Arts and Humanities Commons^™

On The Need For A Scholarly Edition Of Tárrega’S Complete Works, David J. Buch

Soundboard Scholar

In this guest editorial, the author provides evidence of the unreliable nature of the majority of Tárrega’s first editions, and the substandard quality of most modern editions. The author argues that in light of the recent availability of formerly inaccessible primary sources, the time is right for a scholarly edition of Tárrega’s complete works with state-of-art editorial methods.

An Online, Open-Access Journal, Jonathan Leathwood

Soundboard Scholar

The editor explains the journal’s migration to an online, open-access platform and provides an introduction to the contents of this issue.

Of Self And Circumstance: Music And Representation In The Works Of Rodrigo, Walter Aaron Clark

Soundboard Scholar

Though Joaquín Rodrigo (1901-99) is renowned for his guitar works, especially the Concierto de Aranjuez, less well known is the fact that his compositions embrace a wide variety of genres, styles, and media, from piano solos to art songs and from orchestral tone poems to film scores. This article proposes a novel way of organizing and comprehending the roughly 200 works in his catalogue. Rather than the standard method of organization by chronology or medium, it surveys his oeuvre through multiple lenses, including literary, folkloric, virtuosic, sacred, historical, theatrical and descriptive. Each of these categories represents the salient dimension …

Reginald Smith Brindle’S Concept Of Tonal-Atonal Equilibrium In Theory And Practice, Oliver Chandler

Soundboard Scholar

In an attempt to explain how post-tonal harmonic progressions might “make sense,” Reginald Smith Brindle formulated theories of tension flow and tonal-atonal equilibrium in his 1966 textbook, Serial Composition. The former theory compares the number of consonant and/or dissonant intervals between chords, albeit without providing a consistent means of distinguishing between similar sonorities; the latter observes that various musical passages strike a balance between functional and non-functional harmony, albeit without explaining the nature of said balance. While his ideas are evocative, they lack theoretical finesse. Placing them in dialogue with recent developments in post-tonal scholarship helps to unlock their …

How I Got Into This: Toward A Social History Of The Guitar In America, Peter Danner

Soundboard Scholar

An introduction to a series of five articles by Peter Danner on the history of the guitar in the United States from the late eighteenth to the early twentieth century. Written between 1977 and 1994, these articles first appeared in early issues of the GFA’s magazine Soundboard. They are reprinted here in tribute to Danner’s pioneering contribution to guitar research and to bring them to the attention of a new generation of scholars. The author has generously provided this newly written introduction to the series.

Notes On Some Early-American Guitar Concerts, Peter Danner

Soundboard Scholar

No abstract provided.

A Noteworthy Early-American Guitar Treatise: James Ballard’S Elements Of 1838, Peter Danner

Soundboard Scholar

No abstract provided.

The Guitar In Nineteenth-Century America: A Lost Social Tradition, Peter Danner

Soundboard Scholar

No abstract provided.

A Tribute To Vladimir Morkov (The Czar’S Guitars), Ellwood Colahan

Soundboard Scholar

A review of A Tribute to Vladimir Morkov, by The Czar’s Guitars (John Schneiderman & Oleg Timofeyev) (Hänssler Classic HC20018, 2020, 2 compact discs).

Archetypes (Sérgio Assad, Clarice Assad, Third Coast Percussion), Nathan Cornelius

Soundboard Scholar

A review of  Archetypes, by Sérgio Assad, Clarice Assad, and Third Coast Percussion (Cedille 201, 2021, 1 compact disc).

Ars Longa (Kenny), Jocelyn Nelson

Soundboard Scholar

A review of Ars Longa: Old and New Music for Theorbo, by Elizabeth Kenny, theorbo (Linn CKD 603, 2019, 1 compact disc).

The Catalan Guitar, Part 1: Four New E-Books By Brian Jeffery And Josep María Mangado, Richard M. Long

Soundboard Scholar

A review of four new biographical studies of Fernando Sor:

• Brian Jeffery, Fernando Sor: Composer and Guitarist, 3rd edition (N.p.: Tecla, 2020), PDF or ePub
• Josep María Mangado Artigas, Fernando Sor (1778–1839), vol. 1, Aportaciones biográficas (Sant Feliu de Llobregat, Barcelona: Self-published, Tecla, 2020), PDF
• Josep María Mangado Artigas, Fernando Sor (1778–1839), vol. 2, Documentos inéditos: Reflexiones e hypótesis (Sant Feliu de Llobregat, Barcelona: Self-published, Tecla, 2018), PDF
• Josep María Mangado Artigas, Fernando Sor (1778–1839), vol. 3, La actividad guitarrística en París (1825–1839) (Sant Feliu de Llobregat, Barcelona: Self-published, Tecla, 2010), PDF

