Arts and Humanities Commons^™

"You Are Safe. You Are Calm. You Are In Control.", Carly Erst

Graduate Thesis Collection

"You are safe. You are calm. You are in control." is a piece written out of a state of emotional and physical exhaustion. The piece uses an electronic track comprised of the sounds of distressed children recorded at a daycare and a flex string quintet that plays along with the track. This paper explores the reasoning behind the music, the connections the piece has to the past, and the relevance of the piece now and in the future.

The Machine Is Angry, Seth David Allen

Graduate Thesis Collection

At its heart (or lack thereof) The Machine is Angry is a theater work. The visual components are as equally important as their acoustic counterparts. Sounds are only as valuable as the images they evoke and the intention of The Machine is to outline a picture that simultaneously conveys community and isolation; the idea that one can feel most alone when in a crowded room.

Constructivism In Choral Music Education: Supplemental Activities For The Traditional Choral Ensemble, Allison Renee Fojo

Graduate Thesis Collection

Constructivism in music education can help teachers and students alike better their educational experience by working as a collaborative team. In the choral classroom, constructivist teaching establishes the teacher as the facilitator of learning rather than the “teacher as conductor.” Teachers help foster the musical-thinking of the ensemble. Students learn and retain information when teachers can support learners’ understanding of musical ideas and work within the student’s zone of proximal development. Through the use of teacher-guided questioning, cognitive apprenticeship, informal music-making, CMP, problem-solving, and Understanding by Design, students become active participants. Included are supplemental activities for the traditional choir classroom …

Modes Of Infernal Rave Dancing: For Orchestra, Kyle J. Winge

Graduate Thesis Collection

Modes of Infernal Rave Dancing is a lively and compact orchestral work combining many elements that would not otherwise belong together. It applies 20th-century harmonic techniques to a simple dance melody as one would hear in the electronic dance genre. The piece begins by emphasizing one pitch, and gradually adds more pitches before presenting the main melody. Each section builds to segments with harsh dissonances. The entire piece relies on the rhythmic pulse, which creates a sense of urgency in the beginning, nearly disappears in the middle, and returns energetically at the finale. My hope is that this work is …

Sometimes I Think I’M Going Crazy, Connor Kesslering

Graduate Thesis Collection

"Sometimes I Think I’m Going Crazy" is a short story collection containing three stories of more or less equal length. Each of three main characters face conflict that tests their resolve and ultimately forces them to reevaluate who they are as human beings. Stress helps people to grow and evolve and the protagonists in these stories are forced to face their greatest fears head on and (with varying degrees of success) come out the other end better for it. But not before going a little crazy in the process.

Sweat, Cigs And A Ball Of Noise, Tyler Jacob Hughes

Graduate Thesis Collection

Corduroy Jones is contacted by a local promoter to reunite his band Streetwise Preacher. Over a three week span, Corduroy and his bandmates Tony and Johnny go through a series of events leading up to their Halloween Night reunion show.

Pity The Nation, Kameron Zebadiah Mechling

Graduate Thesis Collection

In light of the unprecedented events of social unrest that took place in the year of 2020, this piece takes inspiration from the timeless poem “Pity the Nation” by Lawrence Ferlinghetti. Just as the text and themes relate to the United States during this time, they continue to resonate beyond multiple areas and eras.

When recalling the events of 2020, some remember fear, uncertainty, pain, anger, disgust, and loss. Pity the Nation depicts these emotions. The alto and tenor voices follow each line of text in the poem, interpreting the themes musically as they are given. The fear of the …

Bass Is My Religion: Syncretic Spirituality And Navigating The Potential For Misappropriation Among Participants In Electronic Dance Music Culture, Daniel Backfish-White

Graduate Thesis Collection

At electronic dance music events in the United States, artists and attendees tend to appropriate religious and spiritual sounds, images, and dress, especially from India but also from elsewhere, to varying degrees. This project explicates the effects of adopting religious symbology, ethos, and atmosphere in the music and culture of EDM, specifically in bass music culture. It argues that although individual participants may adopt aspects of religious traditions in ways they perceive as authentic, the potential for misappropriation still exists. In other words, EDM culture creates opportunities for misappropriation that individual participants navigate in order to construct their own individual …