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Full-Text Articles in Arts and Humanities
Playing With Noise: Anne Elliot, The Narrator, And Sound In Jane Austen's And Adrian Shergold's Persuasion, Brianna R. Phillips
Playing With Noise: Anne Elliot, The Narrator, And Sound In Jane Austen's And Adrian Shergold's Persuasion, Brianna R. Phillips
The Corinthian
This paper pushes against the critical tradition that views silence or listening in relation to passivity and powerlessness by exploring the role of noise in Jane Austen’s Persuasion and in Adrian Shergold’s experimental 2007 film adaptation of that novel and how sound relates to Anne Elliot’s emotional legibility. Austen fills the narrative landscape with sounds that are filtered almost exclusively through Anne so that even when she is silent, she is “making noise” through her focalizations and through free indirect narration. Both Austen and Shergold align noise with Anne’s emotions such that Anne’s sensorial responses to shocking, loud, and disruptive …
Trauma, Violence, And Deathly Consequences: Female Justice In Contemporary Literature And Television Adaptations, Allie Owens
Trauma, Violence, And Deathly Consequences: Female Justice In Contemporary Literature And Television Adaptations, Allie Owens
English MA Theses
Over the past decade, a familiar villainous character has begun to arise in television adaptation: the mentally-fractured heroine who turns to villainy: women who have been attacked, raped, or lost loved ones to villains. These attacks and losses trigger murderous rampages and other violence that often leads to their descent into villainy. Netflix’s Jessica Jones, George R.R. Martin’s A Song of Ice and Fire, and its television adaptation Game of Thrones, feature heroines that turn to violence to get revenge. However, the violent heroines in these texts and television adaptations do not just become villains; some …