Open Access. Powered by Scholars. Published by Universities.®
University of Nebraska - Lincoln
Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance
Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
Make War To Make Peace: Themes Of War In Trombone Solo Literature, Ian Rutherford
Make War To Make Peace: Themes Of War In Trombone Solo Literature, Ian Rutherford
Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance
The trombone has a relatively small amount of solo literature, especially for how long it has existed. Many professors only teach and perform an even smaller number of those pieces. Some works are compelling and captivating but rarely performed. The purpose of this document is to explore two lesser-known works that have an exciting connection; they are both works about war. I Was Like Wow for Tenor Trombone and Boombox by Jacob Ter Veldhuis (JacobTV) and Encounters IV for Tenor Trombone and Multi-Percussion by William Kraft are two original works for trombone that explore themes of war.
The pieces were …
Teaching Music Theory Through Covid-19, Donna Deloy
Teaching Music Theory Through Covid-19, Donna Deloy
Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance
This thesis surveyed music theory instructors throughout the United States. Throughout the interviews, instructors shared their insights during COVID-19 as a college instructor. This thesis seeks to describe and inform college instructors of the changes made to the undergraduate curriculum and classroom during the COVID-19 pandemic; as a result, instructors found and created new ways to engage students in a classroom through an online format. While creating an online music theory course is challenging, instructors share their experiences navigating this temporary shift beginning in March 2020. A suggestion of implementing more technology into the music theory core could create a …
State Of The Art: A Sampling Of Twenty-First-Century American Baroque Flute Pedagogy, Tamara Tanner
State Of The Art: A Sampling Of Twenty-First-Century American Baroque Flute Pedagogy, Tamara Tanner
Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance
During the Baroque flute revival in 1970s Europe, American modern flute instructors who were interested in studying Baroque flute traveled to Europe to work with professional instructors. They then transmitted that knowledge to their students upon returning to America, furthering the modern study of Baroque flute in America. Now, thanks to their efforts and those of academic institutions and professional organizations such as the National Flute Association, there are many opportunities in America to hear performances by dynamic Baroque flutists, to perform and compete on Baroque flute, and to learn from respected Baroque flute instructors. There are also numerous texts …
Sing Solo Pirate: Songs In The Key Of Arrr! A Literature Guide For The Singer And Vocal Pedagogue, Michael S. Tully
Sing Solo Pirate: Songs In The Key Of Arrr! A Literature Guide For The Singer And Vocal Pedagogue, Michael S. Tully
Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance
Pirates have always been mysterious figures. They came out of nowhere, attacked their victims, plundered their goods, and vanished. Reason tells us that pirates were no more than common criminals, but over the centuries, history has come to portray them as romantic and even heroic figures. This stereotype of piracy has long been a fascination of authors, poets, and composers, and it is evident in our cultural landscape.
This document examines an area of pirate literature that has been neglected, if ever discussed: the published pirate song for solo voice and piano accompaniment. Over the past two centuries many such …