the Korean film industry in the 1960s under Park Chung-hee's authoritarian regime, a spirit that remains alive …


Contemporary Indigenous Art, Ian A. Mclean Jan 2015

Contemporary Indigenous Art, Ian A. Mclean

Faculty of Law, Humanities and the Arts - Papers (Archive)

A new exhibition of the NGV's collection of Indigenous and Torres Strait Islander art explores Indigenous art history and culture from the early nineteenth century to now. Situating this display within broader contemporary art issues, Professor Ian McLean sheds light on the art market's recent past and potential future.


Migrant Workers In Contemporary Japan: An Institutional Perspective On Transnational Employment., Hironori Onuki Jan 2015

Migrant Workers In Contemporary Japan: An Institutional Perspective On Transnational Employment., Hironori Onuki

Faculty of Law, Humanities and the Arts - Papers (Archive)

Migrant Workers in Contemporary Japan is primarily concerned with changes in social institutions within the context of globalization and the implications of these changes for the lifestyles of people living and working in Japanese society.


Signal Eight Times: Nature, Catastrophic Extinction Events And Contemporary Art, Su Ballard Jan 2015

Signal Eight Times: Nature, Catastrophic Extinction Events And Contemporary Art, Su Ballard

Faculty of Law, Humanities and the Arts - Papers (Archive)

Human animals bought up in the Western tradition tend to describe their encounters with other species as exchanges of power, and when confronted with extinction rush to the defence of the species at risk. This essay documents a different approach to the defence of nature. Basing itself on the work of six contemporary artists and drawing on the thought of Donna Haraway and Gregory Bateson I show how it is possible to comprehend the catastrophic extinction of birds in New Zealand by thinking about ecology. I argue that rather than defend nature, these artworks stage small moments of encounter, which …


"Ghem Pona Wai?": Vernacular Imaginations In Contemporary Papua New Guinea Fiction, Paul Sharrad Jan 2015

"Ghem Pona Wai?": Vernacular Imaginations In Contemporary Papua New Guinea Fiction, Paul Sharrad

Faculty of Law, Humanities and the Arts - Papers (Archive)

Papua New Guinea (PNG) writing has faded into the background of Pacific literature after initially sparking off the late-colonial/early postcolonial 'boom' of the 1970s. This essay examines some of the dynamics behind this, based on the tension in the loosely networked regional literary formation between cosmopolitan, disaporic, and anglophone expression and 'nativist' vernacular culture. For many reasons, PNG has been more 'vernacular' than 'cosmopolitan', and writing continues to be centred on a few and on the national university where it all began. However, there are some signs of change. The essay surveys recent writing and focuses on work by Regis …


Livelihoods And Fisheries Governance In A Contemporary Pacific Island Setting, Reuben J. Sulu, Hampus B. Eriksson, Anne-Maree Schwarz, Neil L. Andrew, Grace Orirana, Meshach Sukulu, Janet Oeta, Daykin Harohau, Stephen Sibiti, Andrew Toritela, Doug Beare Jan 2015

Livelihoods And Fisheries Governance In A Contemporary Pacific Island Setting, Reuben J. Sulu, Hampus B. Eriksson, Anne-Maree Schwarz, Neil L. Andrew, Grace Orirana, Meshach Sukulu, Janet Oeta, Daykin Harohau, Stephen Sibiti, Andrew Toritela, Doug Beare

Faculty of Law, Humanities and the Arts - Papers (Archive)

This is an open access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Inshore marine resources play an important role in the livelihoods of Pacific Island coastal communities. However, such reliance can be detrimental to inshore marine ecosystems. Understanding the livelihoods of coastal communities is important for devising relevant and effective fisheries management strategies. Semi-structured household interviews were conducted with householders in Langalanga Lagoon, Solomon Islands, to understand household livelihoods and resource governance in fishing-dependent communities. Households were engaged …


Filial Obligation In Contemporary China: Evolution Of The Culture-System, Xiaoying Qi Jan 2014

Filial Obligation In Contemporary China: Evolution Of The Culture-System, Xiaoying Qi

Faculty of Law, Humanities and the Arts - Papers (Archive)

Family obligation, which has an exceptionally high salience in traditional Chinese society, continues to be significant in contemporary China. In family relations in particular sentiments and practices morphologically similar to those associated with xiao (filial piety) remains intact in so far as an enduring set of expectations concerning age-based obligation continues to structure behavior toward others. Researchers pursuing the theme of “individualization” in Chinese society, on the other hand, argue that family obligations and filial sentiments have substantially weakened. The present paper will show that under conditions of cultural and social change in China filial behavior through family obligation continues …


Enforcement Cooperation In Combating Illegal And Unauthorized Fishing: An Assessment Of Contemporary Practice, Stuart Kaye Jan 2014

Enforcement Cooperation In Combating Illegal And Unauthorized Fishing: An Assessment Of Contemporary Practice, Stuart Kaye

Faculty of Law, Humanities and the Arts - Papers (Archive)

The emergence of the exclusive economic zone (EEZ) in the 1970s placed potentially vast areas of the sea under national jurisdiction. Moving from relatively modest territorial seas close to the coast as the only basis of fisheries jurisdiction for States, the international community suddenly embraced a new form of jurisdiction over resources that extended fisheries up to 200 nautical miles from land. This extension brought over one third of the world's oceans, or, more importantly, approximately 90% of the world's wild fish catch, under national jurisdiction.


