Arts and Humanities Commons^™

Voice Recitals At The Unl School Of Music: Compilation Study, Audrey M. Nicholson

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

An informative compilation of Voice Recitals at the UNL School of Music categorized by Masters, DMA, and Faculty recitals from 1988-2012. Information includes: composer, work title, song title, performer, performance date, instrumentation, audio availability, and online program link.

"Download" button links to pdf version of file. Spreadsheet version (.xls) is attached below as "Related file." ".xlr" files are spreadsheets and can be opened from MS Excel.

Makiko Kinoshita And Her 9 Preludes For Piano: The Amalgam Of American Jazz And European Tradition, Mai Nagatomo

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Makiko Kinoshita is one of the leading contemporary composers in Japan. Kinoshita’s 9 Preludes (2001) is remarkable twenty-first century piano literature that provides abundant use of various musical styles. The most important style that Kinoshita combined with traditional Western writing is jazz; especially the rhythmic and harmonic language of Jazz music. This document provides a detailed analysis of Kinoshita’s unique treatments of form, tonality, harmony, rhythm, and motivic materials. The central section of this study employs musical examples in order to examine how Kinoshita fuses diverse elements of musical styles with modern musical language to create her own idiom. Along …

The Choral Music Of Allen Henry Koepke (1939-2012) With A Conductor's Special Focus On The Preparation Of His Seminal Work, Missa Brevis, Keith J. Curington

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Although American choirs have been performing Allen Koepke’s compositions since 1973 and his music is witnessing greater and greater international appeal, especially in Asia, academic writings about the composer and his contribution to the choral art have been absent. This document examines Missa Brevis, the seminal work by Allen Koepke, and serves as a conductor’s guide for score study and rehearsal preparation. It will address practical problems unique to the work and will suggest solutions that will ensure excellence in its performance. A biography, a complete catalogue of the composer’s large number of choral works in print, a listing …

The Impact Of Vowels On Pitch Finding And Intonation In The Movable-Do Solmization System, Thomas Neuerburg

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

The modern movable-Do solmization system based on syllables devised by Guido d'Arezzo was modified and pieced together over centuries by various scholars and pedagogues, each with their own rationale. To date, considerations of the movable-Do system have not sufficiently examined the effects of the vowels contained within its solfège syllables. While vowels have been thoroughly analyzed among vocal pedagogues, that information has not been adequately transferred to the realm of aural theory. Individual vowels contain perceptual qualities and intonational tendencies, due to their physiological articulation and acoustic properties. This document relates vowel characteristics with the solfège syllables used in the …

Song Of The Wind, Aaron B. Bittman

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Song of the Wind is an original cantata for contralto soloist, chorus, and chamber orchestra. More similar to Carmina Burana than a cantata such as those written by J. S. Bach, musical influences were drawn from such diverse sources as Greek Orthodox chant, minimalism, and New Age popular music. The story of Song of the Wind is drawn from a number of different texts, mostly Eastern and Mid-Eastern in origin, but European texts are represented as well. These texts span a period of time between 3,000 years before the Common Era and the Renaissance, and also include newly written verse. …

Performing Editions Of The Handel Cantatas Hwv 81, 105, And 113 For Soprano, Obbligato Instruments, And Continuo, Or Piano Reduction, With Accompanying Notes, Phonetic Pronunciations, And Translations, Elizabeth N. Deutmeyer

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

This document consists mainly of performing editions of the Handel cantatas Alpestre monte (HWV 81), Dietro l’orme fugaci (Armida abbandonata) (HWV 105), and Figlio d’alte speranze (HWV 113). For each of the three cantatas on which the document is focused, provided in this document are a full score with realized continuo and extracted parts; a piano reduction; an overview containing information on key, tempo, range, tessitura, timing, and musical characteristics and vocal skills required; IPA, idiomatic translations, and word-for-word translations for each; options for da capo ornamentation; indications for cadential delays in recitatives and traditionally expected appoggiature and trills. Additionally, …

A Little Rumba Numba: Latin American Music In Musical Theatre, John David Cockerill

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Despite the prevalent use of Latin American musical styles in American musical theatre, little research has been done on the subject. Quite often the fact that a musical number even has a Latin beat goes unrecognized. This paper examines the various genres of Latin American music that have had an impact in the United States and in musical shows both on and off Broadway. Exploring a large number of examples from musicals throughout the 20th century has caused trends and tendencies in the way Latin music has been used come to light. These include common thematic content and stereotypes and …

Germaine Tailleferre's Film Score To Les Grandes Personnes, Jenna E. Moghadam

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

French female composer, Germaine Tailleferre (1892-1983) is well-known for her small chamber music compositions, but less known for her film score compositions, and her elusive film scores have not been a topic of discussion in music scholarship at the time of this writing. The aim of this thesis is to analyze one of thirty-eight films for which Tailleferre composed a score, Les Grandes Personnes (1961), and the information will be presented in three chapters. Chapter 1 provides information on Tailleferre’s life and compositional career, her inclusion in and the aesthetic endeavors of Les Six, and a background on French …

Symphony In Three Marches, Nels D. Daily

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

This symphony is in three movements and lasts about 25 minutes. The form of the music for each movement has been influenced by the marches of Wolfgang Amadeus Mozart, Edward Elgar, John Philip Sousa, and Dimtri Shostakovich.

The first movement is in a march form related to the music of John Philip Sousa: 1st strain, 2nd strain, trio, dogfight, trio dogfight, trio. This form has been adapted to merge with sonata form. Broad fanfares play a central role in the formal outline. They introduce formal sections similar to Beethoven's slow introduction in the first movement of the "Pathetique" sonata acting …

A Survey Of The Sacred Choral-Orchestral Works Of Sir Henry Walford Davies (1869-1941), Martin C. Cook

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

In the closing years of the 19th Century, when Charles Villiers Stanford, Hubert Parry and Edward Elgar were at the height of their fame and influence in British musical society Henry Walford Davies emerged as one of the most promising talents of the day, receiving commissions from the provincial music festivals of Great Britain, which were a rite of passage for emerging composers.

Between 1904 and 1929 Davies produced eleven sacred choral-orchestral works for these festivals and one further work, which were received favorably in their day but are now almost forgotten. There are five large multi movement works: The …