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Full-Text Articles in Arts and Humanities
Minding The Tragic Gap: Conversations Of Invisibility In Early Childhood Music Education, Regina Carlow, Shelly C. Cooper, Julia Church Hoffman
Minding The Tragic Gap: Conversations Of Invisibility In Early Childhood Music Education, Regina Carlow, Shelly C. Cooper, Julia Church Hoffman
Music Faculty Publications
During the last few decades, the music education profession has slowly begun to recognize the impact of music experiences in early childhood. Key publications in the 1970s drew attention to music education for young children (Greenberg 1976, Simons 1978, Zimmerman 1972). Articles focusing on young children's musical development appeared in the 1980s (Hargreaves, 1986; Peery, Peery, & Draper, 1987; Sloboda, 1985; Swanick & Tillman, 1986). MENC (now the NationalAssociation for Music Education-NafME) began to address early childhood music education through "focus days" attached to biennial national conferences and through the establishment of the Early Childhood Special Research Interest Group. Yet …
Joining The Professoriate, Jeremy C. Baguyos
Joining The Professoriate, Jeremy C. Baguyos
Music Faculty Publications
As someone who made the mid-career cutover from orchestral musician to music academic, I am often asked how one goes about becoming a college professor in the music discipline. Like many questions about pursuing a career in music, there is never a simple answer. I wish it were as simple as going to graduate school, earning an advanced degree, applying for listed jobs (in the Chronicle of Higher Education http://chronicle.com/section/Jobs/6 l/, www.higheredjobs.com, or the College Music Society's Music Vacancy List http://music.org/cgibin/ showpage.pl), sending some applications, demos and letters of recommendation, and successfully completing an audition/interview. If this were the case, …
From The Editor's Desk, Jeremy C. Baguyos
From The Editor's Desk, Jeremy C. Baguyos
Music Faculty Publications
With recent high-profile cutbacks in the arts making the news, I feel compelled to make some comments before I go on with my usual business as Editor of Bass World and OJBR. The recession has negatively impacted the professions where bassists exercise their art and make their Jiving. The arts have been through this before, and most artists always seem to come out of it OK. One thing we need to remember is that most media outlets are commercially driven, and as a result, they tend to focus their reports on gloom and doom in order to capture and hold …
Passing The Torch: An Interview With Andi Beckendorf And A Tribute To Her Service To The Isb, Jeremy C. Baguyos
Passing The Torch: An Interview With Andi Beckendorf And A Tribute To Her Service To The Isb, Jeremy C. Baguyos
Music Faculty Publications
Andi Beckendorf was appointed Associate Editor of Bass World in 2001 and worked alongside the celebrated Editor at that time, Joelle Morton. In 2005, Andi was tapped to assume the post of Editor, and for the past five years the readership has benefited from her professionalism, her precise editing, her astute content management, and her steady and watchful pursuit of the highest possible standards and values of the ISB and its journal. This issue of Bass World will be the first without Andi Beckendorf at the helm, but we are not going to bid farewell. Instead, we are going to …
Literature And Performance Of Music For Double Bass And Tape, Jeremy C. Baguyos
Literature And Performance Of Music For Double Bass And Tape, Jeremy C. Baguyos
Music Faculty Publications
Electroacoustic music for double bass can be classified into the following two types of repertoire: real-time/interactive computer music or tape music. Real-time/interactive computer music is the newer of the two types and involves the algorithmic generation of electronic sounds in live performance. Pre-recorded electronic sounds are usually avoided, and instead, the sound of live input is used as the source material for electronic sounds. A computer is used for capture, processing and synthesis, and the software is usually written in the MAX/MSP environment. The second category, tape music, is the older of the two types of electroacoustic music for the …
Interactive Computer Music For Double Bass, Jeremy C. Baguyos
Interactive Computer Music For Double Bass, Jeremy C. Baguyos
Music Faculty Publications
The rise of the academy as patron of art music, the philosophical underpinnings of "futurists" like Russolo and Busoni, the increasing power and cost-effectiveness of computer-based systems and the new compositional directions of the Post World War II avant-garde have all contributed to establishing the genre of electroacoustic music in the United States. Composers have increasingly turned to electronics for new source material and as a result, there is an entirely new repertoire that was generated to take advantage of the emerging technologies and aesthetics. For the double bass, this new repertoire included compositions like Jacob Druckman's Synapse/Valentine (1969), Charles …