Arts and Humanities Commons^™

Willa Cather, Edith Lewis, And Collaboration: The Southwestern Novels Of The 1920s And Beyond, Melissa J. Homestead

Department of English: Faculty Publications

In Willa Cather: A Memoir, Elizabeth Shepley Sergeant makes Edith Lewis, with whom Cather shared a home for nearly four decades, a relatively minor character in Cather’s life, and yet occasionally, Lewis moves to the forefront. Describing Cather’s “personal life” in the 1920s, Sergeant notes that when she visited their Five Bank Street apartment,

Edith Lewis, who now worked at the J. Walter Thompson Company, was always at dinner. One realized how much her companionship meant to Willa. A captain, as Will White of Emporia said … must have a first officer, who does a lot the captain never knows …

Review Of Janine Barchas, Matters Of Fact In Jane Austen: History, Location, And Celebrity, Laura White

Department of English: Faculty Publications

Janine Barchas’s thought-provoking study of Austen’s naming practices unearths a wealth of historical antecedents for Austen’s characters and posits an Austen whose gamesmanship with the names of persons and places rivals the knowingness and playfulness of James Joyce. In earlier decades, such a highly ambitious and wide-reaching work could not have been accomplished except through protracted antiquarian research. Web scholarship, however, has made it possible for Barchas to uncover in a relatively short time a remarkable array of the many interconnected historical figures bearing such names as Wentworth, Darcy, Vernon, Ferrars, Allen, and Dashwood whose heroic exploits, political machinations, tragic …

A Matter Of Scale, Matthew L. Jockers, Julia Flanders

Department of English: Faculty Publications

Transcript of a staged debate between Julia Flanders and Matthew L. Jockers on the question of how scale is impacting research in the digital humanities. The debate took place on March 18, 2013 at Northeastern University as part of the Boston Area Days of Digital Humanities Conference.

The Aesthetic Unconscious, Roland K. Végső

Department of English: Faculty Publications

Within the context of recent European history, examines the phrase "aesthetic ideology" and attendant conceptual considerations. Discusses Jacques Rancière’s work and his unequivocal rejection of what he calls “this great anti-aesthetic consensus,” and the central category of the “distribution of the sensible” (le partage du sensible). Rancière calls some level of political engagement “primary aesthetics” and opposes it to actual “aesthetic practices.”

Further, considers Alain Badiou’s critique of Rancière’s Disagreement. Badiou summarizes Rancière’s argument by calling it “a democratic anti-philosophy that identifies the axiom of equality, and is founded on a negative ontology of the collective that sublates the …

Stalin’S Boots And The March Of History (Post-Communist Memories), Roland K. Végső

Department of English: Faculty Publications

I would like to propose here is precisely the invention of a relation to history and the public sphere of sociality that deconstructs the trauma/nostalgia opposition. The theoretical goal is to separate concrete narrative forms from actual political contents. It follows from the previous point that it might be possible to conceive of historical moments or concrete rhetorical situations in which we need to rely on nostalgic rather than traumatic narratives in order to imagine progressive political change. In these situations, the political task could be the development of a certain “critical nostalgia” that does not try to replace trauma …

Introduction To The Naked Communist: Cold War Modernism And The Politics Of Popular Culture, Roland K. Végső

Department of English: Faculty Publications

The first half of The Naked Communist is devoted to the theoretical and historical foundations of my reading of anti-Communist fictions. After the theoretical introduction, I examine anti-Communist aesthetic ideology by first analyzing its political and then its aesthetic components.

In the second half, I examine the way the culture of anti-Communism defined the “world” as the ultimate horizon of political imagination. Included is a brief overview of some of the most popular texts of the given genre.

Finally, I conclude these chapters with a reading of particular authors.