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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
The Subject And Object Of Art: Lacan, Rose, And Levinas., Silvia Márquez Pease
The Subject And Object Of Art: Lacan, Rose, And Levinas., Silvia Márquez Pease
Department of Art and Art History
This article introduces the different approaches between the western metaphysical thought and the scholars Jacques Lacan, Jacqueline Rose, and Emmanuel Levinas – particularly the contributions to the notion of the ‘becoming’. Lacan expands on Freud’s discovery of the primacy of the unconscious (the id) and concentrates on how the unconscious is structured as a language. He argues that human subjectivity is formed by three realms: The mirror stage which initiates the child into the imaginary, the language which initiates the child into the symbolic and the realm of the real which is always veiled and out of reach.
The Beautiful Is Unveiled, Silvia Márquez Pease
The Beautiful Is Unveiled, Silvia Márquez Pease
Department of Art and Art History
The beautiful is unveiled and resides in the goodness that is within human beings. Beings emanate the goodness within; thus, whoever possesses goodness is able to unveil beauty.
Why Only Art Can Save Us: Aesthetics And The Absence Of Emergency By Santiago Zabala., Silvia Márquez Pease
Why Only Art Can Save Us: Aesthetics And The Absence Of Emergency By Santiago Zabala., Silvia Márquez Pease
Department of Art and Art History
Throughout history, we find ourselves searching for ways to nurture empathy and justice to cope with the political world crisis and improve our lives. The book, Why Only Art Can Save Us, written by a contemporary philosopher and author, Santiago Zabala, questions how the creation of art can shift the reasoning and existential being of humanity; and how art could be the only salvation to the political world crisis. Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century.
A Dialogue On Marta Minujin's Happening: Leyendo Las Noticias (Reading The News), Silvia Márquez Pease
A Dialogue On Marta Minujin's Happening: Leyendo Las Noticias (Reading The News), Silvia Márquez Pease
Department of Art and Art History
Marta Minujín’s Leyendo las noticias is a happening that combines feminine subjectivity with the socio-political, creating a dialogue around notions of trace, the feminine, text, meaning, and impermanence. Specifically, how these notions affect the women living in an unstable and pluralistic world. It depicts a woman as a ‘participatory woman’ talking about women, in a conflicted patriarchal society. I would argue that the popular Marta Minujín’s Leyendo las noticias, represents a ‘slippage,’ for women (Cixoux 1976) amid a repressive culture, and a historical context of a Dirty War, violence, and fear. Martin Heidegger, Jacques Derrida, Helene Cixous, Jane Bennett, and …
Chiyo-Ni And Yukinobu: History And Recognition Of Japanese Women Artists, Kara N. Medema
Chiyo-Ni And Yukinobu: History And Recognition Of Japanese Women Artists, Kara N. Medema
FIU Electronic Theses and Dissertations
Fukuda Chiyo-ni and Kiyohara Yukinobu were 17th-18th century (Edo period) Japanese women artists well known during their lifetime but are relatively unknown today. This thesis establishes their contributions and recognition during their lifespans. Further, it examines the precedence for professional women artists’ recognition within Japanese art history. Then, it proceeds to explain the complexities of Meiji-era changes to art history and aesthetics heavily influenced by European and American (Western) traditions. Using aesthetic and art historical analysis of artworks, this thesis establishes a pattern of art canon formation that favored specific styles of art/artists while excluding others in ways sometimes inauthentic …
Neuroscience And Hindu Aesthetics: A Critical Analysis Of V.S. Ramachandran’S “Science Of Art”, Logan R. Beitmen
Neuroscience And Hindu Aesthetics: A Critical Analysis Of V.S. Ramachandran’S “Science Of Art”, Logan R. Beitmen
FIU Electronic Theses and Dissertations
Neuroaesthetics is the study of the brain’s response to artistic stimuli. The neuroscientist V.S. Ramachandran contends that art is primarily “caricature” or “exaggeration.” Exaggerated forms hyperactivate neurons in viewers’ brains, which in turn produce specific, “universal” responses. Ramachandran identifies a precursor for his theory in the concept of rasa (literally “juice”) from classical Hindu aesthetics, which he associates with “exaggeration.” The canonical Sanskrit texts of Bharata Muni’s Natya Shastra and Abhinavagupta’s Abhinavabharati, however, do not support Ramachandran’s conclusions. They present audiences as dynamic co-creators, not passive recipients. I believe we could more accurately model the neurology of Hindu aesthetic experiences …