"The Lutenist!": Anxieties, Ambiguities, And Deviations In Julian Bream’S Discography, Sidney Molina

Soundboard Scholar

The recent passing of English guitarist Julian Bream (1933–2020) has prompted a reevaluation of his artistic legacy by critics around the world. In this article, I propose a way of reading Bream’s discography in relation to that of his predecessor, Andrés Segovia, utilizing Harold Bloom’s theory of influence, a methodology that I first proposed in application to music in 2006. After dividing Bream’s fifty albums into phases inspired by Bloomian categories, I examine the works that Bream chose to record more than once, with a focus on those to which he returned three or more times.

"For Andrés Segovia": Francisco De Lacerda’S Suite Goivos (1924), Pedro Rodrigues

Soundboard Scholar

Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of symbolist literature for guitar but also as the first work written for guitar by a Portuguese non-guitarist composer. So far, however, it has remained in relative obscurity. In this article, I first explore the suite’s context and history: its origin in meetings and correspondence between Lacerda and the work’s dedicatee, Andrés Segovia; its place among new works commissioned by Segovia from non-guitarist composers; and available manuscript sources for the work. I then argue for the work’s importance as music, highlighting its innovative features, …

Spanish Guitarists In Nineteenth-Century São Paulo, Flavia Prando

Soundboard Scholar

This article explores the presence and activities of guitarists in nineteenth-century São Paulo. Drawing on reviews written by the pianist Alexandre Levy in 1890, I analyze concerts by Martínez Toboso and Gil-Orozco, two Spanish guitarists whose duo seems to have been the first to perform formal concerts in São Paulo. I also investigate Gil-Orozco’s subsequent work in São Paulo, where he lived for seventeen years (1890–1907), playing an essential role in the guitar’s development in the city.

The Flight Of The Maiden: Representations Of Women And The Guitar In Brazilian Culture, Cláudia Araújo Garcia

Soundboard Scholar

This article examines the relationship between women and the guitar in the context of both Brazilian literary discourse and the instrument’s culture and history. To this end, I have sought out texts that illustrate intersections between women and the guitar from the perspective of both female and male authorship. We see that the guitar provides a vehicle for the woman’s voice in all its restlessness, violation, and libertarian desire; but equally, it enables the perpetuation of stereotypes linked to the mirroring of the guitar and the female body. In the absence of literary and historic records of the guitar in …

Remembering Tom Heck And His Legacy, Robert Ferguson

Soundboard Scholar

An obituary of Thomas Heck (1943–2021), outlining his contributions to guitar scholarship, especially with reference to his seminal biography of Giuliani and his research into musical iconography. This article also describes his contribution to the classical guitar community in the United States, as the founding visionary of the Guitar Foundation of America.

The Guitar In America As Mirrored In Cadenza (1894–1924), Peter Danner

Soundboard Scholar

No abstract provided.

The Catalan Guitar, Part 2: Two New E-Books By Josep María Mangado, Richard M. Long

Soundboard Scholar

A review of two studies by Josep María Mangado of the history of the guitar in Catalonia:

• Josep María Mangado Artigas, La guitarra en Cataluña, 1769–1939: Con especial referencia a los guitarristas José Ferrer (1835–1916), Sor, Brocá, Viñas, Bosch, Costa, Más, y otros, version 2.0 (Sant Feliu de Llobregat, Barcelona): Self-published, Tecla, 2010), PDF
• Josep María Mangado Artigas, Los conciertos de guitarra en el Palau de la Música Catalana (Barcelona): Desde sus inicios en 1908 hasta el estreno en 1940 del Concierto de Aranjuez (Sant Feliu de Llobregat, Barcelona: Self-published, Tecla, 2018 [2019?]), PDF

Guitar Double Concertos: Works By Puerto, García Abril & López De Guereña (Trápaga Et Al.), Diogo Alvarez

Soundboard Scholar

A review of Guitar Double Concertos, by Miguel Trápaga and Teresa Folgueira, guitars; Ángel Luis Castaño, accordion; Fernando Arias, vibraphone; Oviedo Filarmonía; Óliver Díaz (Naxos 8.573816, 2019, 1 compact disc).

Return With Us Now: Featured Facsimiles, Peter Danner

Soundboard Scholar

No abstract provided.

Soundboard Scholar No. 7: Cover

Soundboard Scholar

Cover image: José Ferraz de Almeida Júnior (1850–1899), O violeiro (The Guitarist). Oil on canvas, 1899. Source: Wikimedia Commons.

