Arts and Humanities Commons^™

L’Expression Visuelle Durant La Seconde Guerre Mondiale : La Résistance, La Collaboration, Et Le « Juste Milieu », Jackie Sirc

Honors Theses

La Seconde Guerre mondiale a lancé un défi immense à l’humanité et au monde entier. Le niveau de violence était sans précédent et les conditions de vie ont changé complètement à travers l’immensité du combat. Une des choses qui a beaucoup changé était la production de l’art pendant cette période. Tandis que la violence du combat a eu une influence sur les thèmes et les sujets artistiques, le style du gouvernement en France devenait plus strict et règlementé. Par conséquent, la production de l’art, l’état de l’artiste, et la disponibilité de l’art pour le public se transformaient. Il y avait …

Robert Smithson, Gary Shapiro

Philosophy Faculty Publications

Smithson, Robert (1938-1973), a prominent U.S. artist, original critic, and theorist, is known for the Spiral Jetty (1970) in Utah's Great Salt Lake and other earthworks. He was a continuing influence and significant voice with respect to environmental art and postmodernism, introduced concepts such as entropy and geological time into the making and discussion of art, and focused on the intertwining of text and visual structure or surface.

Painting (And Photography), Gary Shapiro

Philosophy Faculty Publications

Two of Foucault's signature essays on painting are especially well known: the analysis of Velazquez's Las Meninas, and an essay on Rene Magritte that includes a striking account of how abstraction displaced representation in Western art. In addition, many of Foucault's texts are studded with acute descriptions of major painters from Breughel to Warhol; he gave lecture courses on quattrocento painting and Manet and published essays on several contemporary artists (Rebeyrolle, Fromanger, Michals). Since one of Foucault's major themes was the relation between visibility and discursivity, it is not surprising to find that painting is a favored site for …

Robert Motherwell On Paper: Gesture, Variation, And Continuity, University Of Richmond Museums

Exhibition Brochures

Robert Motherwell on Paper: Gesture, Variation, and Continuity

October 17 to December 13, 1997

Marsh Art Gallery

Introduction

Abstract art is stripped bare of other things in order to intensify its rhythms, spatial intervals, and color structure, a process of emphasis. - Robert Motherwell

The renowned Abstract Expressionist artist Robert Motherwell (1915-1991), best known as a painter, produced a remarkable body of works on paper. His drawings, prints, and collages show an intimate side of his visual sensibility and reveal the very personal "handwriting" of the artist as he responded to the subtleties of paper, both as a medium and …

The Dominicans And Franciscans And The Influence On Early Renaissancce Art, Logan R. Helman

Honors Theses

The development of the Franciscan and Dominican Orders came from society's need to return to the basics and learn to live with peace and brotherly love. St. Dominic, in his optimistic ridigly governed, preaching and teaching Order and St. Francis with his strict codes and devout poverty started new trends in religion still present today. The art then evolved around these trends causing their popularity to expand to even greater distances and heights. Ironically, these new societies which based themselves on poverty brought about new wealth which could be seen in the churches, monasteries, and monumental paintings built up around …

[Introduction To] Writing The Woman Artist: Essays On Poetics, Politics, And Portraiture, Suzanne W. Jones

Bookshelf

The essays in this collection explore the many ways in which women writers have seen and dreamed the woman artist as a character in their works. In describing this character, her struggles and her visions, we as feminist critics run the risk of prescribing her, and yet failing to name her means failing to know her. We confront this difficulty not by defining the woman artist figure but by identifying many. Recognizing as Teresa De Lauretis has suggested that the social construction of gender is "a common denominator" among women, we examine the different representations of the woman artist figure …

The Miller-Matisse Connection: A Matter Of Aesthetics, Suzanne W. Jones

English Faculty Publications

When Tropic of Cancer was published in Czechoslovakia in 1938, a working drawing from Bonheur de vivre by Henri Matisse appeared on the cover. While the choice of illustration certainly reflects the admiration for Matisse's work that Henry Miller expresses within the novel, Miller's interest in Matisse as an artist also reveals much about the novelist's aesthetics.

Michelangelo's Sistine Ceiling : A Portrait Of The Renaissance, Anne A. Ferris

Honors Theses

Because a single theological interpretation of the Sistine Ceiling cannot be made, the ceiling is a portrait of Renaissance concepts. Besides the personal struggles of the Pope and Michelangelo between 1508 and 1512, the ceiling is representative of the whole century before its creation. Michelangelo has mingled both civic and religious sentiments into the ceiling. Michelangelo has combined his experiences in the Medici circle with his personal beliefs. The ceiling with its most basic depiction of the fundamental concept of man's aspiration of redemption becomes almost a chaotic representation of the history of man, but which contrasts with the beauty …

Intention And Interpretation In Art: A Semiotic Analysis, Gary Shapiro

Philosophy Faculty Publications

Kant was perhaps the first philosopher to note the distinctive puzzle, verging on paradox, which marks our dealings with art. Works of art seem to place us under an obligation to interpret them and yet we are convinced that our interpretations will never be exhaustive. Kant attempts to account for this peculiar phenomenon by talking of "purposiveness without purpose" or of the aesthetic idea as "a representation of the imagination to which no concept is adequate." We are constrained to see some pattern or organization in a work of art and this is typically understood as a teleological or purposive …