Arts and Humanities Commons^™

Spring Awakening, Otterbein University Theatre And Dance Department

2012-2013 Season

Based on Frank Wedekind’s groundbreaking and controversial play (once banned in Germany), Steven Sater and Duncan Sheik’s brilliant rock score and searingly emotional book take the story of sexual awakening, youth revolt, and self-discovery into a new century. It’s 1891, and grown-ups hold all the cards. Headstrong Melchior and naive Wendla stumble into each others’ arms, passionate and curious, while anxious Moritz struggles to live up to the stringent expectations of society. With only each other for guidance, this group of young men and women travel the fraught and rocky path of adolescence, discovering their bodies, their minds, and themselves …

Music At Otterbein Fall 2012 Newsletter, Otterbein University

Music at Otterbein Newsletter

Otterbein University Department of Music Newsletter which includes performance schedules and updates about the Department, Faculty and Students.

Noises Off, Otterbein University Theatre And Dance Department

2012-2013 Season

Michael Frayn's Noises Off takes a fond look at the follies of theatre folk, whose susceptibility to out-of-control egos, memory loss, and passionate affairs turn every performance into a high-risk adventure. This play-within-a-play captures a touring theatre troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance, and a performance towards the end of a debilitating run. Frayne gives us a window into the inner workings of theatre behind the scenes, progressing from flubbed lines and missed cues in the dress rehearsal to mounting friction between cast members in the final performance. Brimming with slapstick comedy, Noises …

Something's Afoot: A New Murder Mystery Musical, Otterbein University Theatre And Dance Department

2012 Summer Theatre

Something's Afoot is a murder mystery musical that spoofs detective stories, mainly the works of Agatha Christie, and especially her detective novel And Then There Were None (a.k.a. Ten Little Indians). The play involves a group of people who are invited to the lake estate of Lord Dudley Rancour, When the wealthy lord is found dead, it's a race against the clock to find out whodunnit.

https://en.wikipedia.org/wiki/Something%27s_Afoot

Barefoot In The Park, Otterbein University Theatre And Dance Department

2012 Summer Theatre

What happens when two very different people fall in love? Paul likes to wear his gloves in the winter and Corie wants to walk barefoot in the park. Mix in the crazy neighbors upstairs, Victor Velasco, who "wears Japanese kimonos and sleeps on rugs" and Corie's mother who "wears a hairnet and sleeps on a board" and expect some complications. Set in 1963, Barefoot in the Park captures the tension between the freedom of the burgeoning 60's and the conventions of the waning 50's. Corie and Victor are pre-hippies, attuned to their libidos and their desire for freedom and adventure. …

Circle Mirror Transformation, Otterbein University Theatre And Dance Department

2012 Summer Theatre

A sharply funny new play by emerging playwright Annie Baker, Circle Mirror Transformation follows five people through a summer of "creative drama" in their small town's adult acting class. Led by their bohemian acting coach, the five experiment with harmless theatre games that unexpectedly lead to poignant discoveries about themselves and each other. At turns, surprisingly funny and subtly insightful, this revealing play reminds us why theatre is the most human of all arts.

Music At Otterbein Spring 2012 Newsletter, Otterbein University

Music at Otterbein Newsletter

Otterbein University Department of Music Newsletter which includes performance schedules and updates about the Department, Faculty and Students.

Otterbein Aegis Spring 2012, Otterbein Aegis

Aegis: The Otterbein Humanities Journal

Contents: Editors’ Introduction; Interview with Dr. Debra Moddelmog; Interview with Dr. Angela Smith; Essays: Country and Humanity: The Tensions of Universal Benevolence in Richard Price’s Discourse – Emmy Hammond; From Dominance to Companionship: Animals in Behn and Defoe – Hannah Biggs; Cultural Influence and Aaron Copland’s Appalachian Spring – Andrea Marie Keil; A Crooked Tree: The Problem of Nature vs. Nurture in Wuthering Heights – Becky Woodruff; Influences on Paul Hindemith’s Sonata for Trumpet and Piano – Samuel Kolis; A Rebirth of the Siren – Whitney Reed; Aldous and Aristotle: The Ethics of Brave New World – Chris Thayer; Trauma …

Dance 2012: Spotlight, Otterbein University Theatre And Dance Department

2011-2012 Season

No abstract provided.

Paratexts To Frida Kahlo's Oeuvre: The Relationship Between The Visual And The Textual, The Self And The Other, From The Self-Portraits To The Diary Entries, Levilson C. Reis

Modern Languages & Cultures Faculty Scholarship

This article examines the relationship between the visual and the textual in Frida Kahlo’s paintings and writings. It argues that an understanding of this relationship would offer a better picture of Kahlo’s oeuvre. The article begins with an examination of the dedicatory inscriptions in the self-portraits, engaging with Gérard Genette’s concept of paratext and Philippe Lejeune’s autobiographical pact, as a prelude to the study of the relationship between text and drawings in the diary. In a close reading of the diary, informed by Jacques Lacan’s theories of subject formation and object relations, the article goes on to show that the …

The Self, Its Ideal, And God: The Implications Of Non-Objective Self-Experience, Jeremy H. Smith

English Faculty Scholarship

This article explicates the unified argument of James G. Hart's 1200 page work Who One Is. Hart begins with an exploration of the non-objective self as propertyless ipseity; then relates that sheer ipseity to the concrete development a self; and then, that self to the ideal self which guides its development; and finally, the ideal self to God as its origin. Hart also shows the relevance of Jaspers' notion of Existenz at each of these stages. The uniqueness and “mineness” of any “I” cannot be a matter of properties. Each “I” is a unique “haecceity” for which multiple instantiation …

Kate 2012, Sarah Mcelroy, Amy Kepple Strawser, Brittany Ivy Dorow, Christine Famery, Jessica Campbell, Leslie Willis, Hannah Biggs, Jeff Vasiloff, Carina Drakes, Jennifer Russell, Chelsea Musselman, Sarah Fernando, Sneha Fernando, Becky Woodruff, Jennifer Rish, Ameila Moody, Cyrena Sbib, Meghan Crawford, Chelsea Fuller, Ellie Detrich, Jennifer Hunter, Jacqyln Schott, Katelyn Hanzel, Curtis Haker, Leah Driscoll, Kate M. Carey, Brittany Fisher, Tammy Birk, Niki Calvaruso, Wes Jamison, Alison Kennedy, Chelsa Musselman, Alyssa Mazey, Kristina Fedeczko

Kate

Each year, kate seeks to:

• explore ideas about normative gender, sex, and sexuality
• work against oppression and hierarchies of power in any and all forms
• serve as a voice for race and gender equity as well as queer positivity
• encourage the silent to speak and feel less afraid
• build a zine and community that we care about and trust