Cover design by Colleen Gates.

Soundboard Scholar No. 7 (Complete)

Soundboard Scholar

This PDF is a compilation of all articles from Soundboard Scholar no. 7, provided for convenience. Please visit https://digitalcommons.du.edu/sbs/vol7/iss1/ for individual PDFs, which should be used for citation.

This PDF was updated on March 4, 2022 to include Robert Ferguson's obituary of Thomas Heck.

Review: The Art Of The Jewish Family: A History Of Women In Early New York In Five Objects, Jeanne E. Abrams

Center for Judaic Studies: Faculty Scholarship

Review of The Art of the Jewish Family: A History of Women in Early New York in Five Objects by Laura Arnold Leibman.

Do Audit Partner Gender And Firm Size Influence Accounting Quality?, Grace Rooney

DU Undergraduate Research Journal Archive

This paper examines the association between audit partner gender and client financial reporting quality. I hypothesize that audit engagements with a Big 4 female audit partner will exhibit higher financial reporting quality than with other auditors. I test my hypothesis by estimating a multivariate ordinary least squares regression model. Consistent with my hypothesis, the results indicate that female auditors within the Big 4 accounting firms have the lowest discretionary accruals.

Developing Effective Intervention: A Case Study Of Genocidal Moments In Srebrenica And Kosovo, Caleb Bryan

DU Undergraduate Research Journal Archive

Despite numerous treaties and international agreements aimed at stopping genocide, genocidal mass killings continue to take place within the current international system. In order to better understand how to best combat genocide, scholars have developed two main approaches: intervention and prevention. The interventionist approach argues genocide can be stopped in its tracks through use of military force and targeted diplomacy, while the preventionist approach argues pre-emptive action is needed to truly stop genocide. Both approaches, however, have relied too heavily on hypothetical analysis of how past genocides could have turned out differently given certain factors. This study instead aims to …

Undecided, Quinn Dymalski

DU Undergraduate Research Journal Archive

Undecided is a big band ballad that features the baritone saxophone. It was written by Quinn Dymalski for his senior recital at the University of Denver, and was premiered on March 2nd, 2020. While the inspiration for this work comes from the styles of modern big band artists such as Quincy Jones, the harmony displays a romantic twist; seventh chords and suspensions like that of a Chopin Nocturne appear when the saxes enter at measure thirteen. The following choral-like figures written for the brass build a dramatic intensity only for the texture to be stripped down to solo bari sax …

An Ominous Horizon: Fascism On The Rise, Matt Bergh, Carol Helstosky

DU Undergraduate Research Journal Archive

The notorious dictator, Bentio Mussolini, became Prime Minister of Italy in 1922- 3 years after the Treaty of Versailles concluded the settlements for World War I in the summer of 1919. Shortly thereafter, Mussolini established his formidable dictatorship that would last 23 years. Post-war Italy experienced economic stagnation, high unemployment, inflation, frequent labor strikes, and stalled production and output among other problems. Many Italians were also frustrated that their country did not receive more recognition in the Versailles Treaty for its contribution to the Allied Cause in the Great War. Interestingly, though, the situation in Italy was very similar to …

Media Framing In The Centennial Olympic Park Bombing: How Media Coverage Of Terrorism Shifts When A Suspect Is Revealed, Easton Bush, Kareem El Damanhoury

DU Undergraduate Research Journal Archive

Terrorist attacks often dominate news cycles as reporters seek to interpret the attack through their own desired framing tools. Since “humans are predisposed to attend to negative and threatening information” (Sui et al., 2017), news coverage of terrorist attacks receive a lot of attention thus, how the attack is framed can manipulate the narrative portrayed to the public. This study utilized the Nexus database to examine framing techniques used by a local and an international newspaper in reporting on the Atlanta Centennial Olympic Park bombings both before and after a subject was identified by the FBI. This paper explores how …

Meddling In The Post-Black Death Economy: Edward Iii’S Policies To Repress The Peasantry, Leah Diciesare, Daniel Melleno

DU Undergraduate Research Journal Archive

The Black Death caused a mass mortality in England, drastically affecting society. However, it was the aftermath of the plague that had the greatest impacts. The loss of life removed pressure on the economy due to population density, which gave the peasants opportunities to improve their lives. But that was a short-lived phenomenon; the peasantry ultimately remained repressed, as they had been prior to the plague. Edward III meddled in the English economy in the wake of the Black Death by introductions price and wage regulations. These efforts were to maintain the status quo in English society so that the …