The Necessity Of The New: Between The Modern And The Contemporary, Ian A. Mclean Jan 2014

The Necessity Of The New: Between The Modern And The Contemporary, Ian A. Mclean

Faculty of Law, Humanities and the Arts - Papers (Archive)

'"The contemporary" is a curious neologism,' observed James Meyer, as the definite article lends this 'adjective or noun denoting a shared temporality of persons, things, or events ... a new importance.' The definite article announced the art world's big discovery around the turn of the twenty-first century: that the word 'contemporary' had, like the term 'modern' before it, acquired a theoretical and, indeed, metaphysical density. The contemporary, as more than a few art critics say these days, is the new modern. To make this claim, whether as an act of succession or negation, is to invest in a loaded history. …


Enforcement Cooperation In Combatting Illegal And Unauthorized Fishing: An Assessment Of Contemporary Practice, Stuart Kaye Jan 2012

Enforcement Cooperation In Combatting Illegal And Unauthorized Fishing: An Assessment Of Contemporary Practice, Stuart Kaye

Faculty of Law, Humanities and the Arts - Papers (Archive)

The emergence of the exclusive economic zone (EEZ) in the 1970s placed potentially vast areas under national jurisdiction. From relatively modest territorial seas close to the coast as the only basis of fisheries jurisdiction for States, suddenly the international community embraced a new form of jurisdiction over resources that extended to fisheries up to 200 nautical miles from land. This extension brought over one third of the world’s oceans under national jurisdiction, or more importantly, approximately ninety percent of the world’s wild fish catch.

While the possibility of bringing the resources of these areas under national control was of tremendous …


History And Postmemory In Contemporary Vietnamese Literature, Marsha Berry, Catherine Cole Jan 2011

History And Postmemory In Contemporary Vietnamese Literature, Marsha Berry, Catherine Cole

Faculty of Creative Arts - Papers (Archive)

In this paper we argue that there are many ways in which history is embedded in a country’s fiction—many of them offering questions rather than answers about a country’s creative practices. In Vietnam it seems inevitable that the war against America and her allies would shape the nation’s creative writing. But is this the case? And what of the ways in which later generations have reacted to the war? In Vietnam and Australia this shared history has played out differently, not least in a postmemory dialogue between a generation who remembers too much and a generation who remembers too little.


Contemporary Korean Cinema: Challenges And The Transformation Of ‘Planet Hallyuwood’, Brian Yecies, Ae-Gyung Shim Jan 2011

Contemporary Korean Cinema: Challenges And The Transformation Of ‘Planet Hallyuwood’, Brian Yecies, Ae-Gyung Shim

Faculty of Arts - Papers (Archive)

This article examines how the South Korean cinema has undergone a transformation from an ‘antiquated cottage industry’ in the 1980s into a thriving international cinema – albeit with a host of new challenges and tensions – in the ‘post-boom’ years of the 2000s right up to the present. Its analysis of film culture in the 1980s sets the stage for the Korean cinema’s transnational development over the last decade, and points to a longer historical continuum involving the ‘re-emergence’ in the 1980s of a ‘cinema of quality’ that was marked by widespread critical acclaim. Additionally, this article canvasses the key …


Necktie Nightmare: Narrating Gender In Contemporary Japan, Vera C. Mackie Jan 2010

Necktie Nightmare: Narrating Gender In Contemporary Japan, Vera C. Mackie

Faculty of Arts - Papers (Archive)

...the thing I hated most of all was the necktie.
When I wore a necktie, there was just no doubt that I was a man.
The image was of a salaryman! The mainstay of the house! The symbol of manhood!

These are the words of Nomachi Mineko in the autobiographical account of her transition from male to female. The book (adapted from a blog) appeared in late 2006 under the title O-kama dakedo OL yattemasu (I'm Queer But I'm An Office Lady). The book's publication coincided with a range of mainstream representations of trans-gendered lives - in television …


Contemporary Art, Craft And The Audience Management Report, Jennie A. Lawson Jan 2010

Contemporary Art, Craft And The Audience Management Report, Jennie A. Lawson

Faculty of Creative Arts - Papers (Archive)

No abstract provided.


