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Exploring Metaphor In The Great Gatsby, Dan Gleason
Exploring Metaphor In The Great Gatsby, Dan Gleason
The Great Gatsby Unit
In this lesson, students engage with one approach to metaphor and then apply that learning to metaphors in Great Gatsby. To start, students learn about I. A. Richards’s definition of metaphor as the link between tenor (topic) and vehicle (way of thinking about it). They then generate some metaphors by randomly combining tenors and vehicles in order to understand how the parts interrelate. Finally, the class interacts with the messier, more beautiful face of metaphor by working through, in groups, some key metaphors from the novel. Students identify the components of each metaphor (tenor, vehicle) and also consider what subtle …
Making Gatsby Great: Fitzgerald’S Revisions, Michael W. Hancock
Making Gatsby Great: Fitzgerald’S Revisions, Michael W. Hancock
The Great Gatsby Unit
This discussion-based activity asks students to evaluate how effectively successive drafts of a passage of dialogue in fiction communicate tone and character. Working in small groups, students read three versions (manuscript, unrevised galley proof, and first edition) of a famous passage from F. Scott Fitzgerald’s The Great Gatsby. Examining dialogue tags and dialogue, students identify the strengths and weakness of each version and explain why the final version is (or isn’t) the best. Students may be invited to write their own version of Fitzgerald’s passage. They will recognize the importance of revision in the writing process.