Fairy Knoll; Johais Hancock And An Apparition In The Sky; Light Well Conduit - Works Of Art Exhibited In The Exhibition The Ipswich House: Heritage House Portraits By Contemporary Queensland Artists, Madeleine T. Kelly Jan 2010

Fairy Knoll; Johais Hancock And An Apparition In The Sky; Light Well Conduit - Works Of Art Exhibited In The Exhibition The Ipswich House: Heritage House Portraits By Contemporary Queensland Artists, Madeleine T. Kelly

Faculty of Law, Humanities and the Arts - Papers (Archive)

On its completion in 1901, Thoman Hancock Junior's grand residence, Fairy Knoll, afforded an enviable view of Ipswich and its surrounds. Its prestigious hill top site overlooking Limestone Park amply reflected the position occupied by the Hancock family in Ispwich society and the material culmination of Hancock's successful business career as a timber merchant.


Learning Contemporary P'Ansori Pieces By Atherton And Lee: A Performer's Perspective, Lotte Latukefu Jan 2009

Learning Contemporary P'Ansori Pieces By Atherton And Lee: A Performer's Perspective, Lotte Latukefu

Faculty of Creative Arts - Papers (Archive)

This collection of essays published by the Australian Music Centre tackles an often mentioned but surprisingly little analysed topic. Music of the Spirit - Asian-Pacific Musical Identity consists of 18 refereed papers by prominent composers, artists and academics. The subjects of individual essays range from the use of Asian-Pacific musics in composition in the primary school classroom, to reinterpreting shakuhachi traditions in a contemporary music context. There are also many analytical articles focusing on specific works by Australian composers, including Ross Edwards, Clare Maclean and Andrián Pertout, as well as texts written from a performer's perspective. The essays in Music …


Classical To Contemporary: Thoughts For The Future, Diana Wood Conroy Jan 2006

Classical To Contemporary: Thoughts For The Future, Diana Wood Conroy

Faculty of Creative Arts - Papers (Archive)

FORM is an independent, not for profit organisation dedicated to advocating for and developing creativity in Western Australia.

CULTURAL STRANDS PUBLICATION

Inspired by the acclaimed touring exhibition Woven Forms: Contemporary basket making in Australia, Cultural Strands is a publication that links together 16 essays from Aboriginal and non-Aboriginal practitioners, curators and academics and investigates the warp and weft of Australian fibre arts. Techniques, culture, environment, commercial markets and sustainability are explored.

Researched and developed by Carly Davenport Acker, Cultural Strands/Woven Visions facilitated a national body of practitioners and educators for a two day public program. Renowned fibre artist and living …


A Contemporary Coaching Theory To Integrate Work And Life In Changing Times, Lindsay G. Oades, Peter Caputi, Paula Robinson, Barry Partridge Jan 2005

A Contemporary Coaching Theory To Integrate Work And Life In Changing Times, Lindsay G. Oades, Peter Caputi, Paula Robinson, Barry Partridge

Faculty of Health and Behavioural Sciences - Papers (Archive)

In this chapter we argue that common approaches underpinning coaching, including cognitive-behavioural frameworks and the concept of work–life balance, are not well suited to form the conceptual basis of practice to assist people in a dynamic contemporary society. These mechanistic approaches originate from the industrial revolution and are based on the root metaphor of person as machine. With the changing labour market, the impact of information and communication technologies and the fragmentation of traditional meaning systems into a more cosmopolitan society, there is a need for coaching approaches that emphasise change and adaptation. Self-determination theory (Deci & Ryan, 2000), an …


A Speculative Venture: Contemporary Art, History And Hill End, Amanda Lawson Jan 2005

A Speculative Venture: Contemporary Art, History And Hill End, Amanda Lawson

Faculty of Creative Arts - Papers (Archive)

Writing in his diary on 2 January 1949, Australian artist, Donald Friend (1915- 1989), describes the events of the night before: Last night there was an impromptu dance - I should say a drunken Breughel peasant romp - at the hall to celebrate the New Year. It was improvised suddenly on the spot by those who had not been invited, and were furious at being left out, to a dance in Sofala, to which the lucky ones went in a bus. Later they went round the village gate-stealing .. .. (Friend 633) Friend writes from Hill End, an old gold-mining …


The Myth Of The Neutral Social Researcher In Contemporary Scientific Controversies, P Scott, Evelleen Richards, Brian Martin Jan 1990

The Myth Of The Neutral Social Researcher In Contemporary Scientific Controversies, P Scott, Evelleen Richards, Brian Martin

Faculty of Law, Humanities and the Arts - Papers (Archive)

According to both traditional positivist approaches and also to the sociology of scientific knowledge, social analysts should not themselves become involved in the controversies they are investigating. But the experiences of the authors in studying contemporary scientific controversies - specifically, over the Australian Animal Health Laboratory, fluoridation, and vitamin C and cancer - show that analysts, whatever their intentions, cannot avoid being drawn into the fray. The field of controversy studies needs to address the implications of this process for both theory